That should, of course, be June 1974.

On Sat, Jun 27, 2015 at 6:45 PM, Tommy Barr <[email protected]> wrote:

> That's an interesting point. Warner appear to have shown the movie at a
> few drive-ins where in-car action seemed more important than screen-action,
> so it had a short (for the time) initial lifespan ending in June, 1994. So
> the Summerisle could possibly be considered the first general release
> poster, though with a 1979 date in that case. Confusing, ain't it?
>
> Tommy
>
> On Sat, Jun 27, 2015 at 6:06 PM, Paul Gerrard <
> [email protected]> wrote:
>
>>   I should add the Summerisle release is technically the first "general
>> release", as I seem to remember the Warner release was a selective trial
>> run that flopped. Does that make the Summerisle poster a re-release poster
>> or not?!
>>
>> Paul
>> www.movieposterstudio.com
>>
>>
>>  In a message dated 27/06/2015 16:49:55 GMT Daylight Time,
>> [email protected] writes:
>>
>>  The issue of authenticating and dating movie posters having recently
>> been shown to be problematic in some (possibly many) cases I would like to
>> invite discussion on another British film, *The Wicker Man, 1973*. I am
>> indebted for much of the information on this to the excellent book, *Inside
>> The Wicker Man : How Not To Make A Cult Classic* by Allan Brown.
>>
>> The original British one sheet with the Lion International imprint seems
>> to be above reproach, but that is not the case with the USA one sheets.
>> There appear to be three different one sheet posters, 1 from Warner Bros
>> depicting the wicker man and 2 showing the Nuada sun god image, both the
>> latter  having different taglines. One is a Summerisle imprint and one an
>> Abraxas imprint. Auction houses have treated and dated the posters
>> differently, and often there is no consistency even within the same
>> company. Heritage, for example, over the years have sometimes listed the
>> Warner poster as National General, though they went bankrupt before they
>> could release the movie, with a 1973 and a 1974 dating, and dated the
>> Abraxas one as both 1979 and 1980. More interestingly, emovieposter have
>> listed the Summerisle one as an original 1974 release. (I have been in
>> touch with them and they have promised to research the matter and
>> communicate their findings with previous purchasers.) I bought a Summerisle
>> one from MoviePosterBid where it was listed as being a 1975 release (not
>> complaining, Rich, I’m happy with the poster).
>>
>>
>> Having consulted Brown’s extensively researched book the following are my
>> best calculations of the various posters’ actual dates.
>>
>>
>> Original U.S. release – Warner Bros., image of wicker man, ‘Flesh to
>> touch . . .Flesh to burn!’ – 1974.
>>
>>
>> Summerisle re-release – Nuada sun god image, ‘The residents of Summerisle
>> invited Sergeant Howie to their traditional May Day festival. He didn’t
>> expect to meet . . .’  - film due to open in November, 1978, but postponed
>> until January, 1979. However, Brown states that prior to scheduled original
>> release date ‘Summerisle Films had collaborated with Craig Millar . . . on
>> a publicity campaign involving posters, badges and a lavish press kit’, so
>> poster seems to actually date from 1978.
>>
>> Abraxas re-release – Nuada sun god, ‘Pure, brilliant, spine-tingling fun’
>> – opened 26th March, 1980, so poster date of 1980 seems reasonable.
>>
>>
>> By coincidence, both HA and EMP had Summerisle posters listed in the
>> same week very recently. Heritage had a folded, fine- , dated 1980, which
>> sold for $50, and EMP had a rolled, good to very good, dated 1974, which
>> sold for $300. It is a fact that the Summerisle poster is the rarest, which
>> brings me to a question I had asked previously in discussions about the*
>> Third Man poster*, though I was not referring to that poster
>> specifically but in general. It is this - is a rare re-release poster
>> worth more than an original release poster which is fairly easily
>> obtainable? Just something else for MOPOers to think about.
>>
>>
>>
>> Tommy
>>
>>
>>
>>
>> Tommy
>>
>>
>>
>> Tommy
>>
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>
>

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