Dear Matthew, 

What was possible for the old lutenists should be also possible for us today.
I send you a link to a chart with the most important tunings from Vieil ton to 
the Nouvel accord ordinaire (NAO; d-minor).
http://www.accordsnouveaux.ch/de/DownloadD/files/From_VT_to_the_NAO.pdf
You see that with my system the 1st string will be lowered 2 or 3 semitones, 
the 2nd course 2 ST for VT to edeff and fedff. Or I have to tune up the 3rd +1 
ST and the 4th +2 ST from the NAO.
Take lutebooks of the early period of accords nouveaux and have a look on the 
tunings used in this book (or at leat in the early period of such a source).
ffeff, fdeff, fedff and edeff were used in the same period.
Of course it's possible that they tuned one lute in an accord nouveau with a 
thicker top string and an other lute in vieil ton. But who had more than one 
lute? That's a small cercle.
But there are two important points:
- The playing technique was thumb out with the little finger just at the bridge.
- The groundbreaking exercise is the tirer et rabattre in this position - in 
other words not with the right side of index, but with the top.
These two points lead to a completely different feeling - also for string 
tension.

Then have a look to a book which was written between 1640 and 1642: CH-Zz Q 
907. It's a very important source because it's the first manuscript which 
demands the 11-course lute in combination with the NAO.
http://www.accordsnouveaux.ch/de/DownloadD/files/CH-Zz_Q_907_Edition.pdf
The used tunings (only the first 6 courses):
ddeff f.ex. f1 d1 b g d A
edeff f.ex. f#1 d1 b g d A
dedff f.ex. f1 d1 bb g d A
dfedf f.ex. f1 d1 a f d A (NAO)
efdef f.ex. f#1 d1 a f# d A (D-major tuning)

The changing courses:
1st course: f#1 / f1 = +/-1 ST
3rd course: b bb a = +/- 2 ST
4th course: g f# f = +/- 2 ST

So at least +/- 2 ST is normal!

I'm just preparing a suite by Jacobi which was composed around 1720, I think. 
The tuning: dfehc* [ceghk] = f1 d1 a f Bb Ab / G F Eb D C
I have to tune down he 5th course -4 ST, the 6th -1 ST. Of course, it's a 
special feeling to play the very low 5th course - but it's possible.

My point: The tuning +/- 2 ST is absolutely normal and was made on lute types 
in most of the time between 1623 until around 1800 (mandora). So I as a modern 
player have to find solutions to handle this. Restringing was normally not the 
way - exceptions are possible, of course.
For me it seems to exist a direct connection between the variablilty in the 
accords and the right hand technique.

All the best,

Andreas

Am 29.08.2017 um 17:03 schrieb Matthew Daillie <dail...@club-internet.fr>:

>   Well Andreas, I really don't know how you manage to tune your
>   chanterelle down from g' to eb', for example and your second course
>   down from d' to c' and still be able to play correctly. I certainly
>   can't. Gut bass strings are certainly more tolerant of changes of pitch
>   and can work at different tensions but treble strings are quite another
>   matter.
>   Best,
>   Matthew
>   On 29/08/2017 16:23, Andreas Schlegel wrote:
> 
> I'm playing since years and years some transitional tunings on my 10c lute, 
> norm
> ally tuned in VT, without changing any strings - and other accords nouveaux 
> lute
> types which are normally tuned in the nouvel accord ordinaire (d-minor) 
> withopu
> t changing any string. And it works.
> Of course the feeling changes - but I can handle it.
> If I make a concert program, I have normally one instrument in the dedff and 
> the
> other in edeff and fedff tuning. For the tunings see:
> [1]http://www.accordsnouveaux.ch/de/Abhandlung/Accords/Accords_Darstellung/Accor
> ds_Darstellung.html
> or
> [2]http://www.accordsnouveaux.ch/en/styled-5/styled-9/index.html
> (the beginning of the translated homepage... the remaining pages and a better 
> fo
> rmatted design will follow in the next months...)
> 
> It's simply not thinkable that the lutenists of the transitional period 
> restring
> ed their lutes for every tuning! So we have to find solutions which are near 
> by
> the old practice.
> 
> By the way: With gut strings it's more comfortable to change tunings than 
> with m
> odern string materials.
> 
> All the best,
> 
> Andreas
> 
>   --
> 
> References
> 
>   1. 
> http://www.accordsnouveaux.ch/de/Abhandlung/Accords/Accords_Darstellung/Accords_Darstellung.html
>   2. http://www.accordsnouveaux.ch/en/styled-5/styled-9/index.html
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Andreas Schlegel
Eckstr. 6
CH-5737 Menziken
+41 (0)62 771 47 07
lute.cor...@sunrise.ch



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