Monica, I salute you for this enlightened statement. Attempting to make sense of something from the remote past based on misunderstanding scant and flimsy evidence reminds me of the premise of the (historical) novel, A Canticle for Leibowitz. If one want to examine the extent of the harmonic resources of the renaissance guitar, try transcribing music from Ukelele Ike. RA > > As for as the idiosyncrasies which we find in the music - I am afraid these > just go with the territory. A 4-course instrument is quite limited and the > music just has to be arranged in a way that it can be played. You just have > to get used to it. Things were very different in the 16th century. > > Regards > Monica
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