oops    tha is   www.picturetrail.com/lavonasherarts  

--- LaVona Sherarts <[EMAIL PROTECTED]> wrote:

> In 1987 I dicovered mailart but did not understand
> it
> at all. My husband, an art profesdsor, did and did
> his
> best to explain it to me. When I shrugged my
> shoulders
> he advised me to do a show so I thought about it.
> I could not come up with a name and kept asking him
> what to name it. He finally got frustrated and
> said,"
> LaVona, you name it." 
> I jumped out  of my chair and said, sreamed, "Tha's
> it, You Name It"
> I made out invitations, sent them out and received
> work. I answered each contribution and ended
> upgetting
> more work from each contributor filling a large
> gallery. 
> I sent documentation to each person and knew that
> after spending $1,200.00 I knew a little bit but not
> much about mail art.
> The post office brought a mail box and bags to show.
> I
> had a huge picture of my dear puzzled mailman. The
> postal people showed up and a few told me that I had
> things that should not have gotten past the P.O. (
> censored mail)
> I hung that work high so children wouldn't be faced
> with it. 
> I did show it to my grandchildren and explained what
> it was about. They still remember that.
> I see what is going on now as E Mail Art and don't
> do
> much about it anymore. I like the hands on mail. 
> I recently did a Mud Flap Girl Show which cost me a 
> bit but it was worth it. I was mentoring a new comer
> to mailart shows.
> 
> www.picturetrail.com/lavonasherarts   if you are
> interested in seeing it. 
>  
> --- Reid Wood <[EMAIL PROTECTED]> wrote:
> 
> > I think we need to distinguish between individual
> > discrimination  
> > (censorship) and censorship in a group context.
> Yes,
> > we all make  
> > discriminatory decisions on a daily basis (picking
> a
> > particular  
> > breakfast item over another, reading one
> publication
> > and not another,  
> > holding certain political beliefs and not others,
> > liking certain  
> > artwork/artists and not others). And we all
> > discriminate individually  
> > when it comes to mail art because I can be assured
> > that none of us is  
> > in contact with every mail artist in the world and
> > responds to every  
> > single mail art call.
> > 
> > However, in the case of activities that involve
> > groups (including  
> > mail art shows), I think Allan's point is well
> > taken. If a major  
> > position of the mail art network is to have free
> > (yes, I know about  
> > postal rate increases) and open interchange, then
> we
> > should be  
> > opposed to censorship and similar limitations.
> > 
> > As for interpretations of themes, I have had a
> > similar circumstance  
> > regarding my submission to a show. I received an
> > e-mail from the  
> > organizer saying that he didn't think my work was
> > germane to the  
> > topic. Then a day or two later he sent a follow-up
> > message,  
> > apologizing and stating that upon further study he
> > realized the work  
> > was appropriate and a clever solution.
> > 
> > Reid
> > 
> > Reid Wood (State of Being)
> > "Haven't-Garde Art"
> > [EMAIL PROTECTED]
> > http://havent-gardeart.blogspot.com
> > 
> > On May 22, 2007, at 1:34 AM, Taraka dd wrote:
> > 
> > >
> > >
> > >
> > > I agree if work will exhibited publicly - be
> seen
> > by minors then  
> > > there is not a legal way to allow what is deemed
> > inappropriate.  If  
> > > I am having a"kid-friendly" exhibition,
> > >
> > > I state it on my call and found that people
> really
> > respect that. I  
> > > don't agree that as artists we should be against
> > all censorship.  
> > > Censorship (or discrimination of any kind)
> > >
> > >  is a human function that is quite natural for
> > some people to want  
> > > censorship and of course can be abhorrant to
> > others - we are all  
> > > morally individuals and therefore will never see
> > >
> > > everything the same way. I sent a cow to a 'cat
> > call', because my  
> > > message was - "don't feed cows to cats"...calls
> > are open to  
> > > interpretation...and it is the discrimination of
> > >
> > > the one in charge to accept or reject.
> > >
> > > My two-cents worth
> > >
> > > Taraka Tee
> > >
> > >
> > > >
> > > > For clarity:
> > > >
> > > > My view is NOT that art and mail art must be
> > shocking or  
> > > "pornographic" in order to be thoughtful or
> > interesting. In fact  
> > > the author of the post in question (Reed A.),
> > sends out incredibly  
> > > thoughtful, and thought provoking work that does
> > not use images  
> > > that anyone would likely call pornographic.
> Also,
> > I personally do  
> > > respect both the letter and intent of the mail
> art
> > calls that I  
> > > reply to. I just think that there is room for
> > other, more "open"  
> > > interpretations, and that these too should be
> > respected.
> > > >
> > > > If an exhibit will be seen by minors, then it
> is
> > reasonable given  
> > > the social constructs in which we operate, to
> > place images that are  
> > > deemed to be inappropriate for minors in an
> adults
> > only forum.  
> > > Hiding works with sexual content from adults is
> > just plain silly  
> > > though.
> > > >
> > > > As artists we should be AGAINST censorship of
> > all kinds.
> > > >
> > > >
> > >
> > >
> > >
> > > 
> > 
> > 
> > 
> > 
> > 
> > 
> > 
> 
> 
> http://www.flickr.com/photos/lavonasherarts
> 
> 
>        
>
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> 


http://www.flickr.com/photos/lavonasherarts


       
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