Thanks for this, Gary. What an astonishingly detailed proscription and a sad reminder of what can happen under a totalitarian government. We can only be grateful that music has so far been under the radar of certain extremists in the US government, bent on interfering with other aspects of private life. On a lighter note, number ten on the list has some merit... RA > Date: Tue, 13 Mar 2012 04:37:41 -0400 > To: [email protected] > From: [email protected] > Subject: [LUTE] Re: Nazi rules for jazz performers > > Famed Czech radical Josef Skvorecky recently died at 87 in his adopted > land of Canada. > In the Atlantic, JJ Gould remembers Skvorecky through his memoirs, > including a detailed list of the rules for jazz performers during the > Nazi occupation. The Reich's Gauleiter for the Nazi Protectorate of > Bohemia and Moravia issued a 10-point regulation that Gould calls "the > single most remarkable example of 20th-century totalitarian invective > against jazz." > 1 Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of > the repertoires of light orchestras and dance bands; > 2 In this so-called jazz type repertoire, preference is to be given to > compositions in a major key and to lyrics expressing joy in life rather > than Jewishly gloomy lyrics; > 3 As to tempo, preference is also to be given to brisk compositions > over slow ones so-called blues); however, the pace must not exceed a > certain degree of allegro, commensurate with the Aryan sense of > discipline and moderation. On no account will Negroid excesses in tempo > (so-called hot jazz) or in solo performances (so-called breaks) be > tolerated; > 4 So-called jazz compositions may contain at most 10% syncopation; the > remainder must consist of a natural legato movement devoid of the > hysterical rhythmic reverses characteristic of the barbarian races and > conductive to dark instincts alien to the German people (so-called > riffs); > 5 Strictly prohibited is the use of instruments alien to the German > spirit (so-called cowbells, flexatone, brushes, etc.) as well as all > mutes which turn the noble sound of wind and brass instruments into a > Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.); > 6 Also prohibited are so-called drum breaks longer than half a bar in > four-quarter beat (except in stylized military marches); > 7 The double bass must be played solely with the bow in so-called jazz > compositions; > 8 Plucking of the strings is prohibited, since it is damaging to the > instrument and detrimental to Aryan musicality; if a so-called > pizzicato effect is absolutely desirable for the character of the > composition, strict care must be taken lest the string be allowed to > patter on the sordine, which is henceforth forbidden; > 9 Musicians are likewise forbidden to make vocal improvisations > (so-called scat); > 10 All light orchestras and dance bands are advised to restrict the use > of saxophones of all keys and to substitute for them the violin-cello, > the viola or possibly a suitable folk instrument. > I wonder how the nazis felt about notes inegale. > Gary > > -- > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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