I suppose I'll have to start!

Value is what it means to me.

On 26/09/2007, MarshaV <[EMAIL PROTECTED]> wrote:
>
>
>
> Yes, okay.
>
>
> At 05:24 AM 9/26/2007, you wrote:
> >Marsha,
> >
> >let's start at the beginning shall we?
> >
> >Peter
> >
> >On 26/09/2007, MarshaV <[EMAIL PROTECTED]> wrote:
> > >
> > >
> > > Peter,
> > >
> > > What is value?
> > >
> > > Marsha
> > >
> > >
> > > At 03:55 AM 9/26/2007, you wrote:
> > > >Hi Marsha,
> > > >
> > > >can an artist's work be any good if the intention behind it is driven
> by
> > > the
> > > >$?
> > > >I don't think so, but in some cases yes. And of course artist's have
> to
> > > make
> > > >a living.
> > > >
> > > >$ is obviously not so important for you and that must afford you a
> rare
> > > >freedom of mind.
> > > >
> > > >I only ever sold one painting, a commissioned portrait; so $ is not
> so
> > > >important for me either.
> > > >Still I could not give them away, unless it was one that I didn't
> value
> > > but
> > > >in that case I'd probably paint over it.
> > > >
> > > >Many years ago when I was in the Gurdjieff 'work' I remember reading
> in
> > > one
> > > >of their revered books that people must pay otherwise they won't
> value
> > > what
> > > >they've gained, and I think there is some truth in that. Of course
> there
> > > is
> > > >payment in kind but that's even better.
> > > >
> > > >You mentioned intuition, I recently did a painting where I
> deliberately
> > > >tried not to think or plan as I worked, that is virtually impossible
> to
> > > do
> > > >but at least you can hold the intention; the result was quite
> interesting
> > > >but now I know I can knock them off like that any time I question
> it's
> > > >value. The great part of my experience in the world insists that
> there is
> > > no
> > > >value (in that painting) because there was no consideration. But a
> > > growing
> > > >part of me (I hope) says that really that is a perfectly valid way to
> > > work.
> > > >Also, I taught Alexander Technique in the past and a continual
> problem I
> > > had
> > > >when working on people was that I should not charge them because I
> was
> > > not
> > > >'doing' anything for them - this is difficult to explain unless you
> have
> > > >some experience of the Alexander Technique which is about 'non
> doing'.
> > > >
> > > >Changing winds, the only evidence of life?
> > > >
> > > >
> > > >Regards
> > > >
> > > >-Peter
> > > >
> > > >
> > > >On 24/09/2007, MarshaV <[EMAIL PROTECTED]> wrote:
> > > > >
> > > > >
> > > > > Hi Peter,
> > > > >
> > > > > I only destroyed my 'personal journal' after my husband died.  My
> art
> > > > > journals and sketch books, I destroyed last February.  I think you
> > > > > might be right that it was ceremony, and probably in both
> > > > > instances.  I like creating ritual and ceremony.  They may be
> > > > > conscious or unconscious.  It's making an idea a more substantial
> > > event.
> > > > >
> > > > > About the paintings, they are shadows of the experience, so I have
> > > > > relatