My fishhead friend speaking on the difference between tale and tail. I
thank you. :-)

On 8 Jul., 09:57, Slip Disc <[email protected]> wrote:
> Ian really, the Caravaggio comparison is pertinent but only in the
> context of that era and Jackson in this era.  Equally they crossed the
> line, creating a frenzy of mind boggling spectacle.  I must say that
> your comment "Michael Jackson produced a lot of popular PRODUCT, but
> very little art." is indeed a consequence of tunnel vision.  Of course
> if you can produce evidence of another artist that issued such
> extraordinary talent preceding that of Jackson, I, as well as others,
> would concede to your view.  I personally have no interest, never had,
> in the Jackson attraction.  I am only motivated by your lack of
> recognition of the innovation, regardless of the underlying product
> value, of such motivation in artistic influence as well as the perks
> within the industry (for the sharks).  Art is something of a misnomer
> in that people will and are paying thousands of dollars for
> contemporary "Graffiti" art, which for me as an artist styled in
> Renaissance period art view as pure "garbage".  So in that sense, your
> view of Micheal Jackson as less than an art form is reflective of your
> lack of understanding what "art" is all about.
>
> On Jul 8, 2:19 am, Ian Pollard <[email protected]> wrote:
>
> > 2009/7/7 frantheman <[email protected]>
>
> > > Behind all the weirdness (perhaps even perversion) and
> > > the disgusting commercial hype surrounding his death, that was what
> > > Michael Jackson was at his best. There have been other similar
> > > artistic wonders throughout history - Caravaggio comes to mind.
>
> > Did you just compare Michael Jackson to Caravaggio? :)
>
> > Whilst I think there is much artistic merit in music, I think it is almost
> > always missing from the mainstream. Michael Jackson produced a lot of
> > popular PRODUCT, but very little art. He also understood, for a time, how to
> > market that product as good as anyone. This was made remarkably easier by
> > the team of people around him. The album 'Thriller', whilst a good album,
> > initially looked to have only been a minor hit for him. The first single,
> > 'The Girl Is Mine', did okay, but didn't set the world on fire. However,
> > over the next three years Jackson marketed the hell out of that album. He
> > bled it dry, releasing nine songs from it. And of course, that $500,000
> > video (which he did not choreograph, by the way) was a stroke of marketing
> > genius.
>
> > To call Michael Jackson an artist deeply devalues the word. I don't just say
> > that because I am a music snob (I freely admit I am and that it is a factor
> > here). I think the roles of the musician and artist are almost always in a
> > state of conflict; such is the nature of a creative person peddling
> > commodities (CDs, etc) and being subjected to commercial pressure. However,
> > I think the continuing decline of the music industry's business model --
> > coupled with the reduced cost of home recording -- is a great thing for the
> > "art" in music to take a more prominent role.
>
> > Ian
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