I still read Goethe.  One of the authors I pick up with regularity. 

On Saturday, November 3, 2012 9:28:15 AM UTC-4, rigsy03 wrote:
>
> I'd like to think about this further- maybe forever! I hoped to 
> encourage you not to be discouraged. Perhaps there is something you 
> can tweak or rearrange to suit your own standards- sometimes a break 
> will give a writer/artist a new insight or twist to suit his purpose 
> or logic and is easily fixed- or sometimes the entire work collapses 
> (am thinking of my past lyric poem attempts or the stubborn canvases, 
> etc.) But there is also the reader to consider in the exchange who 
> might not even notice or care about what you consider imperfect. It 
> has been said Goethe was the last mortal who could coast at ease 
> through human knowledge of his time- and who reads Goethe these 
> days? :-) 
>
> On Nov 2, 5:54 pm, archytas <[email protected]> wrote: 
> > But it's not impossible rigsy. 
> > 
> > On 1 Nov, 14:54, rigsy03 <[email protected]> wrote: 
> > 
> > 
> > 
> > > Literature tries to be tidy but life is not so something is always 
> > > "wanting". 
> > 
> > > On Nov 1, 7:47 am, archytas <[email protected]> wrote: 
> > 
> > > > MIT have a current exhibition that seems to get somewhere near my 
> > > > interest -
> http://arts.mit.edu/wp-content/uploads/Holocene-PR-Final.pdf 
> > 
> > > > This is some of the blurb - 
> > 
> > > > Through the work of artists spanning from the 19th to the 21st 
> > > > centuries, the exhibition proposes that art acts as an investigative 
> > > > and experimental form of inquiry, addressing or amending what is 
> > > > explained through traditional scientific or 
> > > > mathematical means: entropy, matter, time (cosmic, geological), 
> > > > energy, topology, mimicry, perception, 
> > > > consciousness, et cetera. Sometimes employing scientific 
> methodologies 
> > > > or the epistemology of science, other 
> > > > times investigating phenomena not restricted to any scientific 
> > > > discipline, art can be seen as a form of 
> > > > investigation into the physical and natural world. In this sense, 
> both 
> > > > art and science share an interest in 
> > > > knowledge and phenomena, yet are subject to different logics, 
> > > > principles of reasoning, and conclusions. In the 
> > > > Holocene suggests that art is itself an account of the world, and 
> can 
> > > > expand the potential of 
> > > > investigative and experimental activity. 
> > > > Emblematic of the central premise of the exhibition, Germaine 
> Kruip’s 
> > > > film Aesthetics as a Way of Survival 
> > > > (2009) documents the phenomenon in which the male bowerbird arranges 
> > > > colored objects as part of its 
> > > > courtship display, suggesting an aesthetic faculty at work even 
> within 
> > > > evolutionary behavior. Friedrich Fröbel 
> > > > devised a pedagogical system centered on childhood learning through 
> > > > color and form. Helen Mirra’s sculptures 
> > > > address geological time and extremophile forms of living matter. 
> > > > Robert Smithson’s interest in crystallography and 
> > > > entropy are reflected in both his Four-Sided Vortex (1965) and 
> > > > Partially Buried Woodshed (1970). Daria 
> > > > Martin’s Sensorium Tests (2012) revolves around a recently 
> recognized 
> > > > neurological condition called “mirror— 
> > > > touch synaesthesia.” For FT Marinetti, abstract mathematical objects 
> > > > could stimulate in his readers the 
> > > > subjective experience of the sounds, smells, and motions of modern 
> > > > life; Iannis Xenakis’ Diamorphoses (1957) 
> > > > and Mycenae Alpha (1978) utilize mathematical operations as 
> > > > compositional strategies for creating music. 
> > > > Alfred Jarry’s “pataphysics,” John Latham’s “Time—Base Theory,” and 
> > > > João Maria Gusmão and Pedro Paiva’s 
> > > > “Abyssology” are all examples of speculative systems of knowledge 
> > > > constructed by the artists to address gaps 
> > > > in historical, philosophical, and scientific discourse. 
