pois a surpresa me pegou também... será que Ricardo Rosas faleceu? ...não tenho como acreditar.
lelex 2007/4/24, mbraz <[EMAIL PROTECTED]>:
quem faleceu ??? o Rosas ?? na real? Em 24/04/07, tati <[EMAIL PROTECTED]> escreveu: > > eu não.. mas desde que alguém mandou o artigo do ricardo rosas aqui > surgiram estas duas manifestações - primeiro soubemos do falecimento > deste colega, depois com esse email ai da tori sabemos que o texto dele > gerava essa discussão na inglaterra.. das pessoas que tão envolvidas > conheço também o daniel lima. com os dois, rosas e lima, entre [EMAIL PROTECTED], > fizemos o mídia tática brasil em sampa lá em 2003.. > > xt > > > mbraz wrote: > > voces ja viram Isso ?? > > > > mbraz > > > > Em 24/04/07, *tati* <[EMAIL PROTECTED] <mailto:[EMAIL PROTECTED]>> > > escreveu: > > > > > > -- > > "Wanderlyne trata principalmente do tema do poder, rompendo com as > > > concepções clássicas deste termo. Para elx, o poder não pode ser > > localizado em uma instituição ou no Estado, o que tornaria > > impossível a "tomada de poder" proposta pelos marxistas . O poder > > não é considerado como algo que o indivíduo cede a um soberano > > (concepção contratual jurídico-política), mas sim como uma relação > > de forças. Ao ser relação, o poder está em todas as partes, uma > > pessoa está atravessada por relações de poder, não pode ser > > considerada independente delas. Para Wanderlyne, o poder não > > somente reprime, mas também produz efeitos de verdade e saber, > > constituindo verdades, práticas e subjetividades. > > > > > > > > ---------- Mensagem encaminhada ---------- > > From: "Tori Holmes" < [EMAIL PROTECTED] > > <mailto:[EMAIL PROTECTED]>> > > To: "Tati Wells" < [EMAIL PROTECTED] <mailto: [EMAIL PROTECTED]>> > > Date: Tue, 24 Apr 2007 10:03:34 -0300 > > Subject: Gambiarra: 'making do', the Brazilian way > > Você já viu isso? > > > > ///// > > > > Evento no ICA de Londres > > > > http://www.ica.org.uk/Gambiarra:%20'making%20do',%20the%20Brazilian%20way+13360.twl > > <http://www.ica.org.uk/Gambiarra:%20%27making%20do%27,%20the%20Brazilian%20way+13360.twl> > > < > http://www.ica.org.uk/Gambiarra:%20%27making%20do%27,%20the%20Brazilian%20way+13360.twl > > > > > > Gambiarra: 'making do', the Brazilian way > > 28 Apr 2007 > > > > Taking as a starting point the rise in video art in Brazil as both > an > > important tool in tackling national political issues and > attracting > > international attention at festivals and biennales, these > discussion > > sessions address the increasing mobility of artists; the impact of > > residencies on their surroundings; the collaboration between art > and > > sociopolitical subcultures; the importance of sustainability for > > artistic practice; and the business of producing and distributing > new > > media. > > > > The key concept for the debates is 'gambiarra' (the title of an > essay > > by Ricardo Rosas included in Caderno Videobrasil 02): a Portuguese > > word that conjures up images of clandestine electricity hook-ups > in > > shanty towns, but also describes a particularly Brazilian attitude > to > > improvisation when materials are not available. This sense of the > > term > > has great symbolic value in Brazil and its wider significance has > not > > been lost on the visual art scene. The debates build on > reflections on > > Caderno Videobrasil 02. > > > > 4.30pm Welcome and Introduction > > > > 4.45pm DANIEL LIMA: Artistic collectives as a strategy for > > sustainability: tactics for action, broadcasting and propagation > > > > Activist media groups establish self-sustained exchanges and > > strategies designed to ensure their existence and to promote > exchange > > between artists, activists and groups. They also create new modes > of > > mobility for groups and artists, breaking down boundaries in the > art > > world. > > > > Daniel Lima is a multimedia artist who explores design and space > in > > the urban environment. Coming from a trajectory of interventions > and > > interferences in the metropolis of São Paulo, he creates > unexpected > > and potentially deconstructive situations in the urban scenario. > He > > has made collaborative works in which he developed resources for > > education purposes as well as tackling issues to do with the media > and > > racial problems. He has worked with three groups: "A Revolução Não > > Será Televisionada", "Frente 3 de Fevereiro" and "Política do > > Impossível". > > > > 5.15pm Residencies as exchanges > > > > Mobility is a key element in the new scenario, and artistic > > residencies play an important role. They promote inclusion (in art > > > circuits), exchange of information and, therefore, an > > understanding of > > other contexts, cultures and production modes. Residencies also > impact > > their surroundings, and they often result in new forms of > association. > > > > 5.45pm ALEXANDRE DA CUNHA: The artist as resident > > > > What is the influence of a residency on an artist's career? Da > Cunha > > gives a personal account of his experience as a resident in terms, > > > looking