The 'Left-Wing' 
Media? 
by Robert W. McChesney and 
John Bellamy Foster

http://www.monthlyreview.org/0603editr.htm
  
This article is a version of material that will 
appear in the authors' The Big Picture: 
Understanding Media through Political 
Economy, to be published by Monthly Review 
Press in December 2003. Citations for this 
piece will be available there.

If we learn nothing else from the war 
on Iraq and its subsequent 
occupation, it is that the U.S. ruling 
class has learned to make ideological 
warfare as important to its operations 
as military and economic warfare. A 
crucial component of this ideological 
war has been the campaign against 
"left-wing media bias," with the 
objective of reducing or eliminating the 
prospect that mainstream U.S. 
journalism might be at all critical 
toward elite interests or the system set 
up to serve those interests. In 2001 
and 2002, no less than three books 
purporting to demonstrate the 
media's leftward tilt rested high atop 
the bestseller list. Such charges have 
already influenced media content, 
pushing journalists to be less critical of 
right-wing politics. The result has been 
to reinforce the corporate and rightist 
bias already built into the media 
system. 
The main target of this propaganda 
campaign is television network news 
programs, but the campaign has also 
extended into radio broadcasting, 
newspapers, and other media. Rupert 
Murdoch's News Corporation, which 
controls broadcasting outlets and 
newspapers throughout the world, 
launched the Fox News Channel in 
the 1990s as a more conservative 
rival to CNN and the news programs 
of ABC, NBC, and CBS. According to 
the New York Times (April 7, 2003),
In the United States, Mr. 
Murdoch's creation of the Fox 
News Channel has shifted the 
entire spectrum of American 
cable news to the right. 
Convinced that many people 
found CNN and the major 
broadcast networks too liberal, 
Mr. Murdoch and the former 
Republican political consultant 
Roger Ailes chartered Fox to be 
more conservative—or, from 
their point of view, more 
centrist. Last January, Fox 
became the top-rated cable 
network and it now draws more 
than 2 million viewers in prime 
time....From the start, the 
network displayed an American 
flag waving on its screen. Its 
newscasters speak of American 
and British troops as "we," 
"ours," and "liberators." After 
other networks reported setbacks 
to American and British forces 
[during the invasion of Iraq], the 
Fox commentator Bill O'Reilly 
denounced its competitors as 
"liberal weenies" who were 
exaggerating the difficulties of 
the fight and underestimating the 
American public's toleration for 
casualties.
The current attack on media content is 
presented as an attempt to counter 
the alleged bias of media elites. In 
reality, however, it is designed to 
shrink still further—to the point of 
oblivion—the space for critical 
analysis in journalism. In order to 
understand the form and content of 
the conservative onslaught on the 
media it is necessary to have some 
comprehension of the role played by 
professional journalism beginning in 
the early twentieth century.
Prior to 1900, the editorial position of 
a newspaper invariably reflected the 
political views of the owner, and the 
politics were explicit throughout the 
paper. Partisan journalism became 
problematic when newspapers 
became increasingly commercial 
enterprises and when newspaper 
markets became predominantly 
monopolistic. During the Progressive 
Era—as was chronicled in these 
pages a year ago—U.S. journalism 
came under withering attack for being 
a tool of its capitalist owners to 
propagate anti-labor propaganda.* 
With profit-making in the driver's 
seat, partisan journalism became bad 
for business as it turned off parts of 
the potential readership and that 
displeased advertisers. Professional 
journalism was born from the 
revolutionary idea that the link 
between owner and editor could be 
broken. The news would be 
determined by trained professionals 
and the politics of owners and 
advertisers would be apparent only on 
the editorial page. Journalists would 
be given considerable autonomy to 
control the news using their 
professional judgment. Among other 
things, they would be trained to 
establish their political neutrality. 
Monopoly control over the news in 
particular markets was not especially 
important—so the argument went—
since, whether or not there were 
multiple newspapers, trained 
professionals would provide similar 
reports, to the extent that they were 
well trained. There emerged a 
professional code that, following The 
Elements of Journalism, by Bill 
Kovack and Tom Rosenstiel, might be 
reduced in its most ideal form to nine 
principles: 

1.      .Journalism's first obligation is to the 
truth. 

