Hello Louis
    You observations seem right to me.

    At the end of a three hour set my wrist if fine - my butt hurts.

Joe


On 4/1/11 9:37 AM, "Louis Aull" <[email protected]> wrote:

>    Hi Joe,
> 
> 
> 
>    The continued discussion of finger position brought to mind some of the
>    mechanical aspects of the lute as well as well. Robert Lundberg in his
>    wonderful book on lute construction insists that the bowls of
>    historical lutes were shaped down on the sides from in front of the
>    bridge to the rose to allow more clearance for the strings. I know that
>    this lowering of the sides could also have been due to repair or
>    correction of the neck angle. Raising the neck angle without removing
>    the neck causes the sides of the bowl to bow out and lower slightly.
>    But in looking at pictures of players hand's and instruments of of all
>    kinds, guitars, lutes, banjos, a perfectly made instrument may wind up
>    in the hands of anyone. A bridge low enough to allow the pinky to rest
>    on the soundboard will find itself torn to shreads by the pick of a
>    strum player (see Willie Nelson). Perhaps Robert was actually seeing
>    the truth here. Look at the finger rest that Chet Atkins used to get
>    the rest point up to his very short pinky, yet keep the clearance for
>    pick work.
> 
> 
> 
>    As the necks got longer and peg boxes got heavier, the neck angle
>    naturally rises to reduce this weight. At 45 degrees, the weight is
>    half that of 90 degrees. As the neck comes up, the right wrist rotates
>    to a position more in parallel with the strings and the pinky has a
>    natural tendancy to come off the sound board. This allows the builder
>    to raise the bridge to get more sound and protect the soundboard from
>    pick damage. Lutes in the 18th century tend to have higher bridges.
>    Once the bridge is raised, it's over for the pinky without a finger
>    rest or placing the pinky on the bridge. The smudge would have been
>    left on some strings. (could the smudgeless soundboards have had a Chet
>    Atkins finger rest?)
> 
> 
> 
>    At the end of a three hour set, hows your wrist?
> 
> 
> 
>    Louis Aull
> 
>    Phone: 770.978.1872
> 
>    Fax: 866.496.4294
> 
>    Cell:404.932.1614
> 
> 
> 
>    --
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



Reply via email to