Tom,

     Nice thinking. On a recording, I doubt few, if any people would notice 
that you capo-ized. Just to keep your early music street cred, be sure to make 
up data for your "new" lute on the liner notes, i.e. "alto lute after 
Gerlenbrucher by S. Kubrick, 2001." ;-)

Chris



Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com

--------------------------------------------
On Fri, 10/11/13, [email protected] <[email protected]> wrote:

 Subject: [LUTE] Re: Capo use on early instruments
 To: "R. Mattes" <[email protected]>, "Dan Winheld" <[email protected]>
 Cc: "Monica Hall" <[email protected]>, "Gary R. Boye" 
<[email protected]>, "Lutelist" <[email protected]>
 Date: Friday, October 11, 2013, 12:08 AM
 
 Hello All, 
    and thanks for this discussion.
 I have an 8 course Renaissance lute which I recently used 
 to play and record a piece a whole step higher. 
 Instead of arduously 
 fingered transposing, I strapped a nickel-silver section of
 a 
 candle holder across the fingerboard at the 2nd fret with
 thick hair ties.
   This is no joke - it worked quite well.  While
 it probably would have 
 been better to acquire an instrument designed to be pitched
 higher, 
 I don't have that kind of expendable income, so I
 improvised.  
 A 1/4 x 5 or 6 machine screw with a solid shaft would
 probably work 
 just as well.
   All the best,
 Tom
 
 
 From:       
        Dan Winheld <[email protected]>
 Subject:           
 [LUTE] Re: Capo use on early instruments
 Another good point- the only lute for which I built my own
 capo (pain
 in the butt piece of fussy work) was a 72 cm SL "Division"
 bass lute
 that worked very well as an "E" lute (a-415 or 440) with a
 generous 10
 fret neck, and narrow-ish sloping shoulders at the neck-body
 joint.
 But, in order to work, required equal tempered frets. Great
 instrument
 for accompaniment as well as a substantial amount of solo
 work. But a
 58 - 62 cm SL, 8-fret neck tenor lute with meantone
 fretting? forget
 the damn capo!
 
 Dan
 
 On 9/25/2013 4:13 PM, R. Mattes wrote:
 >> He makes the point that they did it in this way
 because the vihuela
 >> >had only 10 frets and a capo on the fingerboard
 would have reduced
 >> >this to 9.
 > and lutes only had 7 or 8 frets ...
 >
 
 
 
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 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 Tom Draughon
 Heartistry Music
 http://www.heartistrymusic.com/artists_tom.html
 714  9th Avenue West
 Ashland, WI  54806
 715-682-9362
 
 
 


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