2.      Its first loyalty is to citizens. 

3.      Its essence is a discipline of verification. 

4.      Its practitioners must maintain an 
independence from those they cover. 

5.      It must serve as an independent monitor 
of power. 

6.      It must provide a forum for public 
criticism and compromise. 

7.      It must strive to make the significant 
interesting and relevant. 

8.      It must keep the news comprehensive and 
proportional. 

9.      Its practitioners must be allowed to 
exercise their personal conscience. 
Needless to say, such principles are 
mere ideals in a society where the 
media are ultimately controlled by 
those who hold the purse strings. 
Under these circumstances, the field 
for the application of journalism's 
professional code is narrow, and it has 
been altered to conform to the political 
and commercial requirements of the 
media owners, and the owning class 
in general. In practice, professional 
journalism has adopted three biases 
that have tended to institute an 
establishment bias: (1) government 
officials and powerful individuals are 
regarded as the primary legitimate 
sources for news; (2) to avoid the 
controversy associated with providing 
context, there has to be a news hook 
or news peg to justify a news story, 
which further tilts the news toward 
established institutional actors; and (3) 
journalists internalize how to "dig 
here, not there," as Ben Bagdikian 
put it. In other words, stories about 
corporate malfeasance are far less 
likely to be considered newsworthy 
than stories about government 
malfeasance.

To be sure, professional journalists 
puts a premium on fairness and social 
neutrality, but such principles are 
notoriously difficult to define since 
there is always a question of where to 
put the baseline. This has created a 
situation where the standards 
maintained are skewed toward the 
controlling business elites. The 
present rightward drift is making this 
even more of a reality.

Still, once the notion of professional 
journalism, however conceived, 
became dominant, the importance of 
the views and conduct of working 
journalists assumed greater 
prominence relative to the broader 
institutional determinants of 
journalism. Mainstream media 
analysis is mostly concerned with 
commercial and government 
encroachment on journalistic 
autonomy, and with journalists 
receiving proper professional training 
designed to lessen such influences. 
The conservative critique is a variant 
of this mainstream analysis devoted to 
showing that establishment 
journalists, who are seen as primarily 
left of center, abuse their power by 
distorting the news to serve their own 
political agendas—in a violation of the 
professional code. Such criticism 
would have been nonsensical prior to 
the professional era, when journalism 
explicitly represented the values of the 
owners, who tended to have the 
politics of the owning class, and thus 
were conservative. 

The conservative critique is based 
then on four propositions: (1) the 
decisive power over the news lies with 
the journalists—owners and 
advertisers are irrelevant or relatively 
powerless; (2) journalists are political 
liberals; (3) journalists abuse their 
power to advance liberal politics—thus 
breaking the professional code; and 
(4) objective journalism would almost 
certainly present the world exactly as 
seen by contemporary U.S. 
conservatives. For their basic 
argument to hold the first three 
propositions must be valid. Moreover, 
for conservatives to continue to 
maintain a commitment to 
professional journalism, the media 
system would have to meet the 
standard of "objectivity" expressed 
by the fourth proposition—this is the 
unstated assumption underlying their 
entire argument. But this would spell 
the end of professional journalism as it 
is now understood. Indeed, it is our 
thesis that the conservative critics, 
while relying on the notion of bias (the 
violation of the professional code of 
neutrality) as the basis of their 
criticism of allegedly left-wing media, 
are not actually concerned with 
defending professional journalism at 
all but with eliminating it—as a no 
longer necessary concession on the 
part of those who own and ultimately 
control the media.

The first proposition is intellectually 
indefensible and is enough to call the 
entire conservative critique of the 
liberal news media into question. No 
credible scholarly analysis of 
journalism posits that journalists have 
the decisive power to determine what 
is and is not news and how it should 
be covered. In commercial media, the 
owners hire and fire and they 
determine the budgets and the 
overarching aims of the enterprise. 
Successful journalists, and certainly 
those who rise to the top of the 
profession, tend to internalize the 
values of those who own and control 
the enterprise. Sophisticated scholarly 
analysis examines how these 
commercial pressures shape what 
become the professional values that 
guide journalists. Indeed, the genius 
of professionalism in journalism is that 
it allows journalists to adopt the 
commercial/professional values of the 
owners, yet, because they are 
following a professional code, they are 
largely oblivious to the compromises 
to authority that they are making. They 
are taught that there is a legitimate 
spectrum of opinion, conforming to the 
range of discussions among those 
who actually own and control the 
society. Their professional autonomy, 
such as it is, does not allow them to 
go outside that spectrum in the 
framing of stories—no matter how far 
this removes the resulting journalism 
from the realities experienced by a 
majority in the United States and the 
world.

In the formative period of 
professionalism, especially in the 
1930s, journalists like George Seldes 
and Haywood Broun, through their 
union, the Newspaper Guild, strove to 
establish a professional code which 
would be progressive and emphasize 
the need to advance the interests of 
those outside the power structure. 
They fought to keep the hands of the 
owners entirely off the content of the 
news. We will not keep you in 
suspense. They lost. The eventually 
dominant professional code for 
journalism was small-c conservative; 
its call for reliance upon official 
sources as the basis of legitimate 
news, and its definition of official 
sources as those in power meant it 
could hardly be otherwise. This 
episode suggests that a more 
powerful labor movement and, in 
particular, more powerful media 
workers' unions are crucial to 
protecting the integrity of journalism in 
a capitalist media system. 

