__________________________________________________________________

   The Church is St Marks Lutheran in San Francisco
   The present church was constructed on two lots on O'Farrell between
   Franklin and Gough that were bought for $17,500.  A German-American
   architect, Henry Geilfuss,  designed a red brick church in a blend of
   Romanesque style and Gothic elements. Three hundred fifty community
   leaders and onlookers witnessed the cornerstone laying of the new St.
   Markus, the largest German church in California. The church, which cost
   $56,000 to build, was dedicated on March 10, 1895. A Schoenstein organ
   and chandelier from Germany, donated by sugar tycoon Claus Spreckels,
   were transferred from the Geary St. church to the new St. Markus.
   During the dedication ceremony St. Mark's survived the first of many
   earthquakes.
   The name on the cornerstone, St. Markus Kirche, reflected the
   congregation's German heritage. The church is a blend of Romanesque and
   Gothic elements of pointed gables and arches, pier buttresses, and a
   Rose Window. The red brick is set off by details of buff-colored brick
   and Bedford stone. The lower tower has an octagonal base with a conical
   roof, and the higher tower is squared with four upper corner turrets
   and a pyramidal roof.
   d
   From: Nancy Carlin <[email protected]>
   To: Monica Hall <[email protected]>
   Cc: Lutelist <[email protected]>
   Sent: Tuesday, January 21, 2014 1:42 PM
   Subject: [LUTE] Re: A Christmas Contrafactum--sources for pizza.
   If I am not mistaken it's a church near the University of California
   Berkeley campus where a lot of concerts are held.  I've always thought
   of it as designed to appeal to the transplants from the Eastern US and
   it reminds me of big churches in the Boston area.
   Nancy
   > Thank you - that is very interesting and helpful. Loved the Schmelzer
   and some of your other videos especaially the one with the dancers.  It
   is amazing what's on Youtube!  Could spend all night watching them.
   >
   > Another non sequitur -  I was curious to know what sort of church is
   is where you are performing.  It is rather different in style from
   English churches I am familiar with....
   >
   > Monica
   >
   > Monica
   >
   >
   > ----- Original Message ----- From: "David Tayler"
   <[1][email protected]>
   > To: "lute" <[2][email protected]>
   > Sent: Tuesday, January 21, 2014 6:52 PM
   > Subject: [LUTE] Re: A Christmas Contrafactum--sources for pizza.
   >
   >
   >>  Chords and plucking on the viol:
   >>  Well, there are a few different ways to answer that.
   >>  The first is that the difference between the lute and the viol
   would
   >>  have been much less than it is today. that is, the lute would have
   >>  played more melodies and the gamba would play more chords.
   >>  The second is that etymologically, the instruments were considered
   two
   >>  sides of the same coin, so "viola" was "string instrument"; viola
   da
   >>  mano was the lute (called vihuela in Spanish, viol in other
   languages)
   >>  and viola "arco", "gamba" and so on was the same instrument,
   another
   >>  way.
   >>  And then we have the iconographic evidence, some of which may be
   >>  fanciful of course.
   >>  For this video, we adapted and recreated some techniques based on
   >>  contemporaneous sources: Tobias Hume's The First Part of Ayres
   (1605):
   >>  the player is asked in The Souldiers Song to aPlay three letters
   with
   >>  your Fingers', and in "Harke, Harke" to "Play nine letters with
   your
   >>  finger."  And in  Monteverdi's Combattimento di Tancredi e Clorinda
   >>  (1624),  the players are directed to "pluck the strings with two
   >>  fingers".
   >>  Farina in  Capriccio stravagante, 1627, directs the violinist to
   play
   >>  the violin like a guitar.
   >>  We also use full bowed harmonies in the style of the lirone on the
   >>  viol, because the lirone developed out of styles that were already
   used
   >>  for the gamba.
   >>  dt
   >>  You can see this "lirone" style here:
   >>  [3]http://www.youtube.com/watch?v=_pfoPVO4BsM
   >>  They were a lively bunch, way back when!
   >>  dt
   >> __________________________________________________________________
   >>
   >>  From: Monica Hall <[4][email protected]>
   >>  To: David Tayler <[5][email protected]>
   >>  Cc: Lutelist <[6][email protected]>
   >>  Sent: Tuesday, January 21, 2014 3:24 AM
   >>  Subject: Re: [LUTE] A Christmas Contrafactum
   >>  Great performance and very interesting - especially the lyrics
   which
   >>  seem to
   >>  have been culled from different parts of the canon.
   >>  A bit of a non-sequitur but how common was it for the viola da
   gamba to
   >>  pluck rather than bow the bass line?  What is the evidence is
   >>  there....is
   >>  there any?
   >>  Monica
   >>  ----- Original Message -----
   >>  From: "David Tayler" <[1][7][email protected]>
   >>  To: "lute" <[2][8][email protected]>
   >>  Sent: Tuesday, January 21, 2014 9:01 AM
   >>  Subject: [LUTE] A Christmas Contrafactum
   >>  >  One of the interesting features of Early Music is the way in
   which
   >>  >  material was recycled. When I first saw the Contrafactum for
   >>  >  Monteverdi's Chiome d'oro (for Easter), I remember wishing there
   was
   >>  >  one for Christmas. But then I figured, how hard could it be to
   write
   >>  a
   >>  >  Latin version? Pretty hard, as it turns out, so I had a friend
   help.
   >>  dt
   >>  >  [1]aP: Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of
   >>  Music -
   >>  >  YouTube
   >>  >
   >>  >  --
   >>  >
   >>  > References
   >>  >
   >>  >  Visible links
   >>  >  1. [3][9]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   >>  >
   >>  >  Hidden links:
   >>  >  3. [4][10]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   >>  >
   >>  >
   >>  > To get on or off this list see list information at
   >>  > [5][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >>
   >>  --
   >>
   >> References
   >>
   >>  1. mailto:[12][email protected]
   >>  2. mailto:[13][email protected]
   >>  3. [14]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   >>  4. [15]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   >>  5. [16]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >>
   >
   >
   >
   -- Nancy Carlin
   Administrator THE LUTE SOCIETY OF AMERICA
   [17]http://LuteSocietyofAmerica.org
   PO Box 6499
   Concord, CA 94524
   USA
   925 / 686-5800
   www.groundsanddivisions.info
   www.nancycarlinassociates.com

   --

References

   1. mailto:[email protected]
   2. mailto:[email protected]
   3. http://www.youtube.com/watch?v=_pfoPVO4BsM
   4. mailto:[email protected]
   5. mailto:[email protected]
   6. mailto:[email protected]
   7. mailto:[email protected]
   8. mailto:[email protected]
   9. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  10. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  11. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  12. mailto:[email protected]
  13. mailto:[email protected]
  14. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  15. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  16. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  17. http://lutesocietyofamerica.org/

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