July 22, 2006

A Surprise After the Split: Viacom Struggles as CBS Holds Its Own
By GERALDINE FABRIKANT
NY Times

http://www.nytimes.com/2006/07/22/business/media/22viacom.html?pagewanted=print


It was not supposed to be this way. When Viacom announced last year that it 
would split into two companies — Viacom and CBS — Wall Street’s darling was 
Viacom.

Unshackled from the slower-growing CBS, the thinking went, Viacom would 
achieve new heights.

What a difference a new year makes. Since the January split, stock in CBS, 
which also owns the CBS network, has risen 9 percent. Viacom’s stock, 
meanwhile, has been pummeled, falling nearly 20 percent, to close yesterday 
at $33.47 a share.

For Viacom the summer has been rough. Advertising on cable networks — the 
core of Viacom’s business — has been soft. The company’s youth-oriented 
networks, which have long been dominant, are increasingly being challenged. 
And the company has been faulted for not being aggressive enough in making 
Internet acquisitions.

Without CBS, Viacom now relies mainly on the success of those cable 
networks, which include MTV, Nickelodeon and Comedy Central. The company 
also owns Paramount Pictures — which is in the middle of a hoped-for 
turnaround — but the cable networks account for about 70 percent of 
Viacom’s revenue and nearly all of its cash flow.

As doubts about cable’s prospects have grown, Viacom’s stock has fallen 
more than twice as much as Time Warner’s this year, while shares of Disney 
are up 18.7 percent and News Corporation’s shares have jumped 14.2 percent.

The cable upfront market — where advertisers buy time in advance for the 
coming fall season — is to conclude by the end of the summer. And analysts 
are now forecasting a mere 7 percent to 9 percent increase in advertising 
spending at Viacom’s networks, after years of double-digit growth.

“It has been a slow upfront and a tough upfront,” Viacom’s chief executive, 
Tom Freston, conceded in an interview. But “I am convinced,’’ he added, “we 
are going to perform at the top because we have strong brands and 
multiplatforms. It is too soon to say it is going to be a tough year.”

Aryeh Bourkoff, a media analyst at UBS, says the problems are more than 
just a cyclical softening in the ad market. “If advertisers are paying a 
premium for the growth of audiences on the Internet, they may be more 
cautious about allocating dollars to the cable networks,’’ he said.

Whether the slowdown is cyclical or structural, investors are concerned. 
One disillusioned investor was Morris Mark of Mark Asset Management, which 
dumped its roughly 500,000 shares of Viacom stock in the second quarter. 
Mr. Mark, a longtime media investor, said: “It seems as though the cable 
network business is feeling some of the same pressures as the broadcast 
networks have been feeling. It has to do with ad revenue growth.’’

It is not just the slow advertising market that has investors worried. 
Critics say Mr. Freston has been late to the digital game and has not been 
as forceful as some of his rivals — particularly News Corp. — in making 
acquisitions in new media.

“Five years ago, no company in the world had a stronger grip on the youth 
culture and kids than Viacom,’’ said Leo J. Hindery Jr., managing partner 
of Intermedia Partners, a private equity firm that invests in media 
businesses. “In the intervening period, Viacom has shown no obvious 
competitive response.’’

Both he and Mr. Bourkoff of UBS cite News Corporation’s outbidding Viacom 
for MySpace.com — the Web site where young people post personal pages and 
socialize — as an indication that Viacom is facing new competition in the 
youth market. “Though MySpace is not yet profitable, it has huge potential 
because it has aggregated more users than any new medium in a long time,’’ 
Mr. Bourkoff said.

Mr. Freston counters that his company has been focusing on organic growth 
online, including extensions of MTV and other popular cable properties, 
while making smaller acquisitions.

And he is seconded by Michael Nathanson, a media analyst for Sanford C. 
Bernstein & Company, who thinks the News Corporation mystique online is 
overblown.

“Just a year ago, News Corporation was seen as old line,’’ he said. “With 
one stroke of the pen, they are in it,” he said, referring to the MySpace 
acquisition last year. “The idea that Viacom has lost its edge because of 
one deal is ridiculous. I think Viacom’s problems are cyclical.”

Viacom has made a clutch of acquisitions in the youth area, including 
Neopets, a Web site that lets youngsters adopt and feed virtual animals.

But Richard Greenfield of Pali Research argues that the company has not 
communicated well how these businesses fit into Viacom’s central strategy.

Mr. Freston responds that Neopets has broadened Viacom’s reach to younger 
audiences. He also noted that Nickelodeon and Neopets get 60 percent of the 
children’s advertising directed to new media.

Mr. Freston, 60, is widely credited with building the host of cable 
networks that are Viacom’s bedrock. Though he spent much of the 1970’s 
traveling around the world, at one point creating a business shipping 
clothes by air freight from Afghanistan, his professional life took off 
when he joined MTV as a marketing director, rising to become head of the 
cable network empire.

