On 15.01.2017 20:19, John Mardinly wrote:
Has anyone ever done a study of possible wrong notes in ‘Forlorne Hope?” In
Alonso Mudarra’s Fantasia, there is, according to Pujol, a comment: ‘There are
are few false notes but they do not sound bad if played well’. So it may be an
over reach to assume that unusual sounds may have a high probability of being
typographical errors.
This is certainly his famous
Fantasía que contrahaze el arpa en la manera de Ludovico
and he wants to say that the false relations sound fine if played fast enough.
There are no "wrong" notes.
Rainer
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