quem faleceu ??? o Rosas ?? na real?
Em 24/04/07, tati <[EMAIL PROTECTED]> escreveu:
eu não.. mas desde que alguém mandou o artigo do ricardo rosas aqui surgiram estas duas manifestações - primeiro soubemos do falecimento deste colega, depois com esse email ai da tori sabemos que o texto dele gerava essa discussão na inglaterra.. das pessoas que tão envolvidas conheço também o daniel lima. com os dois, rosas e lima, entre [EMAIL PROTECTED], fizemos o mídia tática brasil em sampa lá em 2003.. xt mbraz wrote: > voces ja viram Isso ?? > > mbraz > > Em 24/04/07, *tati* <[EMAIL PROTECTED] <mailto:[EMAIL PROTECTED]>> > escreveu: > > > -- > "Wanderlyne trata principalmente do tema do poder, rompendo com as > concepções clássicas deste termo. Para elx, o poder não pode ser > localizado em uma instituição ou no Estado, o que tornaria > impossível a "tomada de poder" proposta pelos marxistas . O poder > não é considerado como algo que o indivíduo cede a um soberano > (concepção contratual jurídico-política), mas sim como uma relação > de forças. Ao ser relação, o poder está em todas as partes, uma > pessoa está atravessada por relações de poder, não pode ser > considerada independente delas. Para Wanderlyne, o poder não > somente reprime, mas também produz efeitos de verdade e saber, > constituindo verdades, práticas e subjetividades. > > > > ---------- Mensagem encaminhada ---------- > From: "Tori Holmes" <[EMAIL PROTECTED] > <mailto:[EMAIL PROTECTED]>> > To: "Tati Wells" < [EMAIL PROTECTED] <mailto:[EMAIL PROTECTED]>> > Date: Tue, 24 Apr 2007 10:03:34 -0300 > Subject: Gambiarra: 'making do', the Brazilian way > Você já viu isso? > > ///// > > Evento no ICA de Londres > > http://www.ica.org.uk/Gambiarra:%20'making%20do',%20the%20Brazilian%20way+13360.twl > < http://www.ica.org.uk/Gambiarra:%20%27making%20do%27,%20the%20Brazilian%20way+13360.twl > > > Gambiarra: 'making do', the Brazilian way > 28 Apr 2007 > > Taking as a starting point the rise in video art in Brazil as both an > important tool in tackling national political issues and attracting > international attention at festivals and biennales, these discussion > sessions address the increasing mobility of artists; the impact of > residencies on their surroundings; the collaboration between art and > sociopolitical subcultures; the importance of sustainability for > artistic practice; and the business of producing and distributing new > media. > > The key concept for the debates is 'gambiarra' (the title of an essay > by Ricardo Rosas included in Caderno Videobrasil 02): a Portuguese > word that conjures up images of clandestine electricity hook-ups in > shanty towns, but also describes a particularly Brazilian attitude to > improvisation when materials are not available. This sense of the > term > has great symbolic value in Brazil and its wider significance has not > been lost on the visual art scene. The debates build on reflections on > Caderno Videobrasil 02. > > 4.30pm Welcome and Introduction > > 4.45pm DANIEL LIMA: Artistic collectives as a strategy for > sustainability: tactics for action, broadcasting and propagation > > Activist media groups establish self-sustained exchanges and > strategies designed to ensure their existence and to promote exchange > between artists, activists and groups. They also create new modes of > mobility for groups and artists, breaking down boundaries in the art > world. > > Daniel Lima is a multimedia artist who explores design and space in > the urban environment. Coming from a trajectory of interventions and > interferences in the metropolis of São Paulo, he creates unexpected > and potentially deconstructive situations in the urban scenario. He > has made collaborative works in which he developed resources for > education purposes as well as tackling issues to do with the media and > racial problems. He has worked with three groups: "A Revolução Não > Será Televisionada", "Frente 3 de Fevereiro" and "Política do > Impossível". > > 5.15pm Residencies as exchanges > > Mobility is a key element in the new scenario, and artistic > residencies play an important role. They promote inclusion (in art > circuits), exchange of information and, therefore, an > understanding of > other contexts, cultures and production modes. Residencies also impact > their surroundings, and they often result in new forms of association. > > 5.45pm ALEXANDRE DA CUNHA: The artist as resident > > What is the influence of a residency on an artist's career? Da Cunha > gives a personal account of his experience as a resident in terms, > looking at networks of exchange and whether