Has anyone ever done a study of possible wrong notes in ‘Forlorne
   Hope?" In Alonso Mudarra's Fantasia, there is, according to Pujol, a
   comment: ‘There are are few false notes but they do not sound bad if
   played well'. So it may be an over reach to assume that unusual sounds
   may have a high probability of being typographical errors.

   A. John Mardinly, Ph.D., P.E.
   Retired Principal Materials Nanoanalysis Engineer
   EMail: [1][email protected]
   Cell: [2]408-921-3253 (does not work in TEM labs)
   But don't call the lab….I won't be there!

   On Jan 15, 2017, at 10:36 AM, Alain Veylit
   <[3][email protected]> wrote:

   I personally disagree with changing the rhythm in that bar. It is
   perfectly fine to my ear. There is a danger in over-correcting: it can
   take away the original flavor of the piece. If it can fly, let it fly.
   If it cannot fly, try to make it fly.
   In any case, wrong notes should always be accented, otherwise they
   sound like mistakes.
   On 01/15/2017 08:55 AM, Rainer wrote:

     On 15.01.2017 16:45, Ron Andrico wrote:

     Rainer, it's simply a difference in the application of an
     accidental, which most likely is a copyist's error - or a copyist's
     insipid choice, if he or she was unschooled in the proper horizontal
     tracking of parts.  It's a grave misIn any case, wrong notes should
     always be acccented, otake to think of lute tablatures as the
     embodiment of the composer's intention, and many silly mistakes can
     be fixed simply by thinking in horizontal parts, as our 16th-century
     antecedents would have done, rather than our modern concept of
     vertical harmonies.

     By the way, I also believe that the rhythm in bar 4 has to be
     changed:
      |\  |\  |\  |\  |\
      |\  |\  |\  |   |\
      |.  |\  |   |   |
     _c_______a__________
     |_a_______a___e___a__||
     |_____d___b___a______||
     |_b_______c__________||
     |_____________c______||
     |____________________||
     Otherwise it doesn't match the upbeat before bar 1 (in case you
     repeat the strain) and I think the second strain needs a quarter
     note upbeat as well.
     I know that many people hesitate to change anything in such cases.
     However, don't forget, this was not copied by Dowland.
     Unfortunately no other copy/version of the piece has survived.
     Rainer

     RA
     ________________________________
     From: [4][email protected] <[5][email protected]> on
     behalf of Matthew Daillie <[6][email protected]>
     Sent: Sunday, January 15, 2017 2:20 PM
     To: Rainer; Lute net
     Subject: [LUTE] Re: Mrs White's nothing
     Dear Rainer,
     It doesn't sound awfully wrong to me. Furthermore, if you play just
     the
     bass line you will see that the voice moves in exactly the same
     fashion
     in bars 5 and 6.
     Best,
     Matthew
     On 15/01/2017 14:00, Rainer wrote:

     Dear lute netters,
     please note that the tablature snippets in this mail may look very
     strange if you do not use a fixed font or - much worse - your mail
     client wraps after 80 bytes.
     I am currently playing through the music supplement 100 (English
     Lute
     Society) and noticed some thing I had not noticed before.
     CLM 56 appears as
     |\   |\  |\  |\  |\  |\  |\   |\  |\  |\  |\   |\  |\  |\  |\ |\
     |\   |\  |\  |\  |\  |\
     |\   |\  |\  |\  |\  |\  |\   |\  |\  |\  |    |\  |\  |\  |\ |\
     |\   |\  |\  |\  |\  |
     |    |.  |\  |   |.  |\  |    |.  |\  |   |.   |.  |\  |   |. |\
     |    |.  |\  |   |   |
     _d__ _c_______a___________a__ _f_______d___c__
     _d___c___a___h___f___d__ _c_______a__________
     _a__|_a_______a___e_______a__|_c___e___a___a__|_a___________d_______
     ___|_a_______a___e___a__|
     ____|_____d___b___a__________|________________|_____________________
     ___|_____d___b___a______|
     _c__|_b_______c___________c__|_e___________b__|_____________f_______
     ___|_a_______c__________|
     ____|_____________c___a______|_____________c__|_____________________
     ___|_____________c______|
     ____|_____________________d__|_c_______a______|_a___________d_______
     ___|____________________|
     in the Poulton edition (1974) and in John's version in the
     supplement.
     I think it must  be changed to (bar 4)
     |\   |\  |\  |\  |\  |\  |\   |\  |\  |\  |\   |\  |\  |\  |\ |\
     |\   |\  |\  |\  |\  |\
     |\   |\  |\  |\  |\  |\  |\   |\  |\  |\  |    |\  |\  |\  |\ |\
     |\   |\  |\  |\  |\  |
     |    |.  |\  |   |.  |\  |    |.  |\  |   |.   |.  |\  |   |. |\
     |    |.  |\  |   |   |
     _d__ _c_______a___________a__ _f_______d___c__
     _d___c___a___h___f___d__ _c_______a__________
     _a__|_a_______a___e_______a__|_c___e___a___a__|_a___________d_______
     ___|_a_______a___e___a__|
     ____|_____d___b___a__________|________________|_____________________
     ___|_____d___b___a______|
     _c__|_b_______c___________c__|_e___________b__|_____________f_______
     ___|_b_______c__________|
     ____|_____________c___a______|_____________c__|_____________________
     ___|_____________c______|
     ____|_____________________d__|_c_______a______|_a___________d_______
     ___|____________________|
     1) It sounds awfully wrong
     2) Dowland did not write such harmonies - Cutting did :)
     3) compare bar 2
     What do you think?
     Rainer

     To get on or off this list see list information at
     [7]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo
     uth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIC-g&c=AGbYxfJbXK67KfXyGq
     yv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-L
     NEQ&m=KTaZR0MM7FK5hNqfCQid-rQfBjwkm5ii_d6HHP4mR_k&s=QxDfAbDkBqO-RYRU
     a3nmtnKmW1wizbQCnZno5dM2UyI&e= Frequently Asked Technical Questions
     about the lute mail
     list<[8]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.d
     artmouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIC-g&c=AGbYxfJbXK67K
     fXyGqyv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61y
     gSK-LNEQ&m=KTaZR0MM7FK5hNqfCQid-rQfBjwkm5ii_d6HHP4mR_k&s=QxDfAbDkBqO
     -RYRUa3nmtnKmW1wizbQCnZno5dM2UyI&e= >
     [9]www.cs.dartmouth.edu
     Frequently Asked Technical Questions about the lute mail list.
     getting on and off the list; How do I get on the lute mail list? How
     do I get off the lute mail list?

References

   1. mailto:[email protected]
   2. tel:408-921-3253
   3. mailto:[email protected]
   4. mailto:[email protected]
   5. mailto:[email protected]
   6. mailto:[email protected]
   7. 
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIC-g&c=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=KTaZR0MM7FK5hNqfCQid-rQfBjwkm5ii_d6HHP4mR_k&s=QxDfAbDkBqO-RYRUa3nmtnKmW1wizbQCnZno5dM2UyI&e=
   8. 
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIC-g&c=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=KTaZR0MM7FK5hNqfCQid-rQfBjwkm5ii_d6HHP4mR_k&s=QxDfAbDkBqO-RYRUa3nmtnKmW1wizbQCnZno5dM2UyI&e=
   9. http://www.cs.dartmouth.edu/

Reply via email to