The most striking example of the deep 
flaws built into the professional code 
comes in the area of coverage of U.S. 
foreign policy and militarism. The 
range of legitimate debate in U.S. 
journalism has been and is the range 
of debate among the elite. Hence the 
U.S. right to invade any nation it 
wishes for any reason is never 
challenged in the press, because to 
our elites this is a cardinal right of 
empire. Likewise, the U.S. equation of 
capitalism with democracy, or, more 
specifically, U.S. dominated capitalism 
with democracy, is also a given 
among our elites and therefore in 
professional journalism. For journalists 
to question these matters on their own 
reveals them to be partisan and 
unprofessional, so it is not done. This 
highlights the severe limitations of 
professional journalism as a 
democratic force. With the emergence 
of global news media, this has 
presented institutions like CNN with a 
particular dilemma. If they broadcast 
their rah-rah U.S. news outside the 
United States it is dismissed as so 
much blatant propaganda; if they 
broadcast critical journalism in the 
United States it is dismissed as 
unprofessional. With little sense of 
irony, during the current Iraq war and 
occupation, CNN has adopted a two-
track approach to its journalism, with 
the United States and the rest of the 
world getting very different pictures.
Yet, even with this truncated 
professional code, the rise of 
professionalism did grant journalists a 
degree of autonomy from the 
immediate dictates of owners. The 
high-water mark for journalist 
autonomy was from the 1950s to the 
1970s. The great unreported story in 
journalism of the past quarter century, 
ironically enough, has been the attack 
upon journalist autonomy by media 
owners. Increasingly, the massive 
conglomerates that have come to rule 
the U.S. news media have found that 
the professional "deal" struck in the 
first half of the twentieth century no 
longer serves their needs. They have 
slashed resources for journalism and 
pushed journalists to do inexpensive 
and trivial reporting. In particular, 
expensive and not commercially 
lucrative investigative and 
international coverage was reduced if 
not effectively eliminated. To the 
extent the conservative critique of the 
liberal media was based upon a 
concern about journalists having too 
much power over determining the 
news, they have won that battle. 
Journalists have markedly less 
autonomy today than two or three 
decades ago. 

In fact, conservatives tacitly 
acknowledge the transparently 
ideological basis of the claim that 
journalists have all the power over the 
news. The real problem isn't that 
journalists have all the power over the 
news, or even most of the power, it is 
that they have any power to be 
autonomous from owners and 
advertisers. For conservatives, the 
influence of owners and advertisers is 
not a problem since they have both 
the proper political world-view, and 
unique rights as owners. The 
conservative critics thus focus on 
journalists as a kind of fifth column 
attacking conservative values from 
within the media. Newt Gingrich, with 
typical candor and a lack of PR 
rhetoric, laid bare the logic behind the 
conservative critique: what needs to 
be done is to eliminate journalistic 
autonomy, and return the politics of 
journalism to the politics of media 
owners. This also helps to explain why 
U.S. rightists tend to be obsessed with 
pushing public broadcasting to 
operate by commercial principles; they 
know that the market will very 
effectively push the content to more 
politically acceptable outcomes, 
without any need for direct 
censorship. 

The second proposition of the 
conservative critique—that journalists 
are liberals—has the most evidence to 
support it. Surveys show that 
journalists tend to vote Democratic in 
a greater proportion than the general 
population. In one famous (though 
highly criticized as methodologically 
flawed) survey of how Washington 
correspondents voted in the 1992 
presidential election, something like 
90 percent voted for Bill Clinton (the 
favorite of the larger population that 
year, and hardly a raging 
progressive). To some conservative 
critics, that settles the matter. But, the 
weakness of the first proposition 
undermines the importance of how 
journalists vote, or what their 
particular political beliefs might be. 
What if owners and managers have 
most of the power, both directly and 
through the internalization of their 
political and commercial values in the 
professional code? Surveys show that 
media owners and editorial executives 
vote overwhelmingly Republican. An 
Editor & Publisher survey found that in 
2000 newspaper publishers favored 
George W. Bush over Al Gore by a 3 
to 1 margin, while newspaper editors 
and publishers together favored Bush 
by a 2 to 1 margin. In addition, why 
should a vote for Al Gore or Bill 
Clinton be perceived as a reflection of 
leftist politics? On many or most 
policies these are moderate to 
conservative Democrats, very 
comfortable with the status quo of the 
U.S. political economy. 

