What In find interesting is how it is almost impossible to see the physical 
difference of someone laughing his head off and someone crying his heart 
out. Both are a result of a sudden unexpected disclosure of truth.. 

On Saturday, November 24, 2012 7:51:00 PM UTC+1, archytas wrote:
>
> While there is only speculation about how humor developed in early 
> humans, we know that by the 6th century BCE the Greeks had 
> institutionalized it in the ritual known as comedy, and that it was 
> performed with a contrasting dramatic form known as tragedy. Both were 
> based on the violation of mental patterns and expectations, and in 
> both the world is a tangle of conflicting systems where humans live in 
> the shadow of failure, folly, and death. Like tragedy, comedy 
> represents life as full of tension, danger, and struggle, with success 
> or failure often depending on chance factors. Where they differ is in 
> the responses of the lead characters to life's incongruities. 
> Identifying with these characters, audiences at comedies and tragedies 
> have contrasting responses to events in the dramas. And because these 
> responses carry over to similar situations in life, comedy and tragedy 
> embody contrasting responses to the incongruities in life. 
>
> Tragedy valorizes serious, emotional engagement with life's problems, 
> even struggle to the death. Along with epic, it is part of the Western 
> heroic tradition that extols ideals, the willingness to fight for 
> them, and honor. The tragic ethos is linked to patriarchy and 
> militarism—many of its heroes are kings and conquerors—and it 
> valorizes what Conrad Hyers (1996) calls Warrior Virtues—blind 
> obedience, the willingness to kill or die on command, unquestioning 
> loyalty, single-mindedness, resoluteness of purpose, and pride. 
>
> Comedy, by contrast, embodies an anti-heroic, pragmatic attitude 
> toward life's incongruities. From Aristophanes' Lysistrata to Charlie 
> Chaplin's The Great Dictator to Michael Moore's Fahrenheit 9/11, 
> comedy has mocked the irrationality of militarism and blind respect 
> for authority. Its own methods of handling conflict include deal- 
> making, trickery, getting an enemy drunk, and running away. As the 
> Irish saying goes, you're only a coward for a moment, but you're dead 
> for the rest of your life. In place of Warrior Virtues, it extols 
> critical thinking, cleverness, adaptability, and an appreciation of 
> physical pleasures like eating, drinking, and sex. 
>
> Much humour is cruel - but try and read cruelty in to 'Doctor, doctor, 
> I've lost an electron'.  'Are you sure'?  'Yes, I'm positive'. 
>
> What do we think humour is? 
>

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