I have composed a few big works for the baroque lute, and I'm now working on 
something for 15 course archlute.
Sterling 

Sent from my iPad

> On Dec 21, 2017, at 4:10 PM, Daniel Shoskes <[email protected]> wrote:
> 
> I highly recommend it. I commissioned a work from Ronn McFarlane and I think 
> it’s one of his most beautiful:
> 
> https://www.youtube.com/watch?v=iYgAAyMtgtE 
> <https://www.youtube.com/watch?v=iYgAAyMtgtE>
> 
> Ronn playing it live: https://www.youtube.com/watch?v=Cz3j5muuVKc 
> <https://www.youtube.com/watch?v=Cz3j5muuVKc>
> 
> Recording: 
> https://itunes.apple.com/us/album/passacaglia/878859427?i=878859469 
> <https://itunes.apple.com/us/album/passacaglia/878859427?i=878859469>
> 
> Also commissioned a version of Adon Olam from Rene Schiffer that is in the 
> form of a passacaglia with a theorbo part.
> 
> Let’s keep them gainfully employed!
> 
> Danny
> 
> 
> 
>> On Dec 21, 2017, at 5:38 PM, Jacob Johnson <[email protected]> wrote:
>> 
>>   I don't think that's entirely accurate. Ronn McFarlane plays his own
>>  compositions, Jakob Lindberg performs the Britten Nocturnal (I know,
>>  it's not that new, and it's not really for lute, but IMO it kinda
>>  counts), Chris Wilke recorded a whole cd of Roman Turovsky's new works
>>  for baroque lute, I saw Elizabeth Kenny perform TWO recent theorbo
>>  commissions at the LuteFestWest, and there's certainly more examples I
>>  just can't think of at the moment.
>>  As soon as I can afford to do so, I intend to commission some works for
>>  myself to play.
>> 
>>  Jacob Johnson
>>  [uc?export=download&amp;id=0B6_gM3BRE6ZrYVVZZU5QNmJqdDQ&amp;revid=0B6_g
>>  M3BRE6ZraW9nQ2U4SGNwV0tYVWxobnNBVjBsZi9FNHhzPQ]
>>  Guitar/Lute
>>  [1]www.johnsonguitarstudio.com
>>  469.237.0625.
>>  On Thu, Dec 21, 2017 at 4:12 PM, Christopher Stetson
>>  <[2][email protected]> wrote:
>> 
>>       Hello all.
>>       An interesting question, Peter, thanks for bringing it up.    To
>>    answer
>>       honestly and personally, I'm not especially interested in new
>>    music,
>>       per se, for any of the instruments I play (mainly lute, guitar,
>>       mandolin, but some others too).    I couldn't really say why,
>>    except
>>       that the music I've looked at from the last 30 years tends, and I
>>    mean
>>       tends, to be difficult and not especially tuneful to my ear.
>>    There
>>       are exceptions, of course, and I play some of those, though
>>    mostly on
>>       guitar.    I'm not a professional, so I tend to be fairly
>>    conservstive
>>       in the music I choose to spend time seeking out and playing.    I
>>    also
>>       don't play many of the old compositions that fit the above
>>    criteria.
>>       I fully realize. however,    that one person's difficult is
>>    another
>>       person's interesting, and I'm really glad that people are writing
>>    new
>>       music for lute.
>>       Best to all, and keep playing,
>>       Chris.
>> 
>>     On Thu, Dec 21, 2017 at 2:34 PM, Peter Martin
>>  <[1][3][email protected]>
>>     wrote:
>>          Hello all,
>>          I recently bought a Wigmore Hall Live CD of a 2013 concert by
>>          countertenor Iestyn Davies and lutenist Thomas Dunford.     It
>>       included
>>          the world premiere performance of a substantial piece by Nico
>>       Muhly
>>          called Old Bones.     Up to now, I'd never heard of it, which
>>       surprised
>>          me because Muhly is a very successful young American composer.
>>        His
>>          new opera Marnie has just premiered at English National Opera,
>>       and his
>>          previous opera Two Boys was given at ENO and at the Met in New
>>       York.
>>          The score of Old Bones is available from Music Sales.     Yet I
>>       can't see
>>          that the lute world has paid the slightest attention to it.
>>          Which sets me wondering, not about Muhly as such, but about new
>>       music
>>          generally.     With the honourable exception of Jacob
>>  Heringman,
>>       scarcely
>>          anyone plays it.     Any thoughts on why this is?     Are we
>>  simply
>>       not
>>          interested in new music?
>>          Peter
>>          --
>>       To get on or off this list see list information at
>> 
>>         [2][4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>       --
>>    References
>>       1. mailto:[5][email protected]
>>       2. [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>> 
>>  --
>> 
>> References
>> 
>>  1. http://www.johnsonguitarstudio.com/
>>  2. mailto:[email protected]
>>  3. mailto:[email protected]
>>  4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>  5. mailto:[email protected]
>>  6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 
> 
> --



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