The version in the Folger MS ("the battle gallyard") is written for 7c lute with the 7th at D.

Same applies to the Dd.5.78 version of Mr John Langton's Pavan.

M


On 16/10/2014 04:13, Dan Winheld wrote:
Ed-

It's a piece a cake. Every time he calls for the low "F", it's in low position & chord voicing that makes it very, very easy to finger on the 7th course at the 3rd fret. Dowland does not call for this note in many places where he could; as if the piece was originally conceived for a 7 course, low "D" instrument first.

Far more telling is Langton's Pavin (also in the "Varietie") - a veritable showcase piece for the 8 course lute. Also no prob. on a 7 course w/low D.

Yeah, I remember your damn lute. I'm still counting pegs in my sleep. Almost as much fun was bringing my 7 string guitar to Mimmi Fox's jazz guitar class. She kept looking at the guitar, looking at my hands, and shaking her head in confusement.

Dan

On 10/15/2014 5:16 PM, Ed Durbrow wrote:
What about the King of Denmark’s Galliard in Robert Dowland’s Variety. IIRC, you pretty much need the open F and D if you want to pull it off well. I would tune 7 to low D and play the Fs up an octave probably. But I’m on board with you. I had my 8 course converted to a 7 course long ago. I love to watch people’s faces when they count the strings and then count the pegs. As I’ve always said, a seven course is only 7/8 as difficult as eight course.

On Oct 16, 2014, at 4:36 AM, Dan Winheld <[email protected]> wrote:

The answer is- Nothing! It can all be done with 7 courses- but since my low D 7th course would generate far too much tension cranked up to "F", I have to conclude that one (well, me anyway...) needs to have either two 7 course instruments or... ONE eight-course!
Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
https://soundcloud.com/ed-durbrow
http://www9.plala.or.jp/edurbrow/





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