Hi Tommy,
Designer Craig Miller may still be on this forum - I asked him about  it 
once - so he may wish to provide some info first-hand, but what you have  
appears to be broadly correct. I'd got the Abraxas release of the  restored cut 
at around 1979, but if you've found a firm release  date in 1980, that 
sounds fair enough.
 
The couple behind Summerisle, Ron  Weinberg and Micheline Charet, seem to 
be interesting characters worthy  of being residents of Summerisle itself: 
http://articles.latimes.com/2004/apr/16/local/me-charest16
 
Your  question about re-releases is tricky. I guess it ultimately depends 
on what the  market perceives, but different (better?) artwork plays a big 
part. The  Hustler, Easy Rider and North By Northwest re-release one sheets, 
and  the Getaway re-release quad, are fairly well documented, but I  don't 
know the true extent of their comparative rarity. There are certainly  others 
on this forum who are better qualified to comment on that than  me. I'm sure 
people can come up with other examples too. I suppose  limited edition 
Mondo posters almost come under this category!
 
Paul
_www.movieposterstudio.com_ (http://www.movieposterstudio.com) 
 
 
 
In a message dated 27/06/2015 16:49:55 GMT Daylight Time,  
[email protected] writes:

The issue of  authenticating and dating movie posters having recently been 
shown to be  problematic in some (possibly many) cases I would like to 
invite discussion on  another British film, The Wicker Man, 1973. I am indebted 
for much of  the information on this to the excellent book, Inside The Wicker 
Man : How  Not To Make A Cult Classic by Allan Brown. 
The original  British one sheet with the Lion International imprint seems 
to be above  reproach, but that is not the case with the USA one sheets. 
There appear to be  three different one sheet posters, 1 from Warner Bros 
depicting the wicker man  and 2 showing the Nuada sun god image, both the 
latter  
having different  taglines. One is a Summerisle imprint and one an Abraxas 
imprint. Auction  houses have treated and dated the posters differently, and 
often there is no  consistency even within the same company. Heritage, for 
example, over the  years have sometimes listed the Warner poster as National 
General, though they  went bankrupt before they could release the movie, 
with a 1973 and a 1974  dating, and dated the Abraxas one as both 1979 and 
1980. More interestingly,  emovieposter have listed the Summerisle one as an 
original 1974 release. (I  have been in touch with them and they have promised 
to research the matter and  communicate their findings with previous 
purchasers.) I bought a Summerisle  one from MoviePosterBid where it was listed 
as 
being a 1975 release (not  complaining, Rich, I’m happy with the poster). 

Having consulted  Brown’s extensively researched book the following are my 
best calculations of  the various posters’ actual dates. 

Original U.S.  release – Warner Bros., image of wicker man, ‘Flesh to 
touch . . .Flesh to  burn!’ – 1974. 

Summerisle  re-release – Nuada sun god image, ‘The residents of Summerisle 
invited  Sergeant Howie to their traditional May Day festival. He didn’t 
expect to meet  . . .’  - film due to open in November, 1978, but postponed 
until  January, 1979. However, Brown states that prior to scheduled original 
release  date ‘Summerisle Films had collaborated with Craig Millar . . . on a 
publicity  campaign involving posters, badges and a lavish press kit’, so 
poster seems to  actually date from 1978. 
Abraxas  re-release – Nuada sun god, ‘Pure, brilliant, spine-tingling fun’ 
– opened  26th March, 1980, so poster date of 1980 seems  reasonable. 

By coincidence, both HA and EMP had  Summerisle posters  listed in the same 
week very recently. Heritage had a folded, fine- , dated  1980, which sold 
for $50, and EMP had a rolled, good to very good, dated 1974,  which sold 
for $300. It is a fact that the Summerisle poster is the rarest,  which brings 
me to a question I had asked previously in discussions about  the Third Man 
poster, though I was not referring to that poster  specifically but in 
general. It is this - is a rare re-release poster  worth more than an  original 
release poster which is fairly easily obtainable? Just something else  for 
MOPOers to think about. 
Tommy

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