Already a problem with the argument 
is apparent, one that MR readers 
would observe immediately: the terms 
"liberal" and "left-wing" are used 
interchangeably. In the conservative 
argument, the great divide in U.S. 
politics is between conservatives and 
the "left," a group that spreads 
unambiguously from Al Gore and Bill 
Clinton to Ralph Nader, Nelson 
Mandela, Noam Chomsky, and 
Subcommandante Marcos. To listen 
to the shock troops of the current 
conservative assault on the 
journalistic profession, support for 
Gore or Clinton is virtually 
indistinguishable from being an 
anarcho-syndicalist or a Marxist. 
Bernard Goldberg, author of the 
recent bestseller Bias that purports to 
demonstrate left-wing media bias, 
associates, albeit flippantly, political 
strategists for Clinton with Marx in 
their contempt for the rich, and adds 
that, "Everybody to the right of Lenin 
is a 'right-winger' as far as the 
media elite are concerned." 

To the extent there is any basis 
whatsoever for such claims, it has to 
do with the fact that conservatives see 
any concession to social welfare 
needs as evidence of creeping 
socialism. Clinton Democrats and 
radical leftists become the same 
because of the conservative measure 
of what it means to be a leftist. It is 
based almost exclusively upon what 
are called social issues, such as a 
commitment to gay rights, women's 
rights, abortion rights, civil liberties, 
and affirmative action. And indeed, on 
these issues a notable percentage of 
journalists (like most educated 
professionals) tend to have positions 
similar to many of those to their left. 
For Goldberg "the real menace, as 
the Left sees it, is that America has 
always been too willing to step on its 
most vulnerable—gays, women, 
blacks. Because the Left controls 
America's newsrooms, we get a 
view of America that reflects that 
sensibility."

But this is absurd. Not only do 
newsrooms not project such 
sensibilities for the most part, the real 
divide in U.S. politics is not about 
issues such as affirmative action and 
thus between the liberal and 
conservative sides of elite opinion, but 
between elite opinion and those 
outside the elite, especially the left 
(using the term to refer mainly to 
those who challenge the system 
itself). Traditionally, journalists have 
had some autonomy to carry out news 
investigations and raise questions—as 
long as they stayed within the 
legitimate spectrum of debate 
established by elite opinion. The 
actual record of the U.S. news media 
is to pay very little direct attention to 
the political left as outside that 
spectrum, and this applies not only to 
socialists and radicals but also to what 
would be called mild social democrats 
by international standards. What 
attention the left actually gets tends to 
be unsympathetic, if not explicitly 
negative. Foreign journalists write 
about how U.S. left-wing social critics, 
who are prominent and respected 
public figures abroad, are virtually 
non-persons in the U.S. news media. 
The Achilles heel for this conservative 
critique of journalist liberalism, and 
therefore entirely absent from their 
pronouncements, however, is a 
consideration of journalists' views on 
issues of the economy and regulation. 
Here, unlike with social issues, 
surveys show that journalists hold 
positions that tend to be more pro-
business and conservative than the 
bulk of the population. It is here, too, 
that the professional code has 
adapted to the commercial and 
political concerns of the owners to 
generate a stridently pro-capitalist 
journalism. In the past two decades, 
labor news has all but been eliminated 
as a legitimate branch of U.S. 
journalism. In the 1940s and 1950s 
there were hundreds and hundreds of 
full time labor editors and reporters on 
U.S. daily newspapers; today the total 
of labor journalists in the mainstream 
media, including radio and TV, runs in 
single digits. Business news has 
vaulted to prominence, to the point 
where it equals and may well exceed 
traditional political journalism. And the 
increased attention to the affairs of 
business has not generated a 
wellspring of critical investigative 
coverage of the political economy; to 
the contrary, much of the coverage 
approaches the hagiography of a kept 
press toward its maximum leader. 
Today most journalists do not 
consider the affairs of poor people, 
immigrants, ethnic minorities, and 
working people the fodder of 
journalism, whereas the interests (and 
happiness) of investors are of 
supreme importance.

Ironically, Bernard Goldberg, the 
former CBS news insider who has 
devoted himself to "exposing" the 
liberal media, is unable to find 
concrete examples of left-wing bias in 
the media. He thus has no recourse 
but to accuse journalists of a liberal-
elitist contempt for the poor, which is 
of course not difficult to prove given 
the close connection between 
liberalism (in both its "left" or 
"liberal" and its conservative 
variants) and capitalism. According to 
Goldberg, "Edward R. Murrow's 
'Harvest of Shame,' the great CBS 
News documentary about poor 
migrant families traveling America, 
trying to survive by picking fruits and 
vegetables, would never be done 
today. Too many poor people. Not our 
audience. We want the people who 
buy cars and computers. Poor 
migrants won't bring our kind of 
Americans—the ones with money to 
spend—into the tent. This is how the 
media's 'Liberals of 
Convenience' operate." This 
criticism, although undoubtedly 
correct, is employed in a sleight-of-
hand fashion as an indication that the 
media is too left-wing, rather than not 
left-wing enough.

