Huge help, thanks
> On Aug 16, 2016, at 9:43 AM, adS <rainer.aus-dem-spr...@gmx.de> wrote:
>
> On 15.08.2016 13:08, Daniel Shoskes wrote:
>> Dear Collective Wisdom: I have grown so accustomed to easy access to
>> catalogues and concordances in the baroque lute world thanks to Peter
>> Steur’s excellent website that when I have a Ren Ms to query I feel lost.
>> Specifically, is there a catalogue of the contents of the Danzig 4022 which
>> I have been reading through as I enjoy my new 10 course? Lovely music, a
>> couple of recent fine recordings and many tunes that sound familiar though
>> marked anon. Was even surprised to find a version of the Piccinini Sarabande
>> I just recently made a video of.
>>
>> So generally, is there a Ren lute manuscript resource similar to the Baroque
>> site and specifically, does such a listing exist for the Danzig 4022
>>
>> Thanks in advance
>>
>> Danny
>>
>>
>>
>> To get on or off this list see list information at
>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>
> Better than nothing:
>
> Berlin Staatsbibliothek, Preussischer Kulturbesitz, Musikabteilung
> [formerley Gdansk/Danzig Stadtbibliothek] Ms. 4022
>
> 1 1 Preludium nani di Milan
> X 2 1v [Ba]lardz
> X [untitled] Board f.43v
> X [untitled] Dresden 297 p.113
> X A Volte ML f.17v
> X Currante Nn.6.36 f.25v
> X Corant Mercurij Schele p.48 [CNRS 6]
> X Courante Schele p.87
> X Couranta Werl f.73v
> 3 1v-4 Monycha [cf. nos.55, 221] [cf. La jeune fillette,
> appendix 1]
> 4 4-4v Courrante Sophla Monycha V.B.
> 5 4v-5 [Z]olognia [A]less [Vi]cento [Be]rnia
> 6 5 Sarabanda
> 7 5v-6 Tambarina [Ga]liarda [Al]ess Pi[ccin]in
> 8 6 Balleto del Nani alla Venuta della Regina di Spagnig
> 9 6 [untitled]
> 10 6v [Ba]llet
> 11 6v [V]olte
> 12 7 Sarabanda Faston novelle
> 13 7 Plaisant Piece [different hand]
> 14 7 [untitled, 1 line fragment]
> 15 7v [untitled]
> 16 7v [untitled]
> 17 7v [Pass]a[mezz]o
> 18 8 Saultarella
> 19 8 [untitled]
> 20 8 English Galiard
> X 21 8v [Coura]nt Bal[lard]
> X Cor: Nürnberg ff.30v-31
> X Courante Schele pp.86-7
> X Courante seconde Ballard 1614 p.16
> 22 8v-9 [Cour]ant Bal[lard]
> 23 9 Balard
> X La Volta della Regina Aegidius ff.32v-33
> X Corant Sabac Aegidius ff.77v-78v
> [untitled] Bruxelles 236.369Z f.3v
> [untitled] Bruxelles 236.369Z f.7
> X Corrente della Regina di Francia De
> Bellis p.68
> X Courante Dolmetsch ff.20v-21
> X [untitled] ML f.29v i
> X [untitled] Pickeringe f.42
> X Sarabande Schele p.63
> X Curante Sarabande Stobaeus f.53v
> X Cur: Sarabande Stobaeus ff.54-54v
> X [La Courante Sarabande] Swan f.37
> X Courante de la Reyne. Dixiesme Ballard 1611 I
> p.55
> ??????????? Courante Sieziesme Ballard 1614 II
> pp.37-9
> X La Courante Sarabande Vallet I 1615 p.83
> X Courante Serbande Valerius 1626 pp.238-9
> X cf. La Sarabande Moy 1631 f.24v
> X Courrant Sarabande M.P.C. Praetorius
> 1612 ff.44 & 75
> 24 9v [untitled, in C minor] [first strain only?]
