Congrats Glenn!



________________________________
From: jbirddouglass <[email protected]>
To: [email protected]
Sent: Saturday, May 23, 2009 8:23:23 AM
Subject: Re: [MOPO] Trailer for Stolen Lives

Glenn,
I can't even imagine how gratifying it must be to see all your hard work 
transmuted to an actual work of cinema, and I must say after watching the 
trailer, what appears to be good cinema! (I can't imagine how the author of 
"Twilight" must have felt after seeing her well-written work reduced to crap 
for kiddies, but I'm sure cashing the bazillion dollar checks ameliorates the 
pain!) Can't wait to see the actual film. Massive congratulations, and there's 
no shame in occasionally being knocked out by your own work. Savor the moment, 
buddy!
There is so much excellent film out there. One just has to look hard for it, 
just like you have to dig for great music. My neighbors here in Del Dios wrote 
and made a movie themselves and it has now been picked up for DVD distribution. 
They gave me a copy, and I was just blown away. There is so much talent out 
there, and so little of it is utilized by the Big Money Guys. I guess if it 
doesn't contain tons non-stop CGI, it isn't "bankable".
(My neighbors' next film project is about drugs and rock'n'roll. Guess who's a 
consultant....)
Again, Glenn, massive congratulations. I can't wait to see "Stolen Lives". It 
looks really well done, and I'm pretty picky about what I watch.
Greg Douglass
Glenn Taranto wrote:
> Dear MOPO friends -
>  Please for give me.  I didn't even know this existed until a  few minutes 
> ago.
>  Here is the trailer for the movie I wrote. It's now called STOLEN LIVES. 
> Naturally I'm very excited to share this with everyone.
>  http://www.a2entertainmentgroup.com/projects/
>  Perhaps it's shameful to say but I was knocked out when I saw it. Hope you 
> will feel the same. And if not that's OK too!
>  Best -
>  Glenn
>  PS: I was able to get the poster!
> 
>     ----- Original Message -----
>     *From:* Bruce Hershenson <mailto:[email protected]>
>     *To:* [email protected]
>     <mailto:[email protected]>
>     *Sent:* Tuesday, May 12, 2009 7:02 AM
>     *Subject:* [MOPO] A couple of questions about YOUR opinion of
>     three-sheets and six-sheets
> 
>     I am currently auctioning three-sheets and six-sheets so of course
>     they are on my mind!
>          Here are my questions:
>     1) I see a fair number of the three-sheets and six-sheets where
>     they are currently below the price of the corresponding one-sheet!
>     Is that often the case, and if so, why do you think this happens?
>          2) I sometimes hear collectors say, "I would buy three-sheets and
>     six-sheets, EXCEPT they are too big for my walls". But many of
>     these same collectors have HUNDREDS or THOUSANDS of one-sheets
>     that sit folded up in boxes, and are never displayed. So, if it is
>     going to sit in a box, what difference do they make if they are
>     one-sheets, three-sheets or six-sheets?
>          3) Some ad campaigns have three-sheets and six-sheets where they
>     are simply "stretched-out" versions of the one-sheets (like
>     Forbidden Planet), but other times the three-sheets and six-sheets
>     have completely different images. I think that when the
>     three-sheets and six-sheets have similar images to the one-sheet
>     they should sell for somewhat more (due to the greater size and
>     rarity), but if they have superior images they should sell for a
>     lot more, and when they have inferior images (like in the case of
>     The Sin of Nora Moran three-sheet, which is nowhere as nice as the
>     one-sheet) they should sell for a lot less. What do YOU think?
>          Bruce
>     Visit the MoPo Mailing List Web Site at www.filmfan.com
> 
>     ___________________________________________________________________
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> ___________________________________________________________________
> 
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