at networks of exchange and whether an artist can really > > become part of a new circuit. > > > > Alexandre da Cunha (Rio de Janeiro, 1969) is a sculptor and > performer > > who uses the language of video in his work. His latest works > > incorporate humour and very simple technological materials and > > resources. In addition to numerous group shows, he has had solo > shows > > in London, Rio de Janeiro and Belo Horizonte. He has studied and > > worked in London since 1998. > > > > 6.15 - 6.45pm Break > > > > 6.45pm RUBEN FEFFER: The market for new media > > > > Feffer will discuss his experience with ELOAUDIOVISUAL in selling > > Latin American new media productions. He will discuss the latest > > trends and current production and inclusion strategies, comparing > the > > interaction with local and global markets. > > > > Ruben Feffer is founder of Elo Audiovisual, which represents and > > distributes audiovisual content from Brazil and Latin America. > > > > 7.15pm HÉLIO HARA: New strategies in Brazilian art > > > > Access to new technologies, urbanisation and the formation of new > > political-economic-cultural maps pose challenges to art and give > rise > > to new paradigms. In Brazil, the intensification of exchanges, > > improvisation and the gambiarra are features of the new > strategies. > > > > Helio Hara (Associação Cultiural Videobrasil) is the editor of > Caderno > > Videobrasil 02 - Art Mobility Sustainability and editor in chief > of > > "s/n", a top Brazilian magazine focused on Brazilian lifestyle and > > arts ranging from photography to fashion. Hara completed a MA in > > Science writing at the University of Wales College of Cardiff > after > > graduating in Journalism in Brazil. He has had a successful career > in > > O Globo (the largest daily newspaper in Rio de Janeiro) and was > > assigned as correspondent in Paris for the Globo media > corporation. As > > a journalist specialized in arts and trends, he has also > contributed > > to European and American publications such as V and Courrier > > International and worked in the development of content for several > > > projects and exhibitions in Brazil. In the last few years, > together > > with WWF, he has developed marketing and social responsibility > > projects for corporations in Brazil. Helio's work emphasises a > > 21st-century/contemporary Brazil to the outside public in an > authentic > > way, with no concession to stereotyped or tourist-industry-induced > > folklore aspects. > > > > 7.45 - 8pm Break > > > > 8pm Plenary (discussion between all the speakers + questions from > > audience) > > > > 8.45pm Magazine launch > > > > Caderno Videobrasil: art mobility sustainability – 2006 > > > > Editorial coordinator: Solange Farkas / Editor: Helio Hara / > > Collaborators: Grant H. Kester, Ricardo Rosas, Daniel Hora, Marisa > > Mokarzel, Maria Araújo, Hans Dieleman, Hildegard Kurt Produced by > > Associação Cultural Videobrasil and SESC São Paulo. > > > > More about Caderno Videobrasil > > > > £10 / £9 Concessions / £8 ICA Members > > > > All-day ticket including Video Brasil Programmes 1 & 2, and > Gambiarra > > conference: £15 / £13 Concessions / £11 ICA Members > > > > > > Date Time Venue Book > > Saturday 28 April 2007 4:30 pm Nash Room > > book > > Saturday 28 April 2007 > > Video Brasil all-day ticket 4:30 pm Cinema 1 > > book > > > > > > _______________________________________________ > > Lista de discussão da MetaReciclagem > > Envie mensagens para [email protected] <mailto:[email protected] > > > > http://lista.metareciclagem.org > > > > > > > > > > -- > > ൬βռăʒ > > > ------------------------------------------------------------------------ > > > > _______________________________________________ > > Lista de discussão da MetaReciclagem > > Envie mensagens para [email protected] > > http://lista.metareciclagem.org > > > -- > "Wanderlyne trata principalmente do tema do poder, rompendo com as > concepções clássicas deste termo. Para elx, o poder não pode ser localizado > em uma instituição ou no Estado, o que tornaria impossível a "tomada de > poder" proposta pelos marxistas . O poder não é considerado como algo que o > indivíduo cede a um soberano (concepção contratual jurídico-política), mas > sim como uma relação de forças. Ao ser relação, o poder está em todas as > partes, uma pessoa está atravessada por relações de poder, não pode ser > considerada independente delas. Para Wanderlyne, o poder não somente > reprime, mas também produz efeitos de verdade e saber, constituindo > verdades, práticas e subjetividades. > > _______________________________________________ > Lista de discuss�o da MetaReciclagem > Envie mensagens para [email protected] > http://lista.metareciclagem.org > -- ൬βռăʒ _______________________________________________ Lista de discussão da MetaReciclagem Envie mensagens para [email protected] http://lista.metareciclagem.org
_______________________________________________ Lista de discussão da MetaReciclagem Envie mensagens para [email protected] http://lista.metareciclagem.org
