Re:  LUTE CAPO...

I made a modified flamenco cejilla for my vihuela.  A Conventional cejilla
is about 3/4" tall in the center and usually has a full-size violin peg in
it.  This gets in the way of the hand.  It is an awkward device.  To remedy
that my guitar teacher, Eddie Freeman, made tiny cejillas for
classical/flamenco guitars that were only 1/8" (3mm) thick and had tiny
handmade pegs that stuck up only 1/4" (6mm).  In that a lute has an arched
fingerboard, an individual with fine woodworking skills could make a lute
cejilla the same way.  I will shortly look at my photo library and send
images of the small cejillas I have made.  Eddie's pegs ware so small that
they cause great pain to the finger tips when twisting them.  I use the
smallest child side violin peg.

Chris

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf
Of [email protected]
Sent: Thursday, October 10, 2013 11:08 PM
To: R. Mattes; Dan Winheld
Cc: Monica Hall; Gary R. Boye; Lutelist
Subject: [LUTE] Re: Capo use on early instruments

Hello All, 
   and thanks for this discussion.
I have an 8 course Renaissance lute which I recently used to play and record
a piece a whole step higher.  Instead of arduously fingered transposing, I
strapped a nickel-silver section of a candle holder across the fingerboard
at the 2nd fret with thick hair ties.
  This is no joke - it worked quite well.  While it probably would have been
better to acquire an instrument designed to be pitched higher, I don't have
that kind of expendable income, so I improvised.  
A 1/4 x 5 or 6 machine screw with a solid shaft would probably work just as
well.
  All the best,
Tom


From:                   Dan Winheld <[email protected]>
Subject:                [LUTE] Re: Capo use on early instruments
Another good point- the only lute for which I built my own capo (pain in the
butt piece of fussy work) was a 72 cm SL "Division" bass lute that worked
very well as an "E" lute (a-415 or 440) with a generous 10 fret neck, and
narrow-ish sloping shoulders at the neck-body joint.
But, in order to work, required equal tempered frets. Great instrument for
accompaniment as well as a substantial amount of solo work. But a
58 - 62 cm SL, 8-fret neck tenor lute with meantone fretting? forget the
damn capo!

Dan

On 9/25/2013 4:13 PM, R. Mattes wrote:
>> He makes the point that they did it in this way because the vihuela
>> >had only 10 frets and a capo on the fingerboard would have reduced 
>> >this to 9.
> and lutes only had 7 or 8 frets ...
>



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Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists_tom.html
714  9th Avenue West
Ashland, WI  54806
715-682-9362



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