an artist can really > become part of a new circuit. > > Alexandre da Cunha (Rio de Janeiro, 1969) is a sculptor and performer > who uses the language of video in his work. His latest works > incorporate humour and very simple technological materials and > resources. In addition to numerous group shows, he has had solo shows > in London, Rio de Janeiro and Belo Horizonte. He has studied and > worked in London since 1998. > > 6.15 - 6.45pm Break > > 6.45pm RUBEN FEFFER: The market for new media > > Feffer will discuss his experience with ELOAUDIOVISUAL in selling > Latin American new media productions. He will discuss the latest > trends and current production and inclusion strategies, comparing the > interaction with local and global markets. > > Ruben Feffer is founder of Elo Audiovisual, which represents and > distributes audiovisual content from Brazil and Latin America. > > 7.15pm HÉLIO HARA: New strategies in Brazilian art > > Access to new technologies, urbanisation and the formation of new > political-economic-cultural maps pose challenges to art and give rise > to new paradigms. In Brazil, the intensification of exchanges, > improvisation and the gambiarra are features of the new strategies. > > Helio Hara (Associação Cultiural Videobrasil) is the editor of Caderno > Videobrasil 02 - Art Mobility Sustainability and editor in chief of > "s/n", a top Brazilian magazine focused on Brazilian lifestyle and > arts ranging from photography to fashion. Hara completed a MA in > Science writing at the University of Wales College of Cardiff after > graduating in Journalism in Brazil. He has had a successful career in > O Globo (the largest daily newspaper in Rio de Janeiro) and was > assigned as correspondent in Paris for the Globo media corporation. As > a journalist specialized in arts and trends, he has also contributed > to European and American publications such as V and Courrier > International and worked in the development of content for several > projects and exhibitions in Brazil. In the last few years, together > with WWF, he has developed marketing and social responsibility > projects for corporations in Brazil. Helio's work emphasises a > 21st-century/contemporary Brazil to the outside public in an authentic > way, with no concession to stereotyped or tourist-industry-induced > folklore aspects. > > 7.45 - 8pm Break > > 8pm Plenary (discussion between all the speakers + questions from > audience) > > 8.45pm Magazine launch > > Caderno Videobrasil: art mobility sustainability – 2006 > > Editorial coordinator: Solange Farkas / Editor: Helio Hara / > Collaborators: Grant H. Kester, Ricardo Rosas, Daniel Hora, Marisa > Mokarzel, Maria Araújo, Hans Dieleman, Hildegard Kurt Produced by > Associação Cultural Videobrasil and SESC São Paulo. > > More about Caderno Videobrasil > > £10 / £9 Concessions / £8 ICA Members > > All-day ticket including Video Brasil Programmes 1 & 2, and Gambiarra > conference: £15 / £13 Concessions / £11 ICA Members > > > Date Time Venue Book > Saturday 28 April 2007 4:30 pm Nash Room > book > Saturday 28 April 2007 > Video Brasil all-day ticket 4:30 pm Cinema 1 > book > > > _______________________________________________ > Lista de discussão da MetaReciclagem > Envie mensagens para [email protected] <mailto:[email protected]> > http://lista.metareciclagem.org > > > > > -- > ൬βռăʒ > ------------------------------------------------------------------------ > > _______________________________________________ > Lista de discussão da MetaReciclagem > Envie mensagens para [email protected] > http://lista.metareciclagem.org -- "Wanderlyne trata principalmente do tema do poder, rompendo com as concepções clássicas deste termo. Para elx, o poder não pode ser localizado em uma instituição ou no Estado, o que tornaria impossível a "tomada de poder" proposta pelos marxistas . O poder não é considerado como algo que o indivíduo cede a um soberano (concepção contratual jurídico-política), mas sim como uma relação de forças. Ao ser relação, o poder está em todas as partes, uma pessoa está atravessada por relações de poder, não pode ser considerada independente delas. Para Wanderlyne, o poder não somente reprime, mas também produz efeitos de verdade e saber, constituindo verdades, práticas e subjetividades. _______________________________________________ Lista de discuss�o da MetaReciclagem Envie mensagens para [email protected] http://lista.metareciclagem.org
-- ൬βռăʒ
_______________________________________________ Lista de discussão da MetaReciclagem Envie mensagens para [email protected] http://lista.metareciclagem.org
