"It is so rare anymore that I see a newly made movie and think, Wow, that
was REALLY great.

 Bruce"

 

That is so true, and so disappointing.  I was almost there with Slumdog this
year, strictly because of its originality.  So many stories are rehashed or
even remakes nowadays.  (Do we really need an updated version of FAME?)

 

Frost/Nixon was below great but above very good for me.  LOL  Guess it was
VF while Slumdog was VF-NM.

 

I guess I'd have to go back to 1994 when Shawshank, Pulp Fiction and Forrest
Gump were all nominated to find a year when I thought films might be really
great.or at least NM.  Even Quiz Show was VF. 

 

DBT

 <http://www.linkedin.com/in/douglasbtaylor> Profile 

From: MoPo List [mailto:[email protected]] On Behalf Of Bruce
Hershenson
Sent: Wednesday, February 25, 2009 1:22 AM
To: [email protected]
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today!

 

David

 

Sorry I botched the quote. I guess it was Craig who nailed it. I didn't know
anyone else but you could write so insightfully!

As to the whole perspective thing, I wonder if the world will ever grow up
enough to quit dividing everyone in groups. I don't get any of it. There are
people who I like and admire, and ones I dislike and despise, but it is
based on individual traits, not what group they are a member of. I wonder
why I lack this sort of bias? Maybe I will acquire it when I finally "grow
up".

 

When I finally get to see Milk and The Wrestler I will be able to weigh in
on these movies. It is so rare anymore that I see a newly made movie and
think, Wow, that was REALLY great.

 

Bruce

On Tue, Feb 24, 2009 at 5:39 PM, David Kusumoto <[email protected]>
wrote:

** I think everyone has acquitted themselves well in this debate.  Though my
feelings about Rourke and "The Wrestler" -- vs. Penn and "Milk" -- aren't
changed -- I respect the opinons of those who remain solidly behind "Milk"
-- even though I myself wished the story had been constructed better on
film.  Penn's performance does transcend the material, and while I didn't
think "Milk" was a great film, it did deserve its Best Picture nomination.
 
** This next part is tricky and expressed very delicately, so please forgive
me if this comes out a little awkward.  As a person of color -- I feel some
of us have difficulty stepping back a little so we can judge material about
ourselves more critically.  This is true about any group, be they Asians,
African-Americans, gays, etc., anyone judging filmed entertainments
depicting characters similar or unlike ourselves.  Some of us (myself
included) -- can be so biased -- that we're not able to distinguish what's
truly great -- vs. what's just "OK."  We're too close to the material.  So
we sometimes "vote the ticket" regardless of quality, so long as the
portrayal of ourselves is positive.  Hence we have people who still think
"Brokeback Mountain," "The Joy Luck Club," "Amistad," "Dances with Wolves,"
etc. -- have the equivalence of "Citizen Kane."  The equal rights and
diversity agendas are extremely important -- but when it comes to art -- it
should never trump quality, however subjective.  Voting for what's noble in
art -- can sometimes result in material that becomes dated or puzzling over
time, e.g., "Gandhi" over "E.T." -- "Crash" over "Capote," -- "Dances with
Wolves" over "Goodfellas" -- "Lost Weekend," "Forrest Gump," Gentleman's
Agreement," "Rainman," etc., the list goes on.  
 
** I bring this up because I feel "Milk" and films like it -- were being
praised by people -- (not all) -- using a similar prism.  I thoroughly
enjoyed "Milk" without an agenda -- despite my complaints about its
structure.  But my feelings for "The Wrestler" forced me to confront my own
biases against Penn AND Rourke -- before finally deciding Rourke's was the
better performance.  But my opinions are not facts -- and reading the
passions people have expressed about Penn -- further reveals why some
justifiably feel Rourke did no more than play himself.  Even if I don't
agree, it's a valid point.  I just don't want people to think that by
selecting Rourke over Penn, that I'm treating Penn and his film harshly.
The mere fact that some of "Milk's" fans graciously concede that Penn was
great -- while his film was not so great -- is beyond fair.  
 
** This allows me to segue into MoPo itself.  I have tried the other forums
and MoPo has always been the best for me, dating back to the 1990s.  My only
complaint is I wish old people like myself would stop hogging things so that
more younger people can take part.  I feel too many of us are dismissive of
young people's tastes, as if we ourselves weren't derided for our own when
we were in our teens and twenties.  But as young people age, the smarter
ones discover older material on their own.  Proof?  We discovered Bogart,
Chaplin, William Powell, Rita Hayworth, etc. -- and I think I'm safe when I
say most of us weren't even alive when those legends were at the peak of
their careers!  So congratulations, MoPo!  And congratulations to all of its
members!  -kuz w/the news.

