Glenn,
I can't even imagine how gratifying it must be to see all your hard work
transmuted to an actual work of cinema, and I must say after watching
the trailer, what appears to be good cinema! (I can't imagine how the
author of "Twilight" must have felt after seeing her well-written work
reduced to crap for kiddies, but I'm sure cashing the bazillion dollar
checks ameliorates the pain!) Can't wait to see the actual film. Massive
congratulations, and there's no shame in occasionally being knocked out
by your own work. Savor the moment, buddy!
There is so much excellent film out there. One just has to look hard for
it, just like you have to dig for great music. My neighbors here in Del
Dios wrote and made a movie themselves and it has now been picked up for
DVD distribution. They gave me a copy, and I was just blown away. There
is so much talent out there, and so little of it is utilized by the Big
Money Guys. I guess if it doesn't contain tons non-stop CGI, it isn't
"bankable".
(My neighbors' next film project is about drugs and rock'n'roll. Guess
who's a consultant....)
Again, Glenn, massive congratulations. I can't wait to see "Stolen
Lives". It looks really well done, and I'm pretty picky about what I watch.
Greg Douglass
Glenn Taranto wrote:
Dear MOPO friends -
Please for give me.
I didn't even know this existed until a few minutes ago.
Here is the trailer for the movie I wrote. It's now called STOLEN
LIVES. Naturally I'm very excited to share this with everyone.
http://www.a2entertainmentgroup.com/projects/
Perhaps it's shameful to say but I was knocked out when I saw it. Hope
you will feel the same. And if not that's OK too!
Best -
Glenn
PS: I was able to get the poster!
----- Original Message -----
*From:* Bruce Hershenson <mailto:[email protected]>
*To:* [email protected]
<mailto:[email protected]>
*Sent:* Tuesday, May 12, 2009 7:02 AM
*Subject:* [MOPO] A couple of questions about YOUR opinion of
three-sheets and six-sheets
I am currently auctioning three-sheets and six-sheets so of course
they are on my mind!
Here are my questions:
1) I see a fair number of the three-sheets and six-sheets where
they are currently below the price of the corresponding one-sheet!
Is that often the case, and if so, why do you think this happens?
2) I sometimes hear collectors say, "I would buy three-sheets and
six-sheets, EXCEPT they are too big for my walls". But many of
these same collectors have HUNDREDS or THOUSANDS of one-sheets
that sit folded up in boxes, and are never displayed. So, if it is
going to sit in a box, what difference do they make if they are
one-sheets, three-sheets or six-sheets?
3) Some ad campaigns have three-sheets and six-sheets where they
are simply "stretched-out" versions of the one-sheets (like
Forbidden Planet), but other times the three-sheets and six-sheets
have completely different images. I think that when the
three-sheets and six-sheets have similar images to the one-sheet
they should sell for somewhat more (due to the greater size and
rarity), but if they have superior images they should sell for a
lot more, and when they have inferior images (like in the case of
The Sin of Nora Moran three-sheet, which is nowhere as nice as the
one-sheet) they should sell for a lot less. What do YOU think?
Bruce
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