Still, there are points at which 
journalists even under the present 
system are driven to raise questions 
about extreme capitalist strategies—
and the system of course would not 
work if it did not make such journalists 
pay a cost for such transgressions. 
This creates opportunities for those 
who want to make a career out of 
"exposing" their errant colleagues. 
Goldberg saw a golden opportunity to 
turn against his CBS News employers, 
and became an overnight right-wing 
celebrity, as a result of CBS's 
skeptical treatment of billionaire Steve 
Forbes when he ran for president in 
the 1996 elections and literally bought 
his way into the national election 
contest. Forbes' flat tax scheme, 
which was designed to eliminate any 
pretense of progressivity to the 
income tax code, was slammed by 
much of the ruling class, in addition to 
being rejected by the larger 
population. So no doubt it seemed 
safe enough to CBS News executives 
to raise questions about Forbes. Still, 
a CBS News report that questioned 
the sanity of the Forbes scheme so 
angered Goldberg that he chose to 
write an op-ed for the Wall Street 
Journal attacking CBS, the major 
networks in general, and papers like 
the New York Times and the 
Washington Post for their extreme 
liberal partisanship in describing 
Forbes' scheme as "wacky." For 
Goldberg the irreverent treatment of 
Forbes, a genuine capitalist, was an 
outrage. In addition to being biased, 
he argued, most reporters were 
complete "dunces" on the 
economy. If they wanted to know what 
was what on Forbes they should have 
consulted, according to Goldberg, 
Milton Friedman or some other 
University of Chicago economist. 
Goldberg's choice of this issue as 
the initial basis for launching his 
critique of the liberal media was 
extremely effective. The point of such 
criticism is not only to mobilize forces 
on the right that will accuse the media 
of bias, but also to exploit the 
contradiction between media owners 
and the journalists who work for them, 
so that the owners operating in their 
own political-economic interests will 
tighten the leashes of their journalistic 
employees. Eric Engberg, the CBS 
reporter who provided the broadcast 
report on Forbes that was the main 
target of Goldberg's Wall Street 
Journal op-ed piece and subsequent 
book, had committed a cardinal error 
by ridiculing the economic policy 
proposals of a wealthy, conservative, 
corporate leader running for president 
of the United States. Describing Ralph 
Nader as "wacky" would have been 
acceptable, but not Steve Forbes.
Indeed, any serious look at how 
questions surrounding class and 
economic matters are treated would 
quickly free the journalistic profession 
from any charges of left-wing bias. 
Over the past two generations, 
journalism, especially at the larger and 
more prominent news media, has 
evolved from being a blue-collar job to 
becoming a desirable occupation of 
the well-educated upper-middle class. 
Urban legend has it that when the 
news of the stock market crash came 
over the ticker to the Boston 
Globenewsroom in 1929, the 
journalists all arose to give Black 
Monday a standing ovation. The rich 
were finally getting their 
comeuppance! When the news of the 
stock market crash reached the Globe 
newsroom in 1987, however, 
journalists were all frantically on the 
phone to their brokers. As recently as 
1971 just over one-half of U.S. 
newspaper journalists had college 
degrees; by 2002 nearly 90 percent 
did. The median salary for a journalist 
at one of the forty largest circulation 
newspapers in the United States in 
2002 was nearly double the median 
income for all U.S. workers. 

