Hi, all,


   I'm not a scholar of these things, but here are my 2 cents (pfennigs?)
   Many years ago I performed a Senfl piece that had the refrain, "Ich
   cum, ich cum, ich cum!" (can't remember the rest of the text), and
   our Bavarian tenor assured us that it had a sexual connotation.
   Perhaps the term drifted over from Germany, like so many other things
   (allegedly)?  Another knowledgeable musician, coaching us, commented on
   the salaciousness of the text saying, "This is what the estate of
   Ludwig Senfl tried to suppress."



   Keep playing everyone,

   Chris.

   On Mon, Jun 13, 2011 at 4:22 PM, Andreas Schroth
   <[1][email protected]> wrote:

     Am 13.06.2011 22:05, schrieb howard posner:

      Then off he came,&  blusht for shame soe soone that he had endit.

     The Reliques of Ancient English Poetry set the stage not only for
     Robert Burns, but also for Wordsworth and Coleridge's Lyrical
     Ballads. The book is based on an old manuscript collection of
     poetry, which Percy claimed to have rescued in Humphrey Pitt's house
     at Shifnal, Shropshire, "from the hands of the housemaid who was
     about to light the fire with it." The manuscript was edited in its
     complete form by JW Hales and FJ Furnivall in 1867-1868. This
     manuscript provides the core of the work but many other ballads were
     found and included, some by Percy's friends Johnson, William
     Shenstone, Thomas Warton, and some from a similar collection made by
     Samuel Pepys.
     Percy "improved" 35 of the 46 ballads he took from the Folio. In the
     case of The Beggar's daughter of Bednal Green (Bethnal Green), he
     added the historical character of Simon de Montfort, Earl of
     Evesham. In this version the ballad became so popular that it was
     used in two plays, an anonymous novel, operas by Thomas Arne and
     Geoffrey Bush, and Carl Loewe's ballad "Der Bettlers Tochter von
     Bednall Green". A fuller account of the history of the ballad can be
     found in "The Green' by A. J. Robinson and D. H. B. Chesshyre.
     (from wikipedia.en)

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