Look at a4 in 5th measure. Much ado about white's nothing :)
   G

   On Sun, Jan 15, 2017 at 2:36 PM, Christopher Stetson
   <[1]christophertstet...@gmail.com> wrote:

        Dear Rainer and all,
        It appears to me that both examples are identical.
        Chris.

      On Sun, Jan 15, 2017 at 8:00 AM, Rainer
   <[1][2]rads.bera_g...@t-online.de>
      wrote:
        Dear lute netters,
        please note that the tablature snippets in this mail may look very
        strange if you do not use a fixed font or - much worse - your mail
        client wraps after 80 bytes.
        I am currently playing through the music supplement 100 (English
        Lute Society) and noticed some thing I had not noticed before.
        CLM 56 appears as
         |\     |\    |\    |\    |\    |\    |\     |\    |\    |\    |\
       |\    |\
        |\    |\    |\    |\     |\    |\    |\    |\    |\
         |\     |\    |\    |\    |\    |\    |\     |\    |\    |\    |
      |\    |\
        |\    |\    |\    |\     |\    |\    |\    |\    |
         |      |.    |\    |     |.    |\    |      |.    |\    |     |.
       |.    |\
        |     |.    |\    |      |.    |\    |     |     |
        _d__ _c_______a___________a__ _f_______d___c__
        _d___c___a___h___f___d__ _c_______a__________
        _a__|_a_______a___e_______a__|_c___e___a___a__|_a___________
        d__________|_a_______a___e___a__|
        ____|_____d___b___a__________|________________|_____________
        ___________|_____d___b___a______|
        _c__|_b_______c___________c__|_e___________b__|_____________
        f__________|_a_______c__________|
        ____|_____________c___a______|_____________c__|_____________
        ___________|_____________c______|
        ____|_____________________d__|_c_______a______|_a___________
        d__________|____________________|
        in the Poulton edition (1974) and in John's version in the
        supplement.
        I think it must    be changed to (bar 4)
         |\     |\    |\    |\    |\    |\    |\     |\    |\    |\    |\
       |\    |\
        |\    |\    |\    |\     |\    |\    |\    |\    |\
         |\     |\    |\    |\    |\    |\    |\     |\    |\    |\    |
      |\    |\
        |\    |\    |\    |\     |\    |\    |\    |\    |
         |      |.    |\    |     |.    |\    |      |.    |\    |     |.
       |.    |\
        |     |.    |\    |      |.    |\    |     |     |
        _d__ _c_______a___________a__ _f_______d___c__
        _d___c___a___h___f___d__ _c_______a__________
        _a__|_a_______a___e_______a__|_c___e___a___a__|_a___________
        d__________|_a_______a___e___a__|
        ____|_____d___b___a__________|________________|_____________
        ___________|_____d___b___a______|
        _c__|_b_______c___________c__|_e___________b__|_____________
        f__________|_b_______c__________|
        ____|_____________c___a______|_____________c__|_____________
        ___________|_____________c______|
        ____|_____________________d__|_c_______a______|_a___________
        d__________|____________________|
        1) It sounds awfully wrong
        2) Dowland did not write such harmonies - Cutting did :)
        3) compare bar 2
        What do you think?
        Rainer
        To get on or off this list see list information at

          [2][3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
        --
     References
        1. mailto:[4]rads.bera_g...@t-online.de
        2. [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:christophertstet...@gmail.com
   2. mailto:rads.bera_g...@t-online.de
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. mailto:rads.bera_g...@t-online.de
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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