> Courante de madame la princesse de condé
> Montbuysson f.58
> Quatriesme [courante] La Princesse Ballard 1614
> p.16 [p.20?]
> La Princesse Berlin 40641 f.13
> Courante 4 Fuhrmann 1615 pp.163-4
> La Princesse [in F minor] Swan ff.55v-56
> La Princesse Vallet I 1615 p.81
> La Princesse Moy 1631 f.26
> 25 9v-10 [B]alardt
> 26 10v [Ba]llet [Ba]lardt
> The french tune Board f.25
> [untitled] ML f.16
> Est ce Mars Montbuysson f.30
> ballett Montbuysson f.94
> Ballette Gran count Per Brahes f.2v
> Courante de Mars Vallet I 1615 p.70
> Est-ce le grand Dieu Valerius 1626 pp.164-5
> Ballet des nègres Dansé Philidor II p.10
> Ballet pour Madame, Est-ce le grad dieu
> Battaile 1613 f.6v [lute song]
> The New Sa-Hoo Giles Farnaby [kb] FWVB I/148
> [?] instr. a.5 Brade 1617/75
> 27 10v-11 [B]allet
> 28 11 Courante
> 29 11 Balletto du Roy Mercury
> Les grands Ballets du Roi Dolmetsch
> II.B.1 ff.191v-192
> Ballet de M.Daufin Premier chant Ballard I 1611
> p.10
> 30 11v [Ba]letto
> 31 11v [Bou]tade [de] Bal[lard]
> La Boutade de Ballard Dolmetsch II.B.1
> ff.189v-190
> Courante Dolmetsch II.B.1 ff.60v-61
> [untitled] Königsberg f.75
> Cour. Kremsmünster L81 f.151
> Courante ML f.25v
> Couranta 69 Werl f.74
> Courante de la Reyne cinquiesme Ballard I 1611
> pp.44-5
> Courante 3 Fuhrmann 1615 p.163
> Courante par Goutie Moy 1631 f.16
> X 32 11v [Cou]rant
> X Courante Aegidius f.99
> X Courante Aegidius ff.122v-123
> X Courante Basel F.IX.53 ff.11-12
> X Courante Saman Herbert f.65 [CNRS Saman 2]
> X Corant ML f.25
> X Corante Mercury Aos 1615 Schele p.64
> X Courante Schele p.87
> X Courente Turin IV.23/2 ff.5v-6
> X [untitled] Werl f.91
> X Mounsier Saman his Coranto. Coranto.4
> R.Dowland 1610 f.32v
> X Courante 2. Fuhrmann 1615 p.162
> X Courante Moy 1631 f.31v
> cf. Corandt Nurnberg f.29v
> 33 11v-12 [Fort]un [cf. Fortune, appendix 2]
> 34 12 Courant [?] Prince [?] Angelter [?]
