Dear Theo

     Just recently on the French Lute list, Carlos Gonzales, president of the Sp
anish Vihuela society, and lutemaker, has sopoken highly of these strings vihuel
a (President Carlos Gonzales)spoke about this;

   See the thread here,
   $
   Re: [Le_luth] Cordes vihuela - demande `a Carlos
   $
   [1]http://fr.groups.yahoo.com/group/Le_luth/message/12239
   $
   has said that for the last few years he has been using these Savarez KF
   strings made specially for harps, as basses for lutes baroque guitars
   and vihuelas. He confirms that they are made up of thinner strands
   glued together, and that he finds them "very balanced, as sweet as the
   human voice". He admits that you need to get used to their thickness,
   but it remains thinner than pure gut types.
   He gives an example of the stringing he uses on a lute or 7c Vihuela :
   g' KFN33 - d' KFN43 - a KFN52 - f KFN66-33 - c KFN84 - 43,5 - G KFN 112
   - 57 - F KFN126 - 62.
   He goes on to say that his wife has used them for some years, and that
   in his experience, it is hard to come back to wirewounds after using
   them. Although, he says he has heard that some players wax their wire
   wounds to make them less bright.
   $
   It seems that at the next  [2]Festival de Musica Antigua at Gijon, the
   topic of strings will be on the agenda, and he hopes that it will be
   possible to compare these harp strings, with Charles Besnainou's spring
   strings (Charles is invited to this meeting), and Mimmo Peruffo's
   loaded strings. Carlos hopes to make acoustic analyses of these
   differents string types, in his sound laboratory.
   $
   Please note that I am only reporting Carlos's words, and not endorsing
   them, as I have never heard these strings. I have heard both Charles
   Besnainou's ultra low impedance spring strings, and myself use low
   impedance loaded strings, which I find excellent, when used in the
   right combination of strings (see the recent loaded string thread).
   Charles' spring strings can either be made of carbon or of gut, but I
   have only heard the gut strings on bowed instruments. I did hear his
   carbon springs on his lutes: I would say that they are very free and
   open, with excellent high frequency content (low impedance), but they
   also did add a plasticky sound to the overall sound-mix; which was not
   at all the case with the bowed gut spring strings. I wonder to what
   extent the KF harps stirings add that plasticky quality, or whether the
   fact that they are composites gets round the bell like sound of most
   carbon strings.
   $
   Stephen Gottlieb who is reputed for using only gut basses on his lutes
   (mainly those of George Stoppani), mentionned that he had tried some
   carbon KF basses, which he had had to cut down to get through the
   bridge holes; but he said they were rather good. I imagine these could
   be the same strings.
   Regards
   Anthony
   epuis quelques annees j'utilise des cordes Savarez KF conc,ues pour les
   harpes "carbone file carbone". En fait se sont les cordes KF `a partir
   du diametre 0,95, au lieu d'etre du monofilament  elles se presentent
   sous la forme d'un monofilament avec des tres fins brins colles. Je les
   utilise pour les bourdons et  on peut corder une vihuela, une guitare
   baroque ou un luth sept choeurs sans cordes filees metal. Je trouve le
   son tres equilibre et les basses douces comme des voix humaines. Il
   faut s'y habituer aux grosses diametres , meme si en boyau les graves
   seraient encore plus grosses.
   Un exemple de cordage pour luth ou vihuela `a 7 choeurs: g' KFN33 - d'
   KFN43 - a KFN52 - f KFN66-33 - c KFN84 - 43,5 - G KFN 112 - 57 - F
   KFN126 - 62.
   Mon epouse Mabel les utilise depuis des annees, et il faut dire
   qu'apres on a du mal `a revenir aux cordes filees metal. J'ai entendu
   dire que certains enduisent de cire les cordes filees pour les rendre
   plus mates, mais je n'ai jamais essaye.
   Cela dit on est toujours `a la recherche d'autres solutions, comme les
   cordes spiralees de Charles Besnainou ou les cordes chargees en metal
   de Mimmo Peruffo. C'est pour c,a que  j'aimerais qu'ils nous parlent de
   leurs experiences `a Gijon et qu'on puisse les  y analyser dans
   l'atelier d'acoustique.
   Amities
   Carlos

I was recently at a harp convention (wife is a harpist), and a harp repairman
told me about a new advance in strings from Savarez,
that they have produced a nylon string (NOT carbon fibre, nor other synthetic)
that has fibres of some sort imbedded within,
The fibres apparently lend both strength and warmth, to sound and feel more
like gut.
I checked the Savarez website but the site has scant information (at least in
the english site).
Does anyone know more about these strings, or is this just rumor/bad
information?
cheers, trj

--
To get on or off this list see list information at
[3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://fr.groups.yahoo.com/group/Le_luth/message/12239
   2. http://www.musicaantiguagijon.com/
   3. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html

Reply via email to