Hi Marsha,

can an artist's work be any good if the intention behind it is driven by the
$?
I don't think so, but in some cases yes. And of course artist's have to make
a living.

$ is obviously not so important for you and that must afford you a rare
freedom of mind.

I only ever sold one painting, a commissioned portrait; so $ is not so
important for me either.
Still I could not give them away, unless it was one that I didn't value but
in that case I'd probably paint over it.

Many years ago when I was in the Gurdjieff 'work' I remember reading in one
of their revered books that people must pay otherwise they won't value what
they've gained, and I think there is some truth in that. Of course there is
payment in kind but that's even better.

You mentioned intuition, I recently did a painting where I deliberately
tried not to think or plan as I worked, that is virtually impossible to do
but at least you can hold the intention; the result was quite interesting
but now I know I can knock them off like that any time I question it's
value. The great part of my experience in the world insists that there is no
value (in that painting) because there was no consideration. But a growing
part of me (I hope) says that really that is a perfectly valid way to work.
Also, I taught Alexander Technique in the past and a continual problem I had
when working on people was that I should not charge them because I was not
'doing' anything for them - this is difficult to explain unless you have
some experience of the Alexander Technique which is about 'non doing'.

Changing winds, the only evidence of life?


Regards

-Peter


On 24/09/2007, MarshaV <[EMAIL PROTECTED]> wrote:
>
>
> Hi Peter,
>
> I only destroyed my 'personal journal' after my husband died.  My art
> journals and sketch books, I destroyed last February.  I think you
> might be right that it was ceremony, and probably in both
> instances.  I like creating ritual and ceremony.  They may be
> conscious or unconscious.  It's making an idea a more substantial event.
>
> About the paintings, they are shadows of the experience, so I have
> relatively no problem parting with them.  Of course there are some I
> am attached to more than others.  Those I do take to the Goodwill, I
> take with the hope that they find a good home (wherever that might
> be).  With me it is all about the experience of painting.
>
> I would prefer not to link $ with my painting.  Most of my life was
> directed towards making $.  Much of that was for very good
> reasons.   But the winds changed and I find myself moving in another
> direction.  Some of this direction is dependent on intuition rather
> than thinking, so it is difficult to find the words.
>
> But who knows, the winds may change again.
>
> Marsha
>
>
>
>
>
>
> At 04:14 AM 9/24/2007, you wrote:
> >Hi Marsha,
> >
> >the way you describe getting rid of your journals and sketchbooks after
> your
> >husband died sounds like you were ceremoniously stepping forward with
> >resolution to a new life and throwing them out was a way of making sure
> that
> >there was no going back on your decision. I think that is partly how I
> felt
> >when I threw my stuff away.
> >
> >I am glad to hear that you didn't throw away your paintings though!
> Giving
> >them to Goodwill sounds like a good idea but not one I'd be capable of
> >having myself. The only honourable option open for me is to try to sell
> them
> >- on E bay if necessary. I think giving them to Goodwill is to undervalue
> >them.
> >
> >Regards and thanks for your reply.
> >
> >-Peter
> >
> >
> >
> >On 21/09/2007, MarshaV <[EMAIL PROTECTED]> wrote:
> > >
> > > At 11:21 AM 9/21/2007, you wrote:
> > > >Hi Marsha,
> > > >
> > > >do you know why you destroyed your journals and sketchbooks; of
> course
> > > >that's a rhetorical question and only for you to answer for yourself.
> > > >
> > > >I have destroyed journals too in the past mainly because they
> contained
> > > >private/embarrassing stuff and I got fed up of holding on to them. I
> > > don't
> > > >currently keep a journal now, probably because I know I'd write stuff
> in
> > > it
> > > >that I'd later want to throw away. Now I wont write anything that is
> > > >throwawayable.
> > > >
> > > >The subject of your email was 'Painting'; if I recall you don't
> usually
> > > sell
> > > >your work, so you must have many 'works'. I'm in the same boat and
> have
> > > many
> > > >items from many years ago that hold I on to, I gaze at them and
> wonder
> > > about
> > > >improvements but I practically never go back and alter. I'm destined
> to
> > > lug
> > > >all those canvases around for the rest of my life; a labour of love?
> Will
> > > my
> > > >son have to throw them away for me after I die?
> > > >
> > > >regards
> > > >
> > > >-Peter
> > >
> > > Hi Peter,
> > >
> > > I'm not sure, but I wanted to know what it would be like not to have
> > > them.  These were my art journals, sketchbooks with poetry.  My
> > > personal journals I burned a year after my husband died, on the date
> > > of our anniversary.  A couple of months after that anniversary date I
> > > woke up and took all my clothes (everything) to the Salvation
> > > Army.  I had become quite unglued.  Not sure why I destroyed the
> > > stuff more recently, curious maybe.  It was a tea party, an emptying.
> > >
> > > I do identify with the stacks of paintings situation.  A couple of
> > > years ago (maybe less, maybe more) I took a bunch to the Goodwill
> > > Store.  But I have again many, too many.  I've giving some away.  I'd
> > > love to give more away, but to whom?  I'm not sure who would want
> > > one.  I told my son that when I die to take them to the
> > > Goodwill.  Maybe some will find a good home.
> > >
> > > Very much a labor of love.
> > >
> > > Thanks for writing.
> > >
> > > Marsha
> > >
> > >
> > >
> > >
> > >
> > > >On 16/09/2007, MarshaV <[EMAIL PROTECTED]> wrote:
> > > > >
> > > > >
> > > > > Greetings,
> > > > >
> > > > > A few months ago, I destroyed 15 years of
> journal/sketchbooks.  This
> > > > > morning I started a new book.  Thank you.
> > > > >
> > > > > Marsha
> > > > >
> > > > >
> > > > >
> > >
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