Not exactly "new", but modern:

Charles Tournemire requests a lute in his 8th Symphony (1924) :)
Not a piece you can play with your friends though, except if you are friends with a Philharmonic Orchestra...

Am 22.12.2017 um 12:23 schrieb Jim Dunn:
    As the lute becomes slowly more popular, I think we'll see more
    contemporary lute music popping up equally slowly (I think lutes in
    their various guises have a very interesting tonality and set of
    limitations to compose for, I'm enjoying making my own ham-fisted
    efforts at least...)
    Meanwhile, not necessarily all 'new' material, but I've been enjoying
    Peter Söderberg's three contemporary lute records:  20th century stuff
    like Cage, Tenney, Stockhausen etc, as well as recordings of more
    recent things written specifically for lute. The non-lute material he
    has selected comes over very well in my opinion.
    Here's to more!

    On 22 Dec 2017, 00:21 +0000, Eric Hansen <librarylutepla...@gmail.com>,
    wrote:

      Hartt School composer David Macbride composes solo lute music for
      me, a
      total of 13 pieces as of this writing. I played one of them at the
      Lute Society Seminar in Cleveland a few years ago, it's up on
      YouTube.
      He and I have begun to record the pieces, a few at a time.
      Best to all,
      Eric
      On Thu, Dec 21, 2017 at 5:38 PM, Jacob Johnson
      <[1]tmrguitar...@gmail.com> wrote:
      I don't think that's entirely accurate. Ronn McFarlane plays his
      own
      compositions, Jakob Lindberg performs the Britten Nocturnal (I
      know,
      it's not that new, and it's not really for lute, but IMO it kinda
      counts), Chris Wilke recorded a whole cd of Roman Turovsky's new
      works
      for baroque lute, I saw Elizabeth Kenny perform TWO recent
      theorbo
      commissions at the LuteFestWest, and there's certainly more
      examples I
      just can't think of at the moment.
      As soon as I can afford to do so, I intend to commission some
      works for
      myself to play.
      Jacob Johnson
      [uc?export=download&amp;id=0B6_gM3BRE6ZrYVVZZU5QNmJqdDQ&
      amp;revid=0B6_g
      M3BRE6ZraW9nQ2U4SGNwV0tYVWxobnNBVjBsZi9FNHhzPQ]
      Guitar/Lute
      [1][2]www.johnsonguitarstudio.com
      [3]469.237.0625.
      On Thu, Dec 21, 2017 at 4:12 PM, Christopher Stetson
      <[2][4]christophertstet...@gmail.com> wrote:
      Hello all.
      An interesting question, Peter, thanks for bringing it up.
      To
      answer
      honestly and personally, I'm not especially interested in new
      music,
      per se, for any of the instruments I play (mainly lute, guitar,
      mandolin, but some others too). I couldn't really say why,
      except
      that the music I've looked at from the last 30 years tends, and
      I
      mean
      tends, to be difficult and not especially tuneful to my ear.
      There
      are exceptions, of course, and I play some of those, though
      mostly on
      guitar. I'm not a professional, so I tend to be fairly
      conservstive
      in the music I choose to spend time seeking out and playing.
      I
      also
      don't play many of the old compositions that fit the above
      criteria.
      I fully realize. however, that one person's difficult is
      another
      person's interesting, and I'm really glad that people are
      writing
      new
      music for lute.
      Best to all, and keep playing,
      Chris.
      On Thu, Dec 21, 2017 at 2:34 PM, Peter Martin
      <[1][3][5]peter.l...@gmail.com
      wrote:
      Hello all,
      I recently bought a Wigmore Hall Live CD of a 2013 concert
      by
      countertenor Iestyn Davies and lutenist Thomas Dunford.
      It
      included
      the world premiere performance of a substantial piece by
      Nico
      Muhly
      called Old Bones. Up to now, I'd never heard of it,
      which
      surprised
      me because Muhly is a very successful young American
      composer.
      His
      new opera Marnie has just premiered at English National
      Opera,
      and his
      previous opera Two Boys was given at ENO and at the Met in
      New
      York.
      The score of Old Bones is available from Music Sales.
      Yet I
      can't see
      that the lute world has paid the slightest attention to it.
      Which sets me wondering, not about Muhly as such, but about
      new
      music
      generally. With the honourable exception of Jacob
      Heringman,
      scarcely
      anyone plays it. Any thoughts on why this is? Are
      we
      simply
      not
      interested in new music?
      Peter
      --
      To get on or off this list see list information at
      [2][4][6]http://www.cs.dartmouth.
      edu/~wbc/lute-admin/index.html
      --
      References
      1. mailto:[5][7]peter.l...@gmail.com
      2. [6][8]http://www.cs.dartmouth.
      edu/~wbc/lute-admin/index.html
      --
      References
      1. [9]http://www.johnsonguitarstudio.com/
      2. mailto:[10]christophertstet...@gmail.com
      3. mailto:[11]peter.l...@gmail.com
      4. [12]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      5. mailto:[13]peter.l...@gmail.com
      6. [14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      --
      Eric Hansen
      Librarian & lutenist
      --
      References
      1. mailto:tmrguitar...@gmail.com
      2. http://www.johnsonguitarstudio.com/
      3. tel:469.237.0625
      4. mailto:christophertstet...@gmail.com
      5. mailto:peter.l...@gmail.com
      6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      7. mailto:peter.l...@gmail.com
      8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      9. http://www.johnsonguitarstudio.com/
      10. mailto:christophertstet...@gmail.com
      11. mailto:peter.l...@gmail.com
      12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      13. mailto:peter.l...@gmail.com
      14. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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