Thanks Ron,

though I was referring to published music, not to the fact that there
were lutes with more courses.

Are there any even earlier examples?


:


On 05.06.20 14:12, Ron Andrico wrote:
    Tristan, it is a common misconception that early sixteenth-century
    music should only be played on a six-course lute.  Just like the
    misconception that lutenists only played with a plectrum until 1507,
    misguided modern historians mistakenly believe that seven-course lutes
    did not enter the picture until Dowland's lifetime.

    Fortunately, there is descriptive evidence to the contrary penned by
    Philippo Oriolo da Bassano from his poem Monte Parnaso, dated no later
    than 1541.  Canto XX fancifully describes a handful of known lutenists
    ranging from Pietrobono, to Gian Maria, Marco dall' Aquila, Spinacino
    and Francesco da Milano.
    "There ensues a curious contest between two lutenists, one playing an
    instrument of thirteen strings, the other, one of seventeen strings
    These numbers are almost certainly to be understood as referring to
    seven courses (the lower six strings doubled) and eight courses (the
    lower seven strings doubled), respectively...As early as 1511,
    Sebastian Virdung, Musica getutscht...states that nine strings are too
    few, and since not all lutes have thirteen or fourteen strings, eleven
    are best."

    - H. Colin Slim, "Musicians on Parnassus", _Studies in the
    Renaissance_, Vol. 12 (1965) p. 140.
      __________________________________________________________________

    From: lute-...@new-old-mail.cs.dartmouth.edu
    <lute-...@new-old-mail.cs.dartmouth.edu> on behalf of Tristan von
    Neumann <tristanvonneum...@gmx.de>
    Sent: Friday, June 5, 2020 1:11 AM
    To: lute@cs.dartmouth.edu <lute@cs.dartmouth.edu>
    Subject: [LUTE] 7c. Lute music

    While playing to Sarge's new Gerle series (thanks!)
    [1]http://gerbode.net/sources/GerleH/Musica_Teutsch_1532/pdf/
    I saw this sentence: "Nun volgen etliche stucklein hernach in der
    Tabulatur zu den
    dreyzehen saytten."
    (Now following: several pieces in tabs for 13 strings)
    So this music is genuine 7 course music published already in 1532.
    (The scordatura pieces are called "im Abzug")
    Btw, the Josquin intabulations are sweet and easy on the hand.
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