> Ballet Berlin 40641 f.3
> The prince his Almayne Board f.16
> an allman by Mer Robart Jhonson Dd.4.22 f.10
> Almaine R. Johnson Herbert f.70v
> The pr: Allm Nn.6.36 f.15v/3
> Allmayne by Mr Robert Johnson ML f.17
> [Sundermann 7]
> An allmaine p mr Ro: Johnson Trinity O.16.2
> p.115
> Engels Prins Daphne Valerius 1626 pp.212-3
> Almane Mathew 1652 pp.30-2
> cf. versions for keyboard lyra viol and
> instr.ensemble
> 35 12 [Moun]sieur de [Ga]utier [Co]urante
> Courante Gauthier Herbert f.46v
> Corant ML f.22
> Untitled Swan ff.73v-74
> cf. [untitled] [tuning?] Basel F.IX.53
> ff.53v-54
> almond goutie flat [french flat tuning]
> Wemyss ff.35v-36
> 36 12v [Coura]nte [?]turm
> 37 12v-13 [B]alletto
> Ballet 40641 f.1v
> [untitled] Dd.4.22 f.10v
> Almayne per John Sturt ML f.2v
> Mrs Mary Hofmans Almand Valerius 1626 pp.226-8
> 38 13 Balletto de florenz
> Aria del Gran Duca fatta da Santino Garsi
> Dusiacki ff.7v-8 [Kirsch 17]
> Balletto del Ducha Berkeley 762 f.2v
> Aria del Gran Duca di Toschana Berkeley 760
> f.24
> 39 13v [P]assameso
> 40 13v [untitled]
> 41 13v-14 [untitled]
> 42 14 Lasna Gagliarda
> 43 14 Bargemas [cf. Bargamasca, appendix 3]
> 44 14 Alietta vitta [Gastoldi RISM A1 G508 no.1] [cf. no.181]
> Alleta Vita Aegidius f.87v
> Alitta Vitta Dlugoraj pp.470-1
> Alieta Vita Eysertt f.58v
> A lita vita Ballet Herdringen 9829 f.15v
> Alleta vita Leipzig II.6.23 f.5v
> 45 14v [Bal]letto Rutteno
> 46 14v B[allo]. P[olacho].
> 47 14v la spagnoletta [cf. Spagnoletta, appendix 4]
> 48 14v Gagliarda Englese
> 49 15 Galliarda
> 50 15 [untitled]
> 51 15v [Gau]ltier [?]lendzon
> 52 15v-16 Perichon misse JB [c]
> Courante JBB Aegidius f.106
> Courante Maior IBB Bfenyves ff.36v-37
> Courante Dolmetsch ff.18v-19
> [untitled] Königsberg f.4v ii
> Cor: Nürnberg I f.23
> Courante [Testudo Maior] Besard 1617 p.26 ii
> cf. Currant [f] Dd.9.33 f.56v
> Le Testame[n]t de Perichon [f]
> Dolmetsch ff.178v-179
> Courante du mesme [Perrichon] Herbert
> f.30
> [untitled] Herbert f.33 [cf. 36v]
> [untitled] Konigsberg f.4v i
> Corant ML ff.26v-27
> Corandt Nürnberg I f.20
> Cor Nürnberg I f.27
> Correte Francese Raimondi ff.2v-3
> Courante Besard 1603 f.156
> Courante Quatorsiesme Ballard II 1614
> p.33
> Courante par Ballart Moy 1631 f.10
> [?] [kb] Cosyn no.45
> [?] [kb] Drallius no.82
> Courrant de Perrichou [nos.60, 61, 174]
> Praetorius 1612 pp.54, 54, 102
> 53 16 Balletto Polacho
> 54 16v-17 [An]gelica [?]Galiard
> 55 17 Guallant a5 Nicola chanson [cf. nos.3, 221] [cf. Une
> jeune fillette, appendix 1]
> 56 17v [Sara]ban[de]
> 57 17v-18v [B]ransle
> 58 18v-19 [untitled]
> Fuga Aegidius ff.84v-85
> Fantasia Aegidius ff.146v-147
> Fantasia Dolmetsch ff.260v-261v
> [untitled] Formschneider f.12v-13
> [untitled?] Kremsmünster L81 ff.72v-73 &
> 133?
> [untitled] Munich 2š Mus pr 93
> f.62v/62/60?]
> Phantasia fugate Stobaeus f.4
> 59 19-19v [untitled]
> 60 19v Anglicum
> 61 19v Danket dem Herrn
> cf. Danket dem Herren Conr. Neusidler Hainhofer
> I ff.68-68v
> Danket dem Herren Nauclerus f.17
> Danket dem Herren Nauclerus f.99v
> 62 19v-20 da dat susanken fuer sach
> 63 20 [untitled]
> 64 20 B.P.
> 65 20 [untitled]
> 66 20 Mein junges Leben
> Mein junges Leben hat ein End Fabritius f.15
> [no.12]
> 67 20v [B].P.
