Linen backing has been used for over 100 years to preserve posters. Aside
from my movie posters, I collect French Opera posters that mostly date to
1903-1910.  Many were linen-backed to prevent cracking, chipping and tearing
etc.  The newbies in the business have rather recently begun shunning the
idea of linen-backing in favor of natural, un-retouched posters.
Personally, I don't like displaying posters with fold lines and chips. I
realize I am now in the minority but as far as I'm concerned, it's a matter
of aesthetics and personal taste. Most of the posters I've had framed for
display in my home have been linen-backed and I wouldn't have it any other
way.  

 

As for the posters of lesser value that you find in many on-line auctions,
you have to beware because many times these posters are loaded with paint to
cover flaws in the original poster and some of these paint jobs are NOT
professional restoration.  They look more like amateur artists and/or art
students crudely touching up the posters. This should not in any way be
taken as a comment on some of the posters you referred to in Bruce's auction
which I have not at all inspected. This is just a general statement about
touch-up work on some lesser valued posters that have been linen backed. 

 

FRANC   

 

From: MoPo List [mailto:[email protected]] On Behalf Of Tommy
Barr
Sent: Friday, March 21, 2014 11:27 AM
To: [email protected]
Subject: Re: [MOPO] Linen backing

 

Interesting, Rich. Christies in London recommended to me some time ago that
I should linenback my posters.

 

On Fri, Mar 21, 2014 at 6:16 PM, Richard Halegua Posters + Comic Art
<[email protected]> wrote:

Tommy

people do have a belief in many cases that linenbacking a poster is what
you're supposed to do
while myself and other believe linenbacking is only done for restorative
purposes

yet other people believe that linenbacking adds value to a poster regardless
of condition (I don't)

I've actually been replacing all my linenbacked material as I can find the
items

why anyone would back a Striptease poster is beyond me

Rich


At 09:55 AM 3/21/2014, Tommy Barr wrote:



I just had a look at Bruce's preview and I have to say it is pretty amazing.
What surprises me, though, is some of the posters which people have gone to
the expense of having linenbacked, and I wonder at what point does that
become a viable option. I am using EMP sales as an example here, but I
imagine it is the same across the board. 
'The Big Hangover' (1950) is listed as 'good to very good' in linen, but
that is a poster which normally sells for around $20-25 in that condition,
folded. As having a poster backed and foldlines retouched by a reputable
restorer would cost at least $120, that means the poster should fetch around
$150 at least, but that is unlikely to be the case. 'Striptease' (1996),
again in very good condition maybe $25, but how much more would you pay for
one linenbacked?
Taking just one example from EMP (though it is not hard to find others) -
'Bite The Bullet' (1985), very good, folded, sold for $4 last year, and one
in similar condition, linenbacked, sold for $28, also last year. That means
the added value for restoration and backing was only $24, probably at least
one fifth of the actual cost. So at what point does the expense become
worthwhile? I appreciate that, as a matter of personal taste, someone may
wish to have a poster framed and displayed to best advantage, and so has it
backed, regardless of actual value, but do they expect that the cost will be
recouped on resale? Really, I am just curious here, as I would only ever
have higher value posters backed. 
Anyway, even the prices realised for higher value ones do not necessarily
always reflect the cost of restoration, something which I have gratefully
taken advantage of in the past, and hope I may do so again! Which, I have to
say, make EMP's Signature Auctions quite exciting events (no remuneration
was made by Bruce to have me highlight his listings, but hey, I'm open to
offers!)

Tommy 

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