In 1987 I dicovered mailart but did not understand it
at all. My husband, an art profesdsor, did and did his
best to explain it to me. When I shrugged my shoulders
he advised me to do a show so I thought about it.
I could not come up with a name and kept asking him
what to name it. He finally got frustrated and said,"
LaVona, you name it." 
I jumped out  of my chair and said, sreamed, "Tha's
it, You Name It"
I made out invitations, sent them out and received
work. I answered each contribution and ended upgetting
more work from each contributor filling a large
gallery. 
I sent documentation to each person and knew that
after spending $1,200.00 I knew a little bit but not
much about mail art.
The post office brought a mail box and bags to show. I
had a huge picture of my dear puzzled mailman. The
postal people showed up and a few told me that I had
things that should not have gotten past the P.O. (
censored mail)
I hung that work high so children wouldn't be faced
with it. 
I did show it to my grandchildren and explained what
it was about. They still remember that.
I see what is going on now as E Mail Art and don't do
much about it anymore. I like the hands on mail. 
I recently did a Mud Flap Girl Show which cost me a 
bit but it was worth it. I was mentoring a new comer
to mailart shows.

www.picturetrail.com/lavonasherarts   if you are
interested in seeing it. 
 
--- Reid Wood <[EMAIL PROTECTED]> wrote:

> I think we need to distinguish between individual
> discrimination  
> (censorship) and censorship in a group context. Yes,
> we all make  
> discriminatory decisions on a daily basis (picking a
> particular  
> breakfast item over another, reading one publication
> and not another,  
> holding certain political beliefs and not others,
> liking certain  
> artwork/artists and not others). And we all
> discriminate individually  
> when it comes to mail art because I can be assured
> that none of us is  
> in contact with every mail artist in the world and
> responds to every  
> single mail art call.
> 
> However, in the case of activities that involve
> groups (including  
> mail art shows), I think Allan's point is well
> taken. If a major  
> position of the mail art network is to have free
> (yes, I know about  
> postal rate increases) and open interchange, then we
> should be  
> opposed to censorship and similar limitations.
> 
> As for interpretations of themes, I have had a
> similar circumstance  
> regarding my submission to a show. I received an
> e-mail from the  
> organizer saying that he didn't think my work was
> germane to the  
> topic. Then a day or two later he sent a follow-up
> message,  
> apologizing and stating that upon further study he
> realized the work  
> was appropriate and a clever solution.
> 
> Reid
> 
> Reid Wood (State of Being)
> "Haven't-Garde Art"
> [EMAIL PROTECTED]
> http://havent-gardeart.blogspot.com
> 
> On May 22, 2007, at 1:34 AM, Taraka dd wrote:
> 
> >
> >
> >
> > I agree if work will exhibited publicly - be seen
> by minors then  
> > there is not a legal way to allow what is deemed
> inappropriate.  If  
> > I am having a"kid-friendly" exhibition,
> >
> > I state it on my call and found that people really
> respect that. I  
> > don't agree that as artists we should be against
> all censorship.  
> > Censorship (or discrimination of any kind)
> >
> >  is a human function that is quite natural for
> some people to want  
> > censorship and of course can be abhorrant to
> others - we are all  
> > morally individuals and therefore will never see
> >
> > everything the same way. I sent a cow to a 'cat
> call', because my  
> > message was - "don't feed cows to cats"...calls
> are open to  
> > interpretation...and it is the discrimination of
> >
> > the one in charge to accept or reject.
> >
> > My two-cents worth
> >
> > Taraka Tee
> >
> >
> > >
> > > For clarity:
> > >
> > > My view is NOT that art and mail art must be
> shocking or  
> > "pornographic" in order to be thoughtful or
> interesting. In fact  
> > the author of the post in question (Reed A.),
> sends out incredibly  
> > thoughtful, and thought provoking work that does
> not use images  
> > that anyone would likely call pornographic. Also,
> I personally do  
> > respect both the letter and intent of the mail art
> calls that I  
> > reply to. I just think that there is room for
> other, more "open"  
> > interpretations, and that these too should be
> respected.
> > >
> > > If an exhibit will be seen by minors, then it is
> reasonable given  
> > the social constructs in which we operate, to
> place images that are  
> > deemed to be inappropriate for minors in an adults
> only forum.  
> > Hiding works with sexual content from adults is
> just plain silly  
> > though.
> > >
> > > As artists we should be AGAINST censorship of
> all kinds.
> > >
> > >
> >
> >
> >
> > 
> 
> 
> 
> 
> 
> 
> 


http://www.flickr.com/photos/lavonasherarts


       
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