I agree with Christopher, also as suggested by Mathias one could (probably should)break the chords. A close study of the way that for instance Esaias Reussner tells us about how to break chords gives us an idea and could provide a starting point. Lex Op 10 apr 2012, om 13:26 heeft hera caius het volgende geschreven:
> > > All instruments very authentic copies. > > Gamba and violin on gut, historical bows, baroque flute traversierre, > 14 course theorbo in A on nylgut and copper and organo di legno (wood > organ) > > One example: > > [1]http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1emuE8y > bClQ&index0&feature=plcp > > (recording was made in 2010) > > (the quality of the recording is not the best) > --- On Tue, 4/10/12, David Tayler <vidan...@sbcglobal.net> wrote: > > From: David Tayler <vidan...@sbcglobal.net> > Subject: [LUTE] Re: All about micing...part II > To: "lute" <lute@cs.dartmouth.edu> > Date: Tuesday, April 10, 2012, 12:58 AM > > If you use all original instruments, you will hear the lute fine. > However, if you have thin bridges, heavy bows, thick bass bars, > metal > strings etc on the bowed strings then they will be easily twice as > loud. And so all of the soft instruments will disappear. > __________________________________________________________________ > From: Mathias Roesel <[2]mathias.roe...@t-online.de> > To: lute net <[3]Lute@cs.dartmouth.edu> > Sent: Mon, April 9, 2012 5:50:11 AM > Subject: [LUTE] Re: All about micing...part II >> there and the music was generally very interesting but I hear > your >> theorbo only on the solo piece..." (a Kapsberger)...Na... > There's nothing wrong with an audible theorbo in an ensemble, > probably, > but > the thing is, pluckers cannot hold their tones like singers, viols, > flutes > or organs do. So what should be heard are the impulses of each chord > or > note > that you play. Profiling the rhythmic structure of an ensemble piece > is > a > major task of the theorbo, I suppose. And if you're not content with > that, > there's another way to become audible. You can break the chords. Not > in > the > way of quick arpeggios, but in regular rhythm. You can try to go in > consonant intervals alongside the leading part in prominent > passages. > To get on or off this list see list information at > [1][4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > -- > References > 1. [5]http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html > > -- > > References > > 1. > http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1emuE8ybClQ&index0&feature=plcp > 2. file://localhost/mc/compose?to=mathias.roe...@t-online.de > 3. file://localhost/mc/compose?to=Lute@cs.dartmouth.edu > 4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > 5. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html >
