On Oct 7, 2010, at 2:37 PM, Martin Shepherd wrote:

> The issue about "archlutes" with shorter string lengths is muddying the 
> waters a bit - I was assuming that everyone accepted a differentiation 
> (dating right back to Robert Spencer's paper in 1976) between "liuti 
> attiorbati" (surviving examples from Venice c.1630s and 40s with string 
> lengths as short as 58cm and presumably intended for solo music) and 
> "continuo archlutes" (dates variable but somewhat later and tending to Roman 
> origin like the Harz, and presumably the continuo instrument specified by 
> Corelli and Handel) which I took to be the focus of discussion. 

I was thinking about instruments in the 63-64 cm range, but I'll point out that 
if pitch in Rome was around A=390 and pitch in Venice or Mantua was around 465, 
a 56cm string length in the north would have roughly the same relationship of 
length to pitch as a 67cm instrument in Rome, so your view of what instruments 
are "continuo instruments" and what instruments are "presumablly intended for 
solo music" may be too narrow.  Who knows? 




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