> > 
> > > > I resist chocolate-box aesthetics (however posh) and appreciation 
> done 
> > > > to establish superiority of sophistication and am wary of concepts 
> of 
> > > > elegance and beauty applied to science (most scientists I've known 
> > > > thick of this as 'waiting for a blow-job from God' - the world 
> always 
> > > > proves untidy).  In a way, I hope art might light up (say) the 
> > > > financial system in a way extended argument cannot.  I've just 
> > > > finished a novel trying to do this, but can't get it to work - but 
> how 
> > > > could it when most of our shared concepts from literature are the 
> > > > blocks to understanding? 
> > 
> > > > On 23 Oct, 04:34, rigsy03 <[email protected]> wrote: 
> > 
> > > > > What a pleasure to read these recents posts.//I've noticed the 
> > > > > politicians aren't saying much to retirees unless they think we 
> are 
> > > > > over the hill and expendable- except we tend to VOTE.// I only 
> have 
> > > > > one pair of reader glasses that are rx. I can get by with cheapies 
> for 
> > > > > cooking and shopping but the eye doctor told me this was not a 
> very 
> > > > > bright plan. One eye will not get the right whatever.// I have 
> been 
> > > > > rearranging closets and dressers of late and can't remember where 
> I 
> > > > > have switched things so it has been a riot trying to dress.//I did 
> > > > > come across a line of Matthew Arnold's that a little math goes a 
> long 
> > > > > way for most of humanity and remembered my amazement walking into 
> the 
> > > > > wrong classroom and seeing four or five blackboards covered with 
> some 
> > > > > algebraic "work of art"- for it is an art.// I don't really need a 
> lot 
> > > > > of money but it just costs a lot to live in western economies 
> built on 
> > > > > self-sufficiency rather than tribal respect for the wise elders. 
> :-) 
> > 
> > > > > On Oct 22, 12:22 pm, archytas <[email protected]> wrote: 
> > 
> > > > > > I have real problems remembering where I left my glasses (though 
> not 
> > > > > > the ones with beer in) - even the IMF are considering the old 
> Chicago 
> > > > > > Plan  (1936) for fairer money.  We live as paupers in the land 
> of 
> > > > > > plenty in my view.http://www.imf.org/external/pubs/ft/wp/2012/ 
> > > > > > wp12202.pdf 
> > 
> > > > > > It's long and boring, but the gist is in the short conclusion. 
>  It 
> > > > > > lacks your insight into what we are worshipping Al. 
> > 
> > > > > > On 22 Oct, 07:27, Allan H <[email protected]> wrote: 
> > 
> > > > > > > People are expected to change and grow. the errors of the 
>  past are 
> > > > > > > meant to be out grown and evolved into a life that is kinder 
> and 
> > > > > > > gentler with others coming to the forefront leaving the self 
> centered 
> > > > > > > being behind,,  As I look around I am left wondering if this 
> is what 
> > > > > > > is occurring,,  I see wealth being more and more concentrated 
> in the 
> > > > > > > greedy few..  I see the traditional higher power being 
> replaced by a 
> > > > > > > god of gold and wealth, that is worshiped with immense 
> intensity.. 
> > > > > > > an intensity that if applied to eliminating poverty ,, poverty 
> would 
> > > > > > > be eliminated world wide within a few short years. 
> > 
> > > > > > > I have not forgotten anything to my knowledge Neil  I can 
> remember my 
> > > > > > > childhood to date in great detail  recall is not the problem 
> and fear 
> > > > > > > well that is more to keep me from getting killed..  I tend to 
> like 
> > > > > > > invisibility  good idea 
> > > > > > > Allan 
> > 
> > > > > > > On Sun, Oct 21, 2012 at 11:36 PM, archytas <[email protected]> 
> wrote: 
> > > > > > > > With memories as bad as mine and yours Allan we have to 
> invent for 
> > > > > > > > fear of remembering we have forgotten everything. 