Journalists at the dominant media are 
unlikely to have any idea what it 
means to go without health insurance, 
to be unable to locate affordable 
housing, to have their children in 
underfunded and dilapidated schools, 
to have relatives in prison or the front 
lines of the military, to face the threat 
of severe poverty. They live in a very 
different world from most Americans. 
They may be "liberal" on certain 
issues, but on the core issues of 
political economy, they are hardly to 
the left of the U.S. population. Populist 
views are anathema to them by 
training and they tend to be quite 
comfortable with the corporate status 
quo. To the extent that their 
background and values determine the 
news, it is naive to expect journalists 
with their establishment-centered 
professional training to be sympathetic 
with anything more than a kind of elite 
centrism, far away from progressive 
left-wing policies and regulations. 
As for the third proposition, that 
journalists use what limited autonomy 
they have to advance liberal-of-center 
politics, the evidence is far from 
convincing. One of the core points of 
the professional code is to prevent 
journalists from pushing their own 
politics on to the news, and many 
journalists are proud to note that while 
they are liberal, their coverage tended 
to bend the stick the other way, to 
stave off the charge that they have a 
liberal bias and are unprofessional. As 
one news producer stated, "the main 
bias of journalists is the bias not to 
look like they favor liberals." "One 
of the biggest career threats for 
journalists," a veteran Washington 
reporter wrote in 2002, "is to be 
accused of 'liberal bias' for digging 
up stories that put conservatives in a 
bad light." It is worth noting that in 
the current U.S. media environment, 
few journalists have any such concern 
about not revealing a pro-conservative 
bias. Such is done roundly and with 
little concern about accusations of 
bias, except from marginalized, 
ignored, and disgruntled leftists. 
Research shows that many journalists 
may have what might be described as 
"moderately liberal" politics on 
social issues (as "left" as Bill 
Clinton but falling far short of a Ted 
Kennedy). Yet, those who do, given 
the limits imposed on even the most 
moderate criticisms of the power 
structure as well as the reality of their 
own position as servants of that 
structure, are often cynical and 
depoliticized—like much of the 
general public, which is similarly 
marginalized. If they are obsessed 
with advancing a progressive political 
agenda, they tend to become 
freelancers or columnists (good luck 
supporting yourself!) or they leave the 
profession, as the professional 
constraints are too great. However, if 
journalists for reasons of ideology or 
opportunism wish to push a 
conservative political agenda, they 
find few barriers in the current media 
environment. After all, anytime a 
journalist pushes the conservative 
agenda they are justified because 
they are balancing the liberal bias of 
the dominant media! 

As for the final proposition, that truly 
objective journalism would invariably 
see the world exactly the way Rush 
Limbaugh sees it, this points to the 
ideological nature of the exercise. 
Despite the attention paid to the news, 
there has never been an instance of 
conservatives criticizing journalism for 
being too soft on a right wing politician 
or unfair to liberals or the left. It is a 
one-way street. Conservatives 
sometimes respond to such criticisms 
that this is what all media criticism is 
about—whining that your side is 
getting treated unfairly. In 1992, Rich 
Bond, then the chair of the Republican 
Party, acknowledged that the point of 
bashing the liberal media was to 
"work the refs" like a basketball 
coach does, with the goal that 
"maybe the ref will cut you a little 
slack on the next one." Honest 
scholarship attempts to provide a 
coherent and intellectually consistent 
explanation of journalism that can 
withstand critical interrogation. The 
conservative critique of the liberal 
news media is an intellectual failure, 
riddled with contradictions and 
inaccuracy. 

So why is the conservative critique of 
the liberal news media such a 
significant force in U.S. political and 
media culture? To some extent this is 
because this critique has tremendous 
emotional power, fitting into a broader 
story of the conservative masses 
battling the establishment liberal 
media elite. In this world, spun by 
right-wing pundits like Ann Coulter 
and Sean Hannity, conservatives do 
righteous battle against the alliance of 
Clinton, Castro, bin Laden, drug 
users, gays, rappers, feminists, 
teachers unions and journalists, who 
hold power over the world. As one 
conservative activist put it, the battle 
over media is a "David and Goliath 
struggle." At its strongest, and most 
credible, the conservative critique taps 
into the elitism inherent to 
professionalism and to liberalism 
though this right-wing populism turns 
to mush the moment the issue of class 
is introduced. To be sure, some 
conservative media criticism backs 
away from fire breathing, and attempts 
to present a more tempered critique, 
even criticizing the rampant 
commercialization of journalism. 
The main reason for the prominence 
of the right-wing critique of the liberal 
news media, however, has little or 
nothing to do with the intellectual 
quality of the arguments. It is the 
result of hardcore political organizing 
and it takes a lot of financial backers 
with deep pockets to produce that 
result. The conservative movement 
against liberal journalism was 
launched in earnest in the 1970s. 
Conservative critics claimed that the 
liberal media was to blame for losing 
the Vietnam War. Pro-business 
foundations were aghast at what they 
saw as the anti-business sentiment 
prevalent among Americans, 
especially middle-class youth, usually 
a core constituency for support. 
Mainstream journalism, which in 
reporting the activities of official 
sources was also giving people like 
Ralph Nader sympathetic exposure, 
was seen as a prime culprit. At that 
point the political right, supported by 
their wealthy donors, began to devote 
enormous resources to criticizing and 
changing the news media. Around 
one-half of all the expenditures of the 
twelve largest conservative 
foundations have been devoted to the 
task of moving the news rightward. 
This has entailed funding the training 
of conservative and business 
journalists at universities, creating 
conservative media to provide a 
training ground, establishing 
conservative think tanks to flood 
journalism with pro-business official 
sources, and incessantly jawboning 
any coverage whatsoever that is 
critical of conservative interests as 
being reflective of "liberal" bias. 
The pro-business right understood 
that changing media was a crucial part 
of bringing right-wing ideas into 
prominence and politicians into power. 
"You get huge leverage for your 
dollars," a conservative 
philanthropist noted when he 
discussed the turn to ideological work. 
There is a well-organized, well-
financed and active hardcore 
conservative coterie working to push 
the news media to the right. As a 
Washington Post White House 
correspondent put it, "the liberal 
equivalent of this conservative coterie 
does not exist."

