Hill's Early Music paper 'Realized continuo accompaniments from
   Florence c.1600' is indeed interesting and usefully explores some early
   continuo realisations. But it has one vital flaw: Hill supposes that
   many of the intabulations were conceived for the archlute rather than,
   more likely, a theorbo. This explains why he finds the resultant upper
   line awkward and disjointed - with a theorbo most of these 'problem'
   passages are much more smoothly melodic.

   MH
   --- On Wed, 17/10/12, Monica Hall <[email protected]> wrote:

     From: Monica Hall <[email protected]>
     Subject: [LUTE] Re: Chitarrone
     To: [email protected]
     Cc: "Lutelist" <[email protected]>
     Date: Wednesday, 17 October, 2012, 12:17

   There is also the article by John Hill in Early Music, Vol. 11, no. 2,
   April 1983, p. 194-208 which does mention the possible influence of the
   guitar on the lute  -
   "Realized continuo accompaniments from Florence c.1600".
   I am not sure if it is available on line unless you have a
   subscription.
   Monica
   ----- Original Message ----- From: <[1][email protected]>
   To: "Martyn Hodgson" <[2][email protected]>
   Cc: "Bruno Correia" <[3][email protected]>;
   <[4][email protected]>; "List LUTELIST" <[5][email protected]>
   Sent: Wednesday, October 17, 2012 10:38 AM
   Subject: [LUTE] Re: Chitarrone
   >
   > And you can find Bob's article on-line in
   >    [6]http://www.vanedwards.co.uk/spencer/html/
   >
   > Arto
   >
   > On 17/10/12 11:07, Martyn Hodgson wrote:
   >>     Actually it seems more likely that both instruments were named
   after
   >>     the ancient 'kithara' used by classical Greek poets to accompany
   their
   >>     recitations and, like so much renaissance thinking, seems to
   have been
   >>     a concious attempt to recapture something of the glories (as
   they saw
   >>     it) of the ancient world.
   >>
   >>     See Bob Spencer's article in Early Music  Oct 1976.
   >>
   >>     MH
   >>     --- On Wed, 17/10/12, [7][email protected]
   <[8][email protected]>
   >>     wrote:
   >>
   >>       From: [9][email protected] <[10][email protected]>
   >>       Subject: [LUTE] Re: Chitarrone
   >>       To: "Bruno Correia" <[11][email protected]>
   >>       Cc: "List LUTELIST" <[12][email protected]>
   >>       Date: Wednesday, 17 October, 2012, 2:59
   >>
   >>     The Grove chitarrone info is outdated.
   >>     It is a large CHITARRA ITALIANA.
   >>     See Renato Meucci's article apropos.
   >>     RT
   >>     On 10/16/2012 9:11 PM, Bruno Correia wrote:
   >>     >     The Grove Dictionaire says about the chitarrone:
   >>     >
   >>     >
   >>     >
   >>     >     "The type of lute denoted by this humanist, classicizing
   term
   >>     >     (chitarrone means, literally, a large kithara) was
   associated
   >>     >     particularly with Jacopo Peri, Giulio Caccini and the
   other early
   >>     >     writers of monody from the 1590s until about 1630."
   >>     >
   >>     >     Has anybody challenged this etymology? Wouldn't be safe to
   say it
   >>     >     simply derived from the chitarra (guitar)? Is was
   developed in
   >>     the
   >>     >     first place to acompany, playing chordally from a contino
   line,
   >>     just as
   >>     >     the 5 course guitar would do, though without the struming
   >>     technique.
   >>     >     The solo repertoire that came later looks very close to
   the
   >>     guitar
   >>     >     writing: chords a little counterpoint, arpeggios, slurs,
   >>     campanellas
   >>     >     efect e so on...
   >>     >
   >>     >
   >>     >
   >>     >
   >>     >     --
   >>     >
   >>     >     Bruno Correia
   >>     >
   >>     >
   >>     >
   >>     >     Pesquisador autonomo da pratica e interpretac,ao
   >>     >
   >>     >     historicamente informada no alaude e teorba.
   >>     >
   >>     >     Doutor em Praticas Interpretativas pela
   >>     >
   >>     >     Universidade Federal do Estado do Rio de Janeiro.
   >>     >
   >>     >     --
   >>     >
   >>     >
   >>     > To get on or off this list see list information at
   >>     > [1][13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >>
   >>     --
   >>
   >> References
   >>
   >>     1. [14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >>
   >
   >

   --

References

   1. http://us.mc817.mail.yahoo.com/mc/[email protected]
   2. http://us.mc817.mail.yahoo.com/mc/[email protected]
   3. http://us.mc817.mail.yahoo.com/mc/[email protected]
   4. http://us.mc817.mail.yahoo.com/mc/[email protected]
   5. http://us.mc817.mail.yahoo.com/mc/[email protected]
   6. http://www.vanedwards.co.uk/spencer/html/
   7. http://us.mc817.mail.yahoo.com/mc/[email protected]
   8. http://us.mc817.mail.yahoo.com/mc/[email protected]
   9. http://us.mc817.mail.yahoo.com/mc/[email protected]
  10. http://us.mc817.mail.yahoo.com/mc/[email protected]
  11. http://us.mc817.mail.yahoo.com/mc/[email protected]
  12. http://us.mc817.mail.yahoo.com/mc/[email protected]
  13. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  14. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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