http://www.youtube.com/watch?v=67xr_KKPTHE



On Sun, Nov 22, 2009 at 7:33 PM, archytas <[email protected]> wrote:

> Beethoven's 9th is a wonderful example Francis.  Sue and I 'saw' (much
> more than heard) a wonderful amateur performance in Portugal last
> year.  I too am off up the wooden hill, but I'll venture one of my old
> chestnuts.  I have long wanted the Robin Hood myth to be true in the
> sense of wanting to know its hold on some of us.  In one example, only
> Will Scarlet, the most rough and ready in this characterisation, is
> not swooned by King Richard (played by a possibly pissed Brian
> Blessed) and wouldn't trust any of the upper class Normans as long as
> he could draw breath.  In another, the Sheriff of Nottingham is the
> real hero, trying to change things through collaboration and education
> (Robin being more of a charismatic prat getting us all killed in
> hopeless and doomed revolution).  In the first, Will saves the others,
> in the second charisma fails.  Orn displays some characteristics of
> this myth, though is not pretending to be a millennial charismatic.  I
> am still impressed by the Monkey and Water Margins series, with
> statements like 'to oppose an oppressor is to support him'.  The
> current BBC series 'Spooks' seems to me an example of the opposite and
> written by establishment gooks purveying the neo-con line.  There is a
> question as to how we make simplexity not about gullible
> reinforcement, but wiser interpretation.  I want to find ways to
> shorten argumentation, yet know this is too often done through terror
> and suppression.
>
> On 22 Nov, 22:51, fran the man <[email protected]> wrote:
> > On 22 Nov., 06:01, ornamentalmind <[email protected]> wrote:> I
> share your idealism Neil… even when it came to Occham….until I
> > > noticed that when applied to itself, the razor disappears.
> >
> > This dialogue between Neil and Orn has set all kinds of ideas sparking
> > in my mind - I need more time to let many of them work and come to
> > some sort of fruit. Some brief comments:
> >
> > Master William's sharp instrument is a very useful tool. But we should
> > remain aware of its nature - as a tool - and, as every good handworker
> > knows, not every tool is appropriate for every occasion. There's a
> > word Neil has used here a couple of times, "simplexity", which I like.
> > There is often wonderful complexity in simple things, and simplicity
> > too in the complex. There is, I hope, some kind of truth to be
> > obtained through reason (and it is here that Occam's razor works
> > best). But there are also truths which express themselves in art,
> > music, literature, poetry. Ginsberg's "Howl" and Joyce's "Ulysses"
> > come to mind, as do Monet's "Water Lilies," Beethoven's 9th Symphony
> > and Pink Floyd's "Saucerful of Secrets." Just examples. Life, both
> > individual and common, is as much an artwork to be experienced as it
> > is a problem (or problems) to be solved. As Molly has put it (although
> > the words here are mine) we need to sustain the paradoxes put forward
> > by not rejecting one in favour of the other. Holding on to the
> > apparent opposites, while letting everything go.
> >
> > Not very clear, I know, but I can't put it better than this at the
> > moment. As Pepys put it, and so to bed!
> >
> > Francis
>
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