I’m not sure of the value, but I do know that Pat O’B would have some comments 
on his left hand technique. “Pronate more” and “your 4th finger is stuck in the 
land where notes don’t live”!!

> On Jul 1, 2015, at 8:49 AM, Rob MacKillop <robmackil...@gmail.com> wrote:
> 
>   I've long thought that there was something missing from the way most of
>   us learn to play baroque music, whether on lute or guitar. Some of us
>   have studied figured bass playing, it's something I particularly
>   enjoyed doing, though I haven't done any for years. But rarely do we
>   step beyond that practice, and I believe that only a very, very small
>   percentage of us are happy improvising baroque counterpoint in Dm
>   tuning.
> 
>   I was fascinated to learn that one of my jazz guitar heroes, Steve
>   Herberman, teaches a class online called Going For Baroque. You have to
>   buy the class, but an overview video is available:
> 
>   [1]http://youtu.be/u9oZ5Us0sfQ
> 
>   It would be really interesting to transfer his approach to the Dm lute.
>   One would really get to know the instrument and tuning well, and
>   discover many contrapuntal finger movements which could be used in
>   improvising fugues or dance movements.
> 
>   I'd like to know your thoughts after watching the video.
> 
>   Rob MacKillop
> 
>   [2]www.robmackillop.net
> 
>   --
> 
> References
> 
>   1. http://youtu.be/u9oZ5Us0sfQ
>   2. http://www.robmackillop.net/
> 
> 
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