> 68 20v [untitled]
> 69 20v Jan Barino Gagliarda
> 70 21 Balletto Dantuhano
> 71 21 Balletto Anglese
> 72 21 La Pavanigla [not Spanish Pavan]
> Pavaniglia Dlugoraj pp.127-8
> 73 21 B.P.
> 74 21v B.P.
> 75 21v [untitled]
> 76 21v B.P.
> 77 21v [untitled]
> 78 22 B.P.
> 79 22 [untitled]
> 80 22 B.P.
> 81 22 [untitled]
> 82 22v B.P.
> 83 22v [untitled]
> 84 22v [untitled]
> 85 22v B.P.
> 86 22v [untitled]
> 87 23 B.P.
> 88 23 [untitled]
> 89 23 B.P.
> 90 23 [untitled]
> 91 23v B.P. [bransle?]
> 92 23v [untitled]
> 93 23v [untitled]
> 94 23v B.P.
> 95 24 [untitled]
> 96 24 [untitled]
> 97 24 [untitled]
> 98 24 Spagnoletta
> 99 24v-25 Passamezo
> 100 25-25v Saltarella
> 101 25v B.P.
> 102 25v-26 Pavan Despagne [cf. no.203] [cf. Spanish pavan,
> appendix 5]
> 103 26 Chipassa [cf. Chi passa, appendix 6]
> 104 26 Galiarda
> 105 26v B.P.
> 106 26v Englische Toy
> [untitled] Dd.9.33, f.83v
> Klapper Tantz Dlugoraj, p.369
> Comedien Tantz Königsberg, f.57v
> [untitled] Montbuysson, f.2v
> Tantz Nauclerus, f.46v
> A Toy Robinson 1603, sig.I2
> Mr Phs toy [cittern] Dd.4.23, f.6v
> Muscadin [kb] FWVB II pp.236-7
> 107 26v [untitled]
> 108 26v-27 B.P.
> 109 27 [untitled]
> 110 27 Balletto
> 111 27 B.P.
> 112 27v [untitled]
> 113 27v B.P.
> 114 27v-28 B.P.
> 115 28 B.P.
> 116 28v B.P.
> 117 28v [untitled]
> 118 28v B.P.
> 119 28v [untitled]
> 120 28v-29 B.P.
> 121 29 [untitled]
> 122 29 B.P.
> 123 29 Jechal Chopdo miasta
> 124 29v B.P
> 125 29v [untitled]
> 126 29v B.P.
> 126a 29v [untitled]
> 127 29v B.P.
> 127a 29v-30 [untitled]
> 128 30 B.P.
> 128a 30 [untitled]
> 129 30 B.P.
> 130 30 [untitled]
> 131 30 [untitled]
> 132 30v B.P.
> 133 30v B.P.
> 134 30v-31 B.P.
> 135 31 B.P.
> 136 31 [untitled]
> 137 31 B.P.
> 138 31 [untitled]
> 139 31v B.P.
> 140 31v [untitled]
> 141 31v B.P.
> 142 32 [untitled]
> 143 32 B.P.
> 144 32 B. P. K[oenig] In Polen
> Almaine Mr Holborne Welde f.6v [Kanazawa 45
> & B12]
> Almaine [cittern] Holborne 15976/47
> The night watch [cittern] Holborne
> 15996/55
> 145 32 B.P.
