Interesting, Rich. Christies in London recommended to me some time ago that
I should linenback my posters.


On Fri, Mar 21, 2014 at 6:16 PM, Richard Halegua Posters + Comic Art <
sa...@comic-art.com> wrote:

>  Tommy
>
> people do have a belief in many cases that linenbacking a poster is what
> you're supposed to do
> while myself and other believe linenbacking is only done for restorative
> purposes
>
> yet other people believe that linenbacking adds value to a poster
> regardless of condition (I don't)
>
> I've actually been replacing all my linenbacked material as I can find the
> items
>
> why anyone would back a Striptease poster is beyond me
>
> Rich
>
>
> At 09:55 AM 3/21/2014, Tommy Barr wrote:
>
> I just had a look at Bruce's preview and I have to say it is pretty
> amazing. What surprises me, though, is some of the posters which people
> have gone to the expense of having linenbacked, and I wonder at what point
> does that become a viable option. I am using EMP sales as an example here,
> but I imagine it is the same across the board.
> 'The Big Hangover' (1950) is listed as 'good to very good' in linen, but
> that is a poster which normally sells for around $20-25 in that condition,
> folded. As having a poster backed and foldlines retouched by a reputable
> restorer would cost at least $120, that means the poster should fetch
> around $150 at least, but that is unlikely to be the case. 'Striptease'
> (1996), again in very good condition maybe $25, but how much more would you
> pay for one linenbacked?
> Taking just one example from EMP (though it is not hard to find others) -
> 'Bite The Bullet' (1985), very good, folded, sold for $4 last year, and one
> in similar condition, linenbacked, sold for $28, also last year. That means
> the added value for restoration and backing was only $24, probably at least
> one fifth of the actual cost. So at what point does the expense become
> worthwhile? I appreciate that, as a matter of personal taste, someone may
> wish to have a poster framed and displayed to best advantage, and so has it
> backed, regardless of actual value, but do they expect that the cost will
> be recouped on resale? Really, I am just curious here, as I would only ever
> have higher value posters backed.
> Anyway, even the prices realised for higher value ones do not necessarily
> always reflect the cost of restoration, something which I have gratefully
> taken advantage of in the past, and hope I may do so again! Which, I have
> to say, make EMP's Signature Auctions quite exciting events (no
> remuneration was made by Bruce to have me highlight his listings, but hey,
> I'm open to offers!)
>
> Tommy
>
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