As the lute becomes slowly more popular, I think we'll see more
   contemporary lute music popping up equally slowly (I think lutes in
   their various guises have a very interesting tonality and set of
   limitations to compose for, I'm enjoying making my own ham-fisted
   efforts at least...)
   Meanwhile, not necessarily all 'new' material, but I've been enjoying
   Peter Söderberg's three contemporary lute records:  20th century stuff
   like Cage, Tenney, Stockhausen etc, as well as recordings of more
   recent things written specifically for lute. The non-lute material he
   has selected comes over very well in my opinion.
   Here's to more!

   On 22 Dec 2017, 00:21 +0000, Eric Hansen <librarylutepla...@gmail.com>,
   wrote:

     Hartt School composer David Macbride composes solo lute music for
     me, a
     total of 13 pieces as of this writing. I played one of them at the
     Lute Society Seminar in Cleveland a few years ago, it's up on
     YouTube.
     He and I have begun to record the pieces, a few at a time.
     Best to all,
     Eric
     On Thu, Dec 21, 2017 at 5:38 PM, Jacob Johnson
     <[1]tmrguitar...@gmail.com> wrote:
     I don't think that's entirely accurate. Ronn McFarlane plays his
     own
     compositions, Jakob Lindberg performs the Britten Nocturnal (I
     know,
     it's not that new, and it's not really for lute, but IMO it kinda
     counts), Chris Wilke recorded a whole cd of Roman Turovsky's new
     works
     for baroque lute, I saw Elizabeth Kenny perform TWO recent
     theorbo
     commissions at the LuteFestWest, and there's certainly more
     examples I
     just can't think of at the moment.
     As soon as I can afford to do so, I intend to commission some
     works for
     myself to play.
     Jacob Johnson
     [uc?export=download&amp;id=0B6_gM3BRE6ZrYVVZZU5QNmJqdDQ&
     amp;revid=0B6_g
     M3BRE6ZraW9nQ2U4SGNwV0tYVWxobnNBVjBsZi9FNHhzPQ]
     Guitar/Lute
     [1][2]www.johnsonguitarstudio.com
     [3]469.237.0625.
     On Thu, Dec 21, 2017 at 4:12 PM, Christopher Stetson
     <[2][4]christophertstet...@gmail.com> wrote:
     Hello all.
     An interesting question, Peter, thanks for bringing it up.
     To
     answer
     honestly and personally, I'm not especially interested in new
     music,
     per se, for any of the instruments I play (mainly lute, guitar,
     mandolin, but some others too). I couldn't really say why,
     except
     that the music I've looked at from the last 30 years tends, and
     I
     mean
     tends, to be difficult and not especially tuneful to my ear.
     There
     are exceptions, of course, and I play some of those, though
     mostly on
     guitar. I'm not a professional, so I tend to be fairly
     conservstive
     in the music I choose to spend time seeking out and playing.
     I
     also
     don't play many of the old compositions that fit the above
     criteria.
     I fully realize. however, that one person's difficult is
     another
     person's interesting, and I'm really glad that people are
     writing
     new
     music for lute.
     Best to all, and keep playing,
     Chris.
     On Thu, Dec 21, 2017 at 2:34 PM, Peter Martin
     <[1][3][5]peter.l...@gmail.com
     wrote:
     Hello all,
     I recently bought a Wigmore Hall Live CD of a 2013 concert
     by
     countertenor Iestyn Davies and lutenist Thomas Dunford.
     It
     included
     the world premiere performance of a substantial piece by
     Nico
     Muhly
     called Old Bones. Up to now, I'd never heard of it,
     which
     surprised
     me because Muhly is a very successful young American
     composer.
     His
     new opera Marnie has just premiered at English National
     Opera,
     and his
     previous opera Two Boys was given at ENO and at the Met in
     New
     York.
     The score of Old Bones is available from Music Sales.
     Yet I
     can't see
     that the lute world has paid the slightest attention to it.
     Which sets me wondering, not about Muhly as such, but about
     new
     music
     generally. With the honourable exception of Jacob
     Heringman,
     scarcely
     anyone plays it. Any thoughts on why this is? Are
     we
     simply
     not
     interested in new music?
     Peter
     --
     To get on or off this list see list information at
     [2][4][6]http://www.cs.dartmouth.
     edu/~wbc/lute-admin/index.html
     --
     References
     1. mailto:[5][7]peter.l...@gmail.com
     2. [6][8]http://www.cs.dartmouth.
     edu/~wbc/lute-admin/index.html
     --
     References
     1. [9]http://www.johnsonguitarstudio.com/
     2. mailto:[10]christophertstet...@gmail.com
     3. mailto:[11]peter.l...@gmail.com
     4. [12]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     5. mailto:[13]peter.l...@gmail.com
     6. [14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     --
     Eric Hansen
     Librarian & lutenist
     --
     References
     1. mailto:tmrguitar...@gmail.com
     2. http://www.johnsonguitarstudio.com/
     3. tel:469.237.0625
     4. mailto:christophertstet...@gmail.com
     5. mailto:peter.l...@gmail.com
     6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     7. mailto:peter.l...@gmail.com
     8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     9. http://www.johnsonguitarstudio.com/
     10. mailto:christophertstet...@gmail.com
     11. mailto:peter.l...@gmail.com
     12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     13. mailto:peter.l...@gmail.com
     14. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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