The success of the right-wing 
campaign in popularizing the view that 
the news media have a liberal bias 
has been accomplished to some 
extent by constant repetition without 
any significant countervailing position. 
Crucial to the promotion of the idea 
that the news media are liberal have 
been, ironically enough, the so-called 
liberal media. One study of press 
coverage between 1992 and 2002 
finds that references to the liberal bias 
of the news media outnumber those to 
a conservative bias by a factor of 
more than 17 to 1. It is trumpeted far 
and wide by the media, such that the 
conservative complaint is well known 
to millions of Americans, who view it 
as the only dissident criticism of the 
media. It should occasion no surprise, 
then, that a 2003 Gallup Poll found 
that 45 percent of Americans thought 
the news media were "too liberal," 
while only 15 percent found them 
"too conservative." 

The conservative critique is in some 
respects the permanent "official 
opposition" cultivated by professional 
journalism itself, because in a sense 
journalists have to be seen as 
"liberals" for the system to have 
credibility. Were journalists seen as 
cravenly bowing before wealth and 
privilege, it would undermine the 
credibility of the enterprise as an 
autonomous democratic force. After 
all, that is a significant part of what led 
to the rise of professional journalism in 
the first place. The conservative 
criticism is also rather flattering to 
journalists; it says to them: you have 
all the power and the problem is you 
use that power to advance the 
interests of the poor and minorities (or 
government bureaucrats and liberal 
elitists) rather than the interests of 
corporations and the military (or 
middle America). A political economic 
critique, which suggests that 
journalists have much less power and 
that they are largely the unwitting 
pawns of forces that make them the 
agents of the status quo, is much less 
flattering and almost nowhere to be 
found. As Noam Chomsky has 
observed,
In fact, if the system functions 
well, it ought to have a liberal 
bias, or at least appear to. 
Because if it appears to have a 
liberal bias, that will serve to 
bound thought even more 
effectively.

In other words, if the press is 
indeed adversarial and liberal 
and all these bad things, then 
how can I go beyond that? 
They're already so extreme in 
their opposition to power that to 
go beyond it would be to take off 
from the planet. So therefore it 
must be that the presuppositions 
that are accepted in the liberal 
media are sacrosanct—can't go 
beyond them. And a well-
functioning system would in fact 
have a bias of that kind. The 
media would then serve to say in 
effect: Thus far and no further 
(Noam Chomsky and the Media, 
1994, p. 58).

The genius of right-wing critics is that 
they have taken the fact that the 
media system works this way—in 
effect policing how far to the left 
establishment discourse is permitted 
to go—to stamp journalists 
themselves as powerful left-wing 
agents undermining U.S. society. To 
raise the issue of affirmative action 
and to report on the views of NOW 
has become, within the ever 
narrowing spectrum of politics visible 
to American television viewers, an 
indication of extreme leftism. 
Generally timid liberals and the 
journalists who report on them have 
become the new Communists and the 
new fellow travelers haunting 
conservative imaginations. Liberal 
journalists themselves, however, are 
much less inclined to see themselves 
as leftists than as "the vital center," 
holding off both right-wing extremists, 
and the popular hoards that threaten 
majoritarian democracy.
This rabidly conservative or 
neoconservative campaign has been 
successful in making the news media 
more sympathetic to right-wing 
politicians and pro-corporate policies. 
The move of journalism to the right 
has been aided by three other factors. 
First, the right wing of the Republican 
Party, typified by Reagan and now 
Bush, has gained considerable 
political power while the Democratic 
Party has become significantly more 
pro-business in its outlook. This 
means that editors and journalists 
following the professional code are 
simply going to have much greater 
exposure through official sources to 
neoliberal and conservative political 
positions. The body of relatively 
progressive official sources that 
existed in the 1960s and 1970s is of 
diminished proportions and far less 
influential today. Second, as we 
discussed above, the real target for 
the conservative critique of the liberal 
media—the autonomy of journalists 
from owners, referred to by journalists 
as the separation of church and 
state—has diminished over the past 
twenty years. There is less protection 
to keep journalists independent, 
implicitly and explicitly, of the politics 
of the owners. Third, conservatives 
move comfortably in the corridors of 
the corporate media. This is precisely 
what one would expect. Journalists 
who praise corporations and 
commercialism will be held in higher 
regard (and given more slack) by 
owners and advertisers than 
journalists who are routinely critical of 
them. Much has been made of Rupert 
Murdoch's Fox News Channel, 
which operates as an adjunct of the 
Republican Party, but the point holds 
across the board. Progressive radio 
hosts, for example, have had their 
programs cancelled although they had 
satisfactory ratings and commercial 
success, because the content of their 
shows did not sit well with the station 
owners and managers.

