I must say you seem to be right here, Chris.  We lutenists (and I'm no
   exception) have this prejudice in favour of always producing a 'nice'
   sound.  There's no reason to believe the old guys weren't as passionate
   and vigorous as ourselves.  It's hard to believe they always
   'flattered' the instrument and played gently as most of us do.  I bet
   there were people like our flamenco players around who liked to dazzle
   with rhythmic fireworks, and to hell with producing a 'nice' tone.
   And, of course, there's evidence of theorbo players using nails to help
   them belt it out.

   On a related matter, it's my experience that the tiniest lutes
   (mandore's for example) would be the most prominent in a lute ensemble,
   though nothing like as impressive-looking as the bass instruments
   rumbling away below.  I wouldn't be surprised if theorboes were
   included in ensembles as much for their impressive appearance as for
   the sound they made.  A deep, powerful bass line, is, of course, a
   relatively modern phenomenon (organs excepted).

   Bill
   From: Christopher Wilke <chriswi...@yahoo.com>
   To: hera caius <caiush2...@yahoo.com>; lute@cs.dartmouth.edu
   Sent: Tuesday, 10 April 2012, 13:07
   Subject: [LUTE] Re: All about micing...part II
     Hera,
     If I may be so bold, I might suggest playing closer to the bridge
   with
     the thumb far out in front of the fingers as the treatises and
     iconographic sources demonstrate. I feel that as pluckers in
   ensembles,
     we have to get past the idea of always making a "nice" sound. (not
   that
     you can't make a nice sound with this position.)
     I must admit, I have difficulty with this myself. Whenever I try to
     project the sound outside the group, I always wonder what my fellow
     ensemble members must think of the brash tone, fret buzz, etc. My
   mind
     tells me that it sounds OK in the audience but my heart tells me that
     it's just wrong, wrong, wrong.
     Chris
       __________________________________________________________________
     From: hera caius <[1]caiush2...@yahoo.com>;
     To: lute net <[2]lute@cs.dartmouth.edu>;
     Subject: [LUTE] Re: All about micing...part II
     Sent: Tue, Apr 10, 2012 11:26:38 AM
       All instruments very authentic copies.
       Gamba and violin on gut, historical bows, baroque flute
   traversierre,
       14 course theorbo in A on nylgut and copper and organo di legno
   (wood
       organ)
       One example:

   [1][1][3]http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1
   emu
     E8y
       bClQ&index0&feature=plcp
       (recording was made in 2010)
       (the quality of the recording is not the best)
       --- On Tue, 4/10/12, David Tayler <[2][4]vidan...@sbcglobal.net>
   wrote:
         From: David Tayler <[3][5]vidan...@sbcglobal.net>
         Subject: [LUTE] Re: All about micing...part II
         To: "lute" <[4][6]lute@cs.dartmouth.edu>
         Date: Tuesday, April 10, 2012, 12:58 AM
           If you use all original instruments, you will hear the lute
   fine.
           However, if you have thin bridges, heavy bows, thick bass bars,
       metal
           strings etc on the bowed strings then they will be easily twice
     as
           loud. And so all of the soft instruments will disappear.
     __________________________________________________________________
           From: Mathias Roesel <[2][5][7]mathias.roe...@t-online.de>
           To: lute net <[3][6][8]Lute@cs.dartmouth.edu>
           Sent: Mon, April 9, 2012 5:50:11 AM
           Subject: [LUTE] Re: All about micing...part II
           >    there and the music was generally very interesting but I
     hear
       your
           >    theorbo only on the solo piece..." (a Kapsberger)...Na...
           There's nothing wrong with an audible theorbo in an ensemble,
       probably,
           but
           the thing is, pluckers cannot hold their tones like singers,
     viols,
           flutes
           or organs do. So what should be heard are the impulses of each
     chord
       or
           note
           that you play. Profiling the rhythmic structure of an ensemble
     piece
       is
           a
           major task of the theorbo, I suppose. And if you're not content
     with
           that,
           there's another way to become audible. You can break the
   chords.
     Not
       in
           the
           way of quick arpeggios, but in regular rhythm. You can try to
   go
     in
           consonant intervals alongside the leading part in prominent
       passages.
           To get on or off this list see list information at

   [1][4][7][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
           --
       References
           1.
   [5][8][10]http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
       --
     References
       1.

   [9][11]http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1em
   uE8y
     bClQ&index0&feature=plcp
       2.
   file://localhost/mc/compose?to=[10][12]mathias.roe...@t-online.de
       3. file://localhost/mc/compose?to=[11][13]Lute@cs.dartmouth.edu
       4. [12][14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       5. [13][15]http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
     --
   References
     1.
   [16]http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1emuE8
   y
     2. javascript:return
     3. javascript:return
     4. javascript:return
     5. javascript:return
     6. javascript:return
     7. [17]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     8. [18]http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
     9.
   [19]http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1emuE8
   ybClQ&index0&feature=plcp
     10. javascript:return
     11. javascript:return
     12. [20]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     13. [21]http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html

   --

References

   1. mailto:caiush2...@yahoo.com
   2. mailto:lute@cs.dartmouth.edu
   3. http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1emu
   4. mailto:vidan...@sbcglobal.net
   5. mailto:vidan...@sbcglobal.net
   6. mailto:lute@cs.dartmouth.edu
   7. mailto:mathias.roe...@t-online.de
   8. mailto:Lute@cs.dartmouth.edu
   9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  11. http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1emuE8y
  12. mailto:mathias.roe...@t-online.de
  13. mailto:Lute@cs.dartmouth.edu
  14. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  15. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  16. http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1emuE8y
  17. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  18. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  19. 
http://www.youtube.com/watch?v=JfDoomhnUOU&list=UUFoONkd8wBnm1emuE8ybClQ&index0&feature=plcp
  20. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  21. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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