> 146 32v-33 [P]assamezo in Contra Tener p[er] b dur in a la re
> 147 33v [L]a Galiarda
> 148 34 Passamezo
> 149 34v La Galiarda [Italian]
> 150 34v-35 Passamezo
> 151 35 La Galiarda
> 152 35v Variatio
> 153 35v-36 Passamezo
> 154 36v La Galiarda
> 155 36v-37 Passamezo
> 156 37 La Galiarda
> 157 37v Variatio
> 158 37v Passamezo
> 159 37v-38 La Galiarda
> 160 38 Passamezo
> 161 38v Variatio
> 162 38v La Galiarda
> 163 38v Passamezo p[er] b mol in c. sol fa ut
> 164 39 Variatio
> 165 39v Variatio
> 166 39v La Galiarda
> 167 39v-40 Passamezo sine Canto
> 168 40 Currente
> 169 40v Currente
> Courant Beckman ff.3v-4
> Corente in basso de Bellis p.39
> La Duchesse Berlin 40641 f.12v
> Curranta Dd.5.78.3 f.74v
> Curranta Dd.9.33 f.42v
> Currant Dd.9.33 f.58
> Courante Dolmetsch II.B.1 ff.22v-23
> Corenta Santino Garsi Dusiacki f.4v [Kirsch
> 16]
> Brettes Corante ML f.3v
> [untitled] Montbuysson f.25v
> Correntta Paris 1108 f.46
> Curent Rowallan III.487 p.3
> A corranto Trinity O.16.2 pp.126-5
> the giuens corant Wemyss f.19v
> Corente Werl f.91v [no.155]
> Courante [first strain] Besard 1603 f.153v
> Courante 19. COurante 19. Fuhrmann 1615
> p.174
> Courante MPC a 4 Praetorius 1612 no.153
> cf. Curante Aegidius ff.132v-133
> Courante Dolmetsch f.34
> Courante a corde avalle Dolmetsch f.283v
> Curant Fuhrmann 1615 p.124
> Fransche Courante Valerius 1626 pp.52-53
> 170 40v Currente
> 171 40v [untitled]
> 172 40v [untitled]
> ???? 173 41 Corente [CNRS Ballard II p.78]
> X Courante Dolmetsch ff.50v-51
> X Courant Königsberg ff.7v-8
> X Corranto O.16.2 pp.125-4
> X Corante Ballard a Paris Ao 1615 Schele p.43
>
> 174 41 [untitled]
> 175 41 [untitled]
> 176 41v Currente
> 177 41v [untitled]
> 178 41v [untitled]
> 179 41v Balletto Rutteno
> 180 42 Alio modo
> 181 42 Alitta vitta [Gastoldi RISM A1 G508 no.1][cf. no.44]
> Alleta Vita Aegidius f.87v
> Alitta Vitta Dlugoraj pp.470-1
> Alieta Vita Eysertt f.58v
> A lita vita Ballet Herdringen 9829 f.15v
> Alleta vita Leipzig II.6.23 f.5v
> 182 42 [untitled]
> 183 42 Canarie
> 184 42 Tuba
> 185 42 Mascarada
> 186 42v Heyducken Tanz
> 187 42v B[alleto] Vngaro
> 188 42v Balleto
> 189 42v Seindt dir den die Hossenband
> 190 42v Jagt Tanz
> 191 42v [untitled]
> 192 42v Anglicum
> Chorea Anglica Bautzen f.86
> [untitled] Dd.5.78.3, f.73v
> Chorea Ang Dlugoraj, p.373
> Curante Leipzig II.6.23 ff.6v-7
> Schönes freulein Lüneburg p.12
> Komb, mein Liebchen Stobaeus [MS Sloane
> 1021], f.79v
> Brande Soetolivier Thysius f.472
> Grimstock [bass viol] Add.15.118, f.30v
> Grimstock [bandora] Dd.9.33, f.81v
> Grimstock [cittern] Dd.4.23, f.6r
> Grimstone [recorder and bass viol parts]
> Dd.5.20, f.8
> Grimstone [recorder part] Dd.5.21, f.8
> [Studentenglück] Engelische Comedien und
> Tragedien 1620, sig.Zz7v
> O mijn Engeleyn, o mijn Teubeleyn Friesche
> Lusthof 1621, p.123
> Kommt ihr G'spielen Actu Oratorio 1630
> Grimstock [fiddle?] Playford 1651, no.14
> Grimstock [cittern] Playford 1666, no.40
> 193 43 Chi passa
> 194 43 [untitled]
> 195 43 [untitled]
> 196 43v Almande amour [cf. 205, 208, 209]
> Allemande d'Amour [3 settings] Fabritius f.97v
> Allemandemor Nauclerus f.67
> 197 43v [untitled, courante?]
