They are legalizing Marijuana all over the place, come to California if
you want to get stoned! (I gave up that little distraction decades ago,
but I also much prefer Ballard). :-D
Dan
On 2/1/2018 5:15 PM, Susan Sandman wrote:
Stoning is medieval, appropriate only hundreds of years before...
Susan
On Thu, Feb 1, 2018 at 6:46 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Do I get stoned by the community if I say that I like Ballard more
anyway? :)
Am 02.02.2018 um 00:36 schrieb Jean-Marie Poirier:
> En guise de conclusion ;-) :
> If you look at the chronological development of Ennemond's career
and life, his "his high reputation" as a baroque lute super hero
simply doesn't hold.
> So there must be other material around to explain this phenomenon.
> Cherbury is only one piece in the puzzle and certainly not the
most interesting one concerning old Ennemond! There is a lot more to
see and play in at least a dozen other ms. and of course his
production in accords nouveaux is another essential aspect of the
problem.
>
> Merci de votre intérêt et la "chasse" continue... :-)!
> Best,
> Jean-Marie
>
>
>> Le 1 févr. 2018 à 22:53, G. C. <[2]kalei...@gmail.com> a écrit
:
>>
>> PS.
>> And of course, I meant to say "you and Jean-Marie" SORRY! :D
>> On Thu, Feb 1, 2018 at 10:27 PM, G. C.
<[1][3]kalei...@gmail.com> wrote:
>>
>> Great that you feel that way, Ron. I'm just saying, that
>> comparing to
>> what there is of real quality music for the lute out
there, and
>> trying
>> to keep in mind, the "high reputation" of Ennemond
Gaultier, I'm
>> sadly,
>> not at all impressed by these alleged simple courantes
and voltas
>> in
>> Cherbury. Whatever his fame might otherwise be,
these little
>> pieces
>> just don't cut the mustard IMHO.
>> But if you, as a renowned player, recognise Ennemond's
style in
>> those
>> little ditties, I'm definitely not going to argue. :)
>> Best
>> G
>> On Thu, Feb 1, 2018 at 10:09 PM, Ron Andrico
>> <[1][2][4]praelu...@hotmail.com>
>> wrote:
>> G, I think you may have misunderstood my message.
I was
>> not
>> saying
>> there were concordances in the CNRS edition of
Vieux
>> Gaultier
>> that
>> definitely linked pieces in Herbert to the proper
Gaultier.
>> I
>> said
>> that one could easily identify the style of music
in that
>> edition
>> and
>> compare to the sparse style of the Herbert pieces
attributed
>> to
>> Gaultier. From a player's point of view, I feel
a very
>> strong
>> similarity, and one only has to supply ornamented
repeats in
>> the
>> proper
>> style to flesh out the bones of these pieces and
make some
>> very
>> fine
>> music.
>> RA
>> --
>> References
>> 1. mailto:[3][5]praelu...@hotmail.com
>> To get on or off this list see list information at
>>
[4][6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>> --
>>
>> References
>>
>> 1. mailto:[7]kalei...@gmail.com
>> 2. mailto:[8]praelu...@hotmail.com
>> 3. mailto:[9]praelu...@hotmail.com
>> 4. [10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>
>
>
>
--
References
1. mailto:tristanvonneum...@gmx.de
2. mailto:kalei...@gmail.com
3. mailto:kalei...@gmail.com
4. mailto:praelu...@hotmail.com
5. mailto:praelu...@hotmail.com
6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
7. mailto:kalei...@gmail.com
8. mailto:praelu...@hotmail.com
9. mailto:praelu...@hotmail.com
10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
