Dear Geoff Gaherty, et alia, et aliens

   Its so gratifying and exciting to encounter another astro-interested
   person, as I attempt email near the Julian Starfest here in southern CA
   (communications are spotty here).  The skies last night were
   breathtaking, stunning, in this very dried up rural region not far from
   Palomar Observatory.  Only 25 miles away is Bruce Lamb who makes the
   extreme instrument cases, so I took a couple of caseless lutes to him.
   He lives across the street from a 101 year old man who dwells and
   shuffles with his walker on a 5-acre dried up estate full of coyotes
   and gophers.  Bruce Lamb is amazing.  He once starred in a 5-year long
   TV show about do-it-yourself home improvements, but it went belly up
   during the switch from VHS to DVD.  He also has a big potbellied pig
   who does pirouettes for watermelon chunks.  I also met a little deer
   eared Chihuahua here named "Frijolita" or "bean."  Don't know when I'll
   get my lutes back because Bruce is very, very busy making extreme cases
   for musicians worldwide.  He's trying to connect with the Navy for
   lucrative contracts, but the Navy is so clueless it thinks plywood is
   eco-friendly when the truth is just the opposite--even currogated
   polypropylene is more eco-friendly than plywood.

   Thank you for writing in and sharing your website.

   Mark Seifert
   From: Geoff Gaherty <[email protected]>
   To: [email protected]
   Sent: Sunday, August 11, 2013 8:08 AM
   Subject: [LUTE] Re: general public Lute awareness
   On 11/08/13 9:41 AM, Ron Fletcher wrote:
   > My main point is that true historical re-enactment is
   > not fantasy, but a desire to generate public awareness of our great
   > heritage.
   For a number of years, I was music director for Poculi Ludiquae
   Societas, the medieval drama society at the University of Toronto's
   Institute of Medieval Studies during the 1980s:
   http://groups.chass.utoronto.ca/plspls/
   We were committed to meticulous historical research as well as lively
   performances.  My job was to select music appropriate to the time and
   culture of the plays being performed, and to provide suitable musicians
   to perform it.  We worked in very close association with the
   professional early music performers in Toronto, to everyone's mutual
   benefit.
   We used to cringe whenever anyone mentioned the Society for Creative
   Anachronism!
   Geoff
   -- Geoff Gaherty
   Foxmead Observatory
   Coldwater, Ontario, Canada
   http://www.gaherty.ca
   http://starrynightskyevents.blogspot.com/
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   --

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