Incidentally, on this topic of airs spirituels in France in the 17th century, 
the French musicologist Denise Launay on her book « La Musique Religieuse en 
France du Concile de Trente à 1804 » dévotes a whole chapter, with lots of 
examples, to these collections for one voice with or without bass...

Happy reading,
Jean-Marie 

> Le 2 févr. 2020 à 00:40, Stewart McCoy <[email protected]> a écrit :
> 
> Thanks, Rainer. Much appreciated.
> 
> There are some other interesting books to be found at the same library. If
> you click on "Rechercher" and do a search for "luth", you'll find more 
> tablature with a copy of Piccinini.  There is also an interesting looking 
> collection of songs by Chancy. Most intriguing are three song collections
> (in one volume) by François Berthod, who flourished in the 1650s. He took
> songs by well-known French composers, and replaced their words with a
> spiritual text. There is a brief Wiki article about him. On the title page of 
> his books there is a left-handed lute-player with a six-string (single 
> courses) lute. All the songs are for two voices - treble and bass - with both 
> parts texted. There are no figures for the bass part, yet a chordal 
> accompaniment on a lute or theorbo should nevertheless be possible.
> 
> I would be interested to know what the songs are, to which Berthod set his 
> spiritual text. There is no way of knowing from Berthod's collection, and 
> although the library mentions composers like Bacilly and Le Camus, they don't 
> seem to say who wrote which songs, and what the original words were.
> 
> Best wishes,
> 
> Stewart.
> 
> -----Original Message----- From: Rainer
> Sent: Saturday, February 1, 2020 4:09 PM
> To: Lute net
> Subject: [LUTE] Ballard 1612
> 
> https://mazarinum.bibliotheque-mazarine.fr/ark:/61562/mz3446
> 
> Click under "Télécharger"
> 
> Rainer
> 
> 
> 
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