> > 
> > > > > > > > On 21 Oct, 19:00, Allan H <[email protected]> wrote: 
> > > > > > > >> What happens when your whole concepts begin changing..   
> strange 
> > > > > > > >> things like the entire universe becomes small  and you have 
> to go out 
> > > > > > > >> side its bounds..  Being a soul being what happens if the 
> creation 
> > > > > > > >> soul is earlier than than the creation of the universe? 
> > > > > > > >> Allan 
> > 
> > > > > > > >> On Sun, Oct 21, 2012 at 6:09 PM, archytas <
> [email protected]> wrote: 
> > > > > > > >> > Science doesn't fascinate me in the way some literature 
> and people can 
> > > > > > > >> > generally - I suspect the 'enthusiasm' of the 
> popularisation of the 
> > > > > > > >> > subjects.  I concur on the predicament element rigs - 
> insightive.  It 
> > > > > > > >> > seems a mistake to me to try and place god in some 
> scientific- 
> > > > > > > >> > dimensional space (though I miss Pat) and I wonder 
> instead whether the 
> > > > > > > >> > god-positions people hack out are as baseless as, say, 
> phlogiston - we 
> > > > > > > >> > need some new thinking. 
> > 
> > > > > > > >> > Science and critical history have demonstrated much 
> religious text is 
> > > > > > > >> > fable.  We repeatedly see that image management hides 
> much that is 
> > > > > > > >> > foul under 'preaching' - here our current examples would 
> be Jimmy 
> > > > > > > >> > Saville, Baby P, priestly paedophiles and Hillsborough 
> (scouting in 
> > > > > > > >> > the US etc.) - but I'd say we may be on the brink of 
> realising 
> > > > > > > >> > economics is equally vile. 
> > 
> > > > > > > >> > I can imagine spending a few weeks with a group living 
> human- 
> > > > > > > >> > constrained lives in a collective of the future.  A woman 
> kisses me 
> > > > > > > >> > goodbye.  She will not see me again because I'm off to a 
> near-space 
> > > > > > > >> > terminal built off Alpha Proxima.  From there I'm 
> relativity 
> > > > > > > >> > travelling to the edge of this universe to undertake 
> genetic 
> > > > > > > >> > transformation beyond the gene-splicing that has allowed 
> me to travel 
> > > > > > > >> > in space.  I see in 16 colours thanks to a shrimp and can 
> enter 
> > > > > > > >> > cryostasis thanks to genes from Arctic fish.  I interface 
> with 
> > > > > > > >> > machines and their learning directly.  I can no longer 
> replicate as a 
> > > > > > > >> > human - etc.  Now I'm off to meet and form a collective 
> with beings 
> > > > > > > >> > who perceive much of the world we can only postulate.  In 
> traditional 
> > > > > > > >> > science fiction these 'dark beings' would be bastards 
> intent on taking 
> > > > > > > >> > over the human world.  What I don't see is any focus on a 
> future in 
> > > > > > > >> > which the rather soppy human-emotional ties are broken - 
> a future in 
> > > > > > > >> > which ... 
> > 
> > > > > > > >> > One might ask how the creature I have become would get 
> his jollies. 
> > > > > > > >> > One can go the other way in history and ask what religion 
> has actually 
> > > > > > > >> > done.  We are not inventive enough about god. 
> > 
> > > > > > > >> > On 21 Oct, 14:50, rigsy03 <[email protected]> wrote: 
> > > > > > > >> >> And some feel science is boring unless it can be 
> translated into 
> > > > > > > >> >> everyday life in meaningful ways. 
> > 
> > > > > > > >> >> On Oct 20, 3:50 pm, archytas <[email protected]> wrote: 
> > 
> > > > > > > >> >> > We travel at 60k plus miles an hour in the solar 
> system and 500K 
> > > > > > > >> >> > through the galaxy in our system.  I tend to believe 
> we can measure 
> > > > > > > >> >> > this kind of thing and that we are always left with 
> questions like 
> > 
> > ... 
> > 
> > read more »- Hide quoted text - 
> > 
> > - Show quoted text - 
>

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