> 198 43v [untitled]
> 199 43v Mal sims [cf. Mall Symes, appendix 6]
> 200 44 Balletto
> Ballet Bautzen f.61 i
> Ballet Dresden 297 p.91
> Intrada Köln R242 f.7v
> Ballet Besard 1603 f.149v iii
> 201 44 [untitled, galliard?]
> 202 44 The Parliament Engellat
> Engels Liedlein Berlin 40143 f.63v
> Kemps Jigge Dd.2.11 f.99v
> the parlement Folger f.4v
> Quyns Almand Thysius f.486v
> 203 44 Pavan despagnie [cf. no.102] [cf. Spanish pavan,
> appendix 5]
> 204 44v [untitled, ballet?]
> 205 44v Almande amour [cf. 196, 208, 209]
> 206 44v-45 Balletto la pace
> [untitled] Aegidius ff.138v-139
> Balletto di me Donino Garsi Fatto per il S Duca
> di Mantua Dusiacki ff.59v-60
> [untitled] Siena f.115v
> cf. My lady hunssdons puffe Douland Add.6402
> f.IV [Poulton & Lam 54]
> [untitled] Dd.5.78.3 f.7
> J. Dowland Dd.9.33 f.38
> my Lady Hunsdons Allmande Jo:Dowlande
> Bacheler of musick Folger f.22v
> 207 45 Tutee venite armati [Gastoldi]
> Balleta Tutti Venite armati A5 Eysertt f.71
> Tutti venite armati Hainhofer II f.29v
> 208 45 Almande amour [cf. 196, 205, 209]
> 209 45 Almande amour [cf. 196, 205, 208]
> 210 45v Galiarda
> 211 45v Galiarda
> 212 45v-46 Bergemaso
> 213 46 Galiarda
> Galliarda Anglica 11 Leipzig II.6.15, p. 196
> Galiarda Bautzen, p. 32
> Galliard Danzig 4022, f. 46r
> Galliard Dresden 297, p. 90
> Galliarda Englessa [F] Eysertt, f. 93r
> Galliarda Englessa [G] Eysertt, ff. 93v-94r
> Alio modo [C] Eysertt, f. 95r
> Gaillarda Anglosa. Disc. [F] Königsberg, f.
> 22r
> Galliarda [F] Königsberg, f. 57v
> Galliarda 25 Leipzig II.6.15, p. 206
> Galliarda Leipzig II.6.15, p. 236
> Galliarda Angloise Stobaeus, f. 43v
> Galliarda Angloise Stobaeus, f. 44r
> 24. Galliarda Waissel 159113, no. 116
> Gagliarda Anglica Rude 1600, no. 131
> Galliard Englese Hove 1612, f. 66r
> Gallarde Suit Margriet Valerius 1626, pp. 142-3
> Gaillarde Angloise A.9 / Reprinse Vallet I
> 1615, p. 35
> 214 46 [untitled] [tuning chart]
> 215 46v Duda
> 216 46v/2 English Almande [cf. no.218]
> Almayne Robert Kindersley ML f.4 i
> 217 46v [untitled, galliard?]
> 218 46v-47 [untitled, almaine?] [cf. no.216]
> The Gillyflower Board f.25v
> 219 47 [untitled, ballet?]
