Thanks Matthew, Mrs. Minkoff did some strange things in her facsimile editions, as valuable as they have become. She probably did not understand the reason for the red ciphers. In one instance she removed the fingering dots. I recall a lute conference at which Robert Spencer spoke angrily about such "cleaning" of tablature. Sylvia was present.<shudder> Thereafter she became more cautious. (A magnificently noble lady! We owe her for so much.) Regards, Arthur. -----Original Message----- From: Matthew Daillie <dail...@club-internet.fr> To: Arthur Ness <arthurjn...@verizon.net> Cc: lute@cs.dartmouth.edu <lute@cs.dartmouth.edu> Sent: Mon, Aug 24, 2020 4:48 am Subject: [LUTE] Re: Red notes in Eysert That was in prints of vihuela music, notably Milan (which is why Minkoff's B&W facsimile of his music was flawed, unlike the more recent colour facsimile published by the Sociedad de la Vihuela). Best, Matthew > On Aug 24, 2020, at 00:12, Arthur Ness <[1]arthurjn...@mail.cs.dartmouth.edu> wrote: > > Someone (Petrucci??? or Spanish?) published tablatures with single line > in red. That was for the voice to sing to the lute. Both reading from > the tablature! To get on or off this list see list information at [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
-- References 1. mailto:arthurjn...@mail.cs.dartmouth.edu 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