In sum, the conservative campaign 
against the liberal media has meshed 
comfortably with the commercial and 
political aspirations of media 
corporations. The upshot is that by the 
early years of the twenty-first century 
the conservatives have won. The 
Washington Post's E. J. Dionne 
termed this a "genuine triumph for 
conservatives." "The drumbeat of 
conservative press criticism has been 
so steady, the establishment press 
has internalized it." By 2001, 
CNN's chief Walter Isaacson was 
soliciting conservatives to see how he 
could make the network more 
palatable to them. In their quieter 
moments conservatives acknowledge 
the victory, though they will insist that 
the victory is justified. But the general 
pattern is that conservative pundits 
dominate in the commercial news 
media with the incessant refrain that 
the media are dominated by liberals. 
The news media diet of the average 
American is drawn from a menu tilted 
heavily to the right. Talk radio, which 
plays a prominent role in communities 
across the nation, "tends to run the 
gamut from conservative to...very 
conservative," as one reporter puts 
it. By 2003, a Gallup Poll survey 
showed that 22 percent of Americans 
considered talk radio to be their 
primary source for news, double the 
figure from 1998. TV news runs from 
pro-business centrist to rabidly pro-
business right, and most newspaper 
journalism is no better. All told, the 
average American cannot help but be 
exposed to a noticeable double 
standard that has emerged in the 
coverage of mainstream politicians 
and politics.

The crucial change in the news media 
has not been the increased 
marginalization of the left—that has 
always been the case—but, rather, 
the shrinkage of room for critical work 
in journalism—what was best about 
the professional system—and the 
accompanying shift in favorable 
coverage toward the conservative 
branch of elite opinion. Looking at the 
different manner in which the press 
has portrayed and pursued the 
political careers of Bill Clinton and 
George W. Bush reveals the scope of 
the conservative victory. A Nexus 
search, for example, reveals that there 
were 13,641 stories about Clinton 
avoiding the military draft, and a mere 
49 stories about Bush having his 
powerful father use influence to get 
him put at the head of the line to get 
into the National Guard. Bill Clinton's 
small time Whitewater affair justified a 
massive seven-year, $70 million open-
ended special investigation of his 
business and personal life that never 
established any criminal business 
activity, but eventually did produce the 
Lewinsky allegations. Rick Kaplan, 
former head of CNN, acknowledged 
that he instructed CNN to provide the 
Lewinsky story massive attention, 
despite his belief that it was 
overblown, because he knew he 
would face withering criticism from the 
right for a liberal bias if he did not do 
so. George W. Bush, on the other 
hand, had a remarkably dubious 
business career in which he made a 
fortune flouting security laws, tapping 
public funds, and using his father's 
connections to protect his backside, 
but the news media barely sniffed at 
the story and it received no special 
prosecutor. His conviction for driving 
under the influence of alcohol barely 
attracted notice. One doubts the head 
of CNN goes to sleep at night in fear 
of being accused of being too soft on 
Bush's business dealings or his past 
record of inebriation. 

The conservative propaganda 
campaign against the liberal media is 
hardly the dominant factor in 
understanding news media behavior. 
It works in combination with the 
broader limitations of professional 
journalism as well as the commercial 
attack upon journalism. Conservative 
ideology and commercialized, 
depoliticized "journalism" have 
meshed very well, and it is this 
combination that defines the present 
moment. Subjected to commercial 
pressures not seen for nearly a 
century, if ever, and under attack from 
conservatives, journalism as we know 
it is in a perilous state. This may not, 
however, be a total tragedy, given the 
fact that such professional journalism 
has done more to support power than 
to question it, more to quell 
democracy than invigorate it. In the 
wake of the destruction of the old 
media system it is time to construct a 
new one. And this time around it 
should be our media—that of 
democratic forces—not theirs. In other 
words, we have to begin the struggle 
all over again, challenging once again 
big business domination of the media 
and the corrosive logic it has 
produced.


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