-----Original Message----- 
Date: Tue, 24 Feb 2009 21:49:51 +0000
From: [email protected]
Subject: Re: OSCARS
To: [email protected]

What is interesting about it is when someone really gives you a clear vision
of why they have that opinion. For me, not only do I learn alot about that
person, but I am often enlightend to something I didn't even see. I, too,
thought Sean Penn was great in Milk. I loved the film and it had a huge
impact on me as I left the theater. I thought Penn's acceptance speach was
wonderful and give him alot of credit for voicing an opinion that is not
exactly a popular one. There are many, that while they may share the same
opinion, would not voice it in a public forum such as the awards are
thinking it might hurt their careers. Personally, I thought Sean Penn was
even better in "I am Sam" and was overlooked for the award that time. I
guess it was his time and this was the film that was going to do it. This is
a film that will be just a great on your t.v.
 
Sue
 
-----Original Message-----
Date: Tue, 24 Feb 2009 13:33:07 -0800
From: [email protected]
Subject: Re: [MOPO] OSCARS
To: [email protected]

this is the great thing about expressing one's opinions.... how 2 people can
watch a film, look at art, etc. and one can say the piece, image or film is
great..and another can say it is so-so... 

 

jeff

 

-----Original Message-----

On Feb 24, 2009, at 1:24 PM, Franc wrote:

 

Bruce, I'd recommend you drive the two hours to see MILK which was a
terrific film, whereas The Wrestler was so-so. Mickey Rourke gave a very
good performance but I kept thinking he was actually playing himself whereas
Sean Penn was really stretching to play Harvey Milk. He was superb and
although the film is not a great film, it's certainly far superior to The
Wrestler. FRANC

 

-----Original Message-----
From: MoPo List [mailto:[email protected]] On Behalf Of David
Kusumoto
Sent: Tuesday, February 24, 2009 3:43 PM
To: [email protected]
Subject: Re: [MOPO] OSCARS

Hi Bruce -- Because of the multiple forwarding of text -- you accidentally
credited me for writing the first paragraph in your note.  Craig Miller
wrote it -- he felt Penn was better than Rourke -- and that "Milk" as a film
was better than "The Wrestler."  He defended both views admirably, and
"nailed" why Penn was better, but I disagreed on both counts; Penn did a
fine job in what to me felt like a TV-movie-structured bio-pic.  
 
I myself would not drive two hours to see "Milk" again.  But I would do it
to see "The Wrestler" -- because of the originality of its presentation and
the sheer force of Rourke's performance.

 

-----Original Message-----

On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto <[email protected]>
wrote:


Craig:  
 
No argument here as to "Milk" being Sean Penn's best performance ever.  I
just felt Rourke's performance -- put side-by-side among those nominated --
was phenomenal.  And I admit going in, I didn't want it to be so because of
my antipathy towards Rourke.  I think the appeal of "Milk" vs. "The
Wrestler" (and Penn vs. Rourke) -- depends upon the expectations and biases
you bring after you put your money down.  For the sake of time, I'll just
copy and paste portions of what I wrote earlier today -- in response to a
few people who commented privately about my take/analysis of the dynamics
behind Penn's win, his victory at the SAG awards last month -- and the
hatred many people have out here against Rourke because of his documented
run-ins, lack of professionalism, right-wing comments and his, for wont of a
better phrase, overall weirdness.
 
<<<<"Hollywood has always been uncomfortable with conservatives like Heston,
Stewart, Wayne, Cagney, Hope, Eastwood, Nicholson and Rourke.  But in the
case of Hope, Eastwood and Nicholson, Hollywood prefers its conservatives to
refrain from being outspoken like Heston, Wayne and Rourke (but I'm in no
way putting Rourke in the same iconic league as Heston and Wayne).  It's
just a double-standard about Hollywood itself in the post-Vietnam era.
....I hope you are happy for Sean Penn's win because of his performance --
without regard to issues regarding the nobility and heroic nature of Harvey
Milk himself.  Because for the longest time, I felt Penn OWNED the best
performance of 2008 -- slam dunk -- UNTIL I saw "The Wrestler."  It was then
I had to face down my own prejudices against Rourke -- and decide as
honestly as I could -- who turned in the better performance.  Penn was
great, but Rourke's was something you see about as often, as I said, as a
DeNiro in Raging Bull or a Hopkins in Lambs.  I'm not kidding, I went in
with low expectations, almost rooting against the picture because of all I
had seen before.  But the acting and the film were amazing.  Not what I
expected.  I felt "The Wrestler" should have been nominated for Best
Picture.  It had an austere, hand-held, grainy authenticity many would
appreciate.  I so did NOT want to see the picture, but I came out feeling it
was time well worth spent.">>>>>
 