> 220 47 [untitled] [cf. Galliard Gregory Howet #7, Walsingham,
> appendix 8]
> 221 47 [untitled] [cf. nos.3, 55] [cf. Une jeune fillette,
> appendix 1]
> 222 47v Intrada
> 223 47v Chorea anglica
> 224 47v 2. Pars
> 225 47v Chorea Anglica
> 226 47v Intrada
> 227 48 Ach Amor wie ganz wiederwertig
> Ach Amor wie ganz widerwertig Fabritius f.47v
> [no.80]
> 228 48 Begierdt reizt mich zue dier
> 229 48 Kalt gebratens zue wittemberg
> Allemande Poloinze Thysius f.498
> 5 Tantz [lute II of duet] Waissel
> 159214/5 sigs.A2v-A3
> 230 48 Muss denn mein <Herz> in trauren
> Muss den mein treuw so gahr [melody only]
> Fabritius f.72v [no.148]
> Muss den mein Treu Fabritius f.80
> cf. Sleep wayward thoughts Dowland I 1597,
> no.13
> 231 48 Ach trau/riges <Herz>
> 232 48 Kehr umb meine Seel
> 233 48v Das mein Herz endzuendt in mir
> 234 48v Lieb thuet Alles ueberwinden
> Lieb Kann Alles ueberwinden Fuhrmann 1615
> p.180
> 235 48v Zur dir stet all mein sin
> 236 48v-49 Ach wie viel Vnmenschlicher Trawrigkeit
> Wie unmenschliche traurigkeit Dlugoraj p.438
> Wie unmenschliche Traurigkeit Königsberg f.58v
> 237 49 Sag mir Cupido du goettlicher bildt
> 238 49 Das <Herz> thut mir auf springen [Hassler 1596 no.5]
> Das Herz tut mich auf springen Eysertt f.53 ii
> Das Herz thuet mir Hainhofer II f.11v
> V. Das hertz thut mir auff springen Karlsruhe
> A678 f.2v
> 239 49 Jungfraw dein Schoen gestalt erfrewt mich sehr
> Jungfraw dein schone gestalt Eysertt f.53 i
> 240 49v kein mensch auff erden [V. Haussmann]
> Kein Mensch auff Erden soll euch [?] liber
> werden Nauclerus f.78v
> X 241 49v Rolandt lieber Rolandt
> [cf. Lord Willoughby, appendix 9]
> 242 49v O Venus hoer was fuer beschwer
> 243 49v Chorea Bey dir mein <Herz>
> 244 49v Wie wirdt mir das
> Wie wird mir den geschen Fabritus f.74
> [no.138]
> Wie werdt mir das gesch'n Königsberg f.15v
> cf. Wie will mir dan verzeihen wann ich dir
> meiden soll Nauclerus f.93
> 245 49v Englisch Weimann ist naechten spaet heimge
> 246 49v Gott behuet dich herchen
> 247 50 Soll es sein
> 248 50 Allein Gott In d'hoeh sey Ehr [Zahn 4457]
> Allein Gott in der höhe seÿ Ehr Dlugoraj p.527 i
> Allein Gott In der Hohe sei Ehr Fabritius f.146
> Allein Godt in der hohe Lüneburg 2000 p.79
> Allein Gott in der hohe sei ehr Karlsruhe A678
> f.9
> Allein Gott In der hohe sey Eehr Nauclerus
> f.100v
> 249 50 Erbarm dich mein o herre Gott [Zahn 5851]
> Erbarm dich mein ô Herre Gott Dlugoraj p.526
> ii
> 250 50v Nun lasst uns Gott den heren
> Nun lasst uns Gott den Herren Fabritius f.147v
> Nun last unss Gott des Herren &C Königsberg
> f.73 i
> 251 50v Hern Jesu Christ warer Mensch
> 252 50v Zwey dingk Herr bitt Ich von dir
> 253 50v Nachdem die Sonne
> 254 50v Christ Lag in todesbanden
> Christ Lag in todesbanden DML Eysertt f.86
> iii [Doctor Martin Luther]
> Christ lag in Todesbanden Fabrituius
> f.148v
> Christ lag in todes banden MJB[urmeister]
> Karlsruhe A678 f.11
> Christi lag in todes banden Lüneburg 2000
> p.76
>
>
>
