Bass line B flat to F natural in version 1 seems more apposite than B
   flat to F sharp in version 2, so I would vote for no change.
   All best
   Peter
   On 15 January 2017 at 13:00, Rainer <[1]rads.bera_g...@t-online.de>
   wrote:

     Dear lute netters,
     please note that the tablature snippets in this mail may look very
     strange if you do not use a fixed font or - much worse - your mail
     client wraps after 80 bytes.
     I am currently playing through the music supplement 100 (English
     Lute Society) and noticed some thing I had not noticed before.
     CLM 56 appears as
      |\    |\   |\   |\   |\   |\   |\    |\   |\   |\   |\    |\   |\
     |\   |\   |\   |\    |\   |\   |\   |\   |\
      |\    |\   |\   |\   |\   |\   |\    |\   |\   |\   |     |\   |\
     |\   |\   |\   |\    |\   |\   |\   |\   |
      |     |.   |\   |    |.   |\   |     |.   |\   |    |.    |.   |\
     |    |.   |\   |     |.   |\   |    |    |
     _d__ _c_______a___________a__ _f_______d___c__
     _d___c___a___h___f___d__ _c_______a__________
     _a__|_a_______a___e_______a__|_c___e___a___a__|_a___________
     d__________|_a_______a___e___a__|
     ____|_____d___b___a__________|________________|_____________
     ___________|_____d___b___a______|
     _c__|_b_______c___________c__|_e___________b__|_____________
     f__________|_a_______c__________|
     ____|_____________c___a______|_____________c__|_____________
     ___________|_____________c______|
     ____|_____________________d__|_c_______a______|_a___________
     d__________|____________________|
     in the Poulton edition (1974) and in John's version in the
     supplement.
     I think it must   be changed to (bar 4)
      |\    |\   |\   |\   |\   |\   |\    |\   |\   |\   |\    |\   |\
     |\   |\   |\   |\    |\   |\   |\   |\   |\
      |\    |\   |\   |\   |\   |\   |\    |\   |\   |\   |     |\   |\
     |\   |\   |\   |\    |\   |\   |\   |\   |
      |     |.   |\   |    |.   |\   |     |.   |\   |    |.    |.   |\
     |    |.   |\   |     |.   |\   |    |    |
     _d__ _c_______a___________a__ _f_______d___c__
     _d___c___a___h___f___d__ _c_______a__________
     _a__|_a_______a___e_______a__|_c___e___a___a__|_a___________
     d__________|_a_______a___e___a__|
     ____|_____d___b___a__________|________________|_____________
     ___________|_____d___b___a______|
     _c__|_b_______c___________c__|_e___________b__|_____________
     f__________|_b_______c__________|
     ____|_____________c___a______|_____________c__|_____________
     ___________|_____________c______|
     ____|_____________________d__|_c_______a______|_a___________
     d__________|____________________|
     1) It sounds awfully wrong
     2) Dowland did not write such harmonies - Cutting did :)
     3) compare bar 2
     What do you think?
     Rainer
     To get on or off this list see list information at
     [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:rads.bera_g...@t-online.de
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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