<<<<"Now as to the merits of "Milk" vs. any other film nominated in the Best
Picture category.  My view is "Milk" was structured conventionally like any
standard bio-pic.  But Penn's performance transcends the linear construct.
Without him, "Milk" sinks like a dead weight TV-movie.  Had "Milk" been
presented more innovatively -- Harvey Milk's journey and accomplishments --
would've felt more profound and emotional with audiences of all stripes, gay
AND straight.  I am always hoping a film like this does more than preach to
a choir of believers who know how the story ends.  "Milk" is based on
titanic material -- but lacks the necessary balance of subtlety,
sledgehammer and innovation -- that should have left all other pictures in
the dust.  This is why perhaps in my view only, "Milk" does not feel "best"
or even "new."  It's supposed to play out like a high-stakes emotional
drama, not a paint-by-numbers canonization.  The national scope of the story
with Anita Bryant and other "villains" are treated like a documentary.  The
movie's engine is Penn's charisma, not the script, and this doesn't quite
feel right.  And I've purposely left out the fact -- (because most people
haven't seen it) -- that this same material was covered in a superior
documentary, "The Life and Times of Harvey Milk" in 1984.>>>>>
 
I'm back again.  It's ironic that "Milk" is even being debated against "The
Wrestler" -- when the more relevant discussion as it relates to the Oscars
-- is how "Slumdog" overcame its flaws and beat everybody up.  My wife and I
liked "Slumdog," but it didn't move us in the same way the meditative and
reflective "Benjamin Button" did, however over produced it was.  Its
existential ideas about the transient nature of life, love and mortality
matter to anyone over 50.  Maybe that's why it's a box office failure.
Could its weighty ideas been explored as effectively for less money?  Maybe.
But what a handsome picture it is.    
 
-d.

-----Original Message-----
Date: Mon, 23 Feb 2009 22:53:11 -0800
To: [email protected]
From: [email protected]
Subject: Re: [MOPO] MOPO] OSCARS
CC: [email protected]

This was, by far, Sean Penn's best performance. He's a heavily mannered
actor whose performances are always full of the things actors love:
screaming, crying, dying, being mentally handicapped. You can always see
"acting". But in "Milk", he gave a subtle, nuanced performance that wasn't
full of ticks. He relaxed into the character and stopped being "Sean Penn,
A*c*t*o*r". I thought he deserved the award (although I also thought
that Mickey Rourke was excellent).

While not related to who should win for their performance, I thought "Milk"
a better film than "The Wrestler". Rourke and Marisa Tomei were both great
but the film was only "okay".

Craig.

> At 12:18 PM 2/23/2009, David Kusumoto wrote:
I was extremely disappointed with Sean Penn's win. Sean Penn is an 
outstanding actor who gave an uncharacteristically loose, engaging and
wonderful turn as an heroic figure -- in what I thought was a 
conventionally structured, by-the-numbers-bio-pic capped with the 
standard "where-are-they-now" text epilogue. His performance was  
noble and deserving -- but his victory was politically correct and in
keeping with the Academy's self-seriousness to anoint things historic that
makes it feel good about itself (hence the standing ovation).

But in my view, the demands of his role paled compared to Mickey 
Rourke's shattering, full-range performance in "The Wrestler." I am not a
fan of Mickey Rourke and dislike him intensely. But I could not ignore --
having seen all the performances nominated this year -- what he did in this
picture, from start to finish. His character was an exercise in total
immersion, on par with what I believe have been the best larger-than-life
performances nominated since 1980 -- including De Niro in Raging Bull (win),
Hopkins in Silence of the Lambs (win), and Liam Neeson in Schindler's List
(lost to Tom Hanks).

Visit the MoPo Mailing List Web Site at www.filmfan.com
<http://www.filmfan.com/> 

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