Despite his great success, Wall Street’s infatuation with Mr. Freston has 
dimmed. One analyst, Mr. Greenfield of Pali Research, argues that the board 
should replace him if he cannot “swiftly reorient Viacom.”

Sumner M. Redstone, Viacom’s chairman and controlling shareholder, 
disagrees strongly. “There are no circumstances under which I would 
consider discharging Tom,” he said. “There is nobody better.’’

“I know Tom has been criticized a lot,’’ Mr. Redstone added. “But he is an 
outstanding leader and he is breaking his back to make this work.’’

Under Mr. Freston, Viacom has continued a multiplatform strategy of 
offering content in places like the Internet and cellphones, in addition to 
cable, to broaden the company’s revenue sources. “In April we did 210 
million video streams,” Mr. Freston noted, referring to the number of times 
people watched Viacom’s broadband video offerings.

While there are certainly new opportunities for Viacom, revenue from areas 
besides cable is still minuscule. And while Wall Street wants results right 
away, it may have to wait.

Mr. Redstone estimates Viacom’s digital businesses will generate about $500 
million in three years. That would be just 4 percent of the 2009 revenue 
that Sanford C. Bernstein’s Mr. Nathanson is projecting for the company.

Other factors have weighed on Viacom shares as well. The company’s 
first-quarter results this year — the first it posted as an independent 
company — were disappointing, in part because MTV lost a major advertiser 
in Germany.

And it has not gone unnoticed that Mr. Redstone has been selling stock 
after decades of publicly saying he would never sell shares. While the 
sales were prompted by an agreement that Mr. Redstone would reduce his 
holdings to keep his stake from increasing as the company bought back 
shares, several people close to Viacom said Mr. Redstone’s decision to take 
capital out of the company has created a perception that has hurt the stock.

Meanwhile, some on Wall Street are not happy that Mr. Redstone and Mr. 
Freston have been reaping enormous salaries and bonuses in cash. In 2005, 
Mr. Redstone earned $12.9 million in salary and bonus and Mr. Freston 
earned $18.3 million. Because of that criticism, the board is discussing 
restructuring executive compensation to include a larger component of stock 
options.

Still, Viacom has done some impressive deals, including this spring’s $300 
million sale of commercial time to OMD, Omnicom’s media buying firm. OMD’s 
spots will appear on Viacom cable as well as video on demand, broadband and 
podcasting. Viacom is also selling to wireless providers programming based 
on Viacom cable networks.

Wall Street, of course, has a history of overreacting, and not everyone is 
bearish on Viacom’s future. As the stock price declines, Mr. Mark said he 
might well become a buyer again.

Some investors see bright spots. For example Viacom does not require large 
amounts of capital to create new programming that it can distribute across 
all its platforms. And Viacom has expanded its cable network business into 
emerging markets like China and India.

For years Mr. Redstone has bragged about the company’s overall expansion. 
But some analysts say that effort has not been as dramatic as one might think.

Mr. Nathanson of Sanford C. Bernstein estimates international ad revenue 
will account for just about 10 percent of the $3.9 billion in cable ad 
revenue he is forecasting for this year.

And even expansion in Europe has had some blips. Analysts were confused 
when the company said recently it was focusing too heavily on Europe — just 
after buying Viva, a German cable music channel. Mr. Freston said the deal 
was important because “we wanted scale in Europe’s major market.’’

With all those concerns, Viacom is trading at 15 times expected 2007 
earnings, leading Mr. Greenfield of Pali Research and the Morgan Stanley 
analyst Richard Bilotti to conclude the stock is inexpensive compared with 
its peer group. Mr. Greenfield says he is bullish on the shares because 
Viacom’s brands are healthy, though the company may not be investing enough 
to drive future growth.

“They are too worried about tomorrow and not willing to take enough chances 
to enhance value over the next few years,’’ Mr. Greenfield said.

Viacom does have several other options for growth. Among other things, 
executives are counting on Brad Grey, the new head of Paramount Pictures, 
to turn the studio around.

Only a few movies overseen by the studio’s new management have made it to 
the screen yet. “Mission Impossible 3,’’ brought in a healthy $362 million 
at the worldwide box office, according to IMDBpro.com, but that is less 
than what the original and the sequel individually earned.

But instead of blaming the studio for the shortfall (critics liked the 
movie) many in the industry chalked the results up to movie goers’ recent 
disenchantment with Tom Cruise.

“Nacho Libre,’’ the studio’s movie about a Mexican friar turned wrestler, 
was a hit, bringing in $78 million at the domestic box office. Now the 
looming test of Paramount’s new strategy is Oliver Stone’s “World Trade 
Center,’’ the story of two officers trapped in the rubble of the World 
Trade Center on Sept. 11, 2001.


================================
George Antunes, Political Science Dept
University of Houston; Houston, TX 77204
Voice: 713-743-3923  Fax: 713-743-3927
antunes at uh dot edu



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