Despite what some die hard long time collectors think....(the ones who  
don't mind looking at an imperfect poster)....
 
If you compare apples to apples......for example a C7 fine poster  
unrestored vs a C7 fine poster expertly restored/linen backed......the majority 
 of 
the time.....posters that have been restored with all their defects  fixed 
sell for more than posters that have not had their defects fixed. Often  
times A LOT more. This is of course assuming that the restoration is good and  
doesn't look like it was done by a 2 year old.
 
Most people who buy from us want their posters to look as good as they can. 
 They usually want any restoration to be invisible (to the naked eye) but 
at the  same time they want to know what was done to it.
 
I know Heritage sends out dozens and dozens of posters for restoration  
prior to every auction. They do it for a reason. Restored posters generally  
bring in more money.


David Lieberman

_CineMasterpieces.com_ (http://www.cinemasterpieces.com/)  | 15721 N. 
Greenway Hayden Loop, Suite 105 --  Scottsdale, Az 85260
Vintage Original Movie Posters | 602 309  0500 | Office/Gallery Open By 
Appt. Only.

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(http://www.facebook.com/pages/CineMasterpieces/7735495839?v=wall) 



In a message dated 7/17/2010 12:10:59 P.M. US Mountain Standard Time,  
[email protected] writes:

Agreed.  Give me a window card with the original theater imprint, and the 
poster  goes from a nice bit of imagery to an iconic piece of American 
history.  Stuff written on the back of posters...as long as it doesn't 
bleed  through...often adds a bit of being in the that moment in time to 
the  piece.
Greg Douglass
Toochis Morin wrote:
> I love posters that  have the worn look. If I wanted them to look 
> perfectly new, I'd buy  repros.  
>
> Many of mine are framed with the fold lines,  etc.  I usually linenback 
> and restore if the poster is in dire  need to restoration.
>
> Toochis
>
>  ------------------------------------------------------------------------
>  *From:* Bruce Hershenson <[email protected]>
> *To:*  [email protected]
> *Sent:* Sat, July 17, 2010 9:11:34  AM
> *Subject:* Re: [MOPO] The Scandal-plus cut, pressed washed,  starched & 
> dried....
>
> I actually had one of my  employees suggest to me that we should "punch 
> up" the images of items  we sell, and I told him that we NEVER do that 
> (he is new, or he would  have already known that). Of course, there is 
> no way to know if  others feel the same way (at least until you get 
> your package and  compare the item you get to the image you saw).
>
>  Bruce
>
> On Sat, Jul 17, 2010 at 11:06 AM, Richard Evans 
>  <[email protected] <mailto:[email protected]>>  wrote:
>
>     I thought the This Gun for Hire went  beyond strong colours and
>     looked unflatteringly  garish.
>     Presumably not a result of restoration  judging by the listing,
>     but was it really actually  that vibrant, or did the colour
>     reproduction  exacerbate it online?
>
>     On 17 Jul 2010, at  16:44, Bruce Hershenson wrote:
>
>>     I  personally agree with this. I didn't like the "make it look
>>   perfect" school of restoration even *BEFORE* the Haggard  scandal
>>     broke.
>>
>>   First, because the restorers were in effect hiding  their
>>     restoration, making it impossible to see  exactly what was done
>>     (and a long time pro like  myself could spot some restoration that
>>     most  amateurs would never see, creating a "fear of restoration"
>>   among many collectors).
>>
>>   Second, because many of these items were *SO *restored that  they
>>     looked almost like "recreations". I *LIKE  *the items in my
>>     collection to show at least  *SOME *signs of age, unless they are
>>     in truly  mint unrestored condition, because that is part of the
>>   joy of owning an original, knowing that it survived all  these
>>     years. If you want a perfect looking  item, why not just get a
>>     reproduction? But  don't take your "very good" condition and have
>>      someone make them look like new. If you *MUST *restore, why  not
>>     simply do minimal restoration to the areas  that most need it?
>>
>>      Bruce
>>
>>     On Sat, Jul 17, 2010 at 9:58  AM,
>>     glenndamato  <[email protected]
>>      <mailto:[email protected]>>  wrote:
>>
>>         Regarding the  Heritage auction: I do believe the fakes
>>       scandal hurt the hobby, plus many of the restored  posters
>>         look like they were cut,  bleached, washed, starched & dried.
>>       I'll take old Igor back  anyday.......
>>
>>             Visit the MoPo Mailing List Web Site
>>   at www.filmfan.com  <http://www.filmfan.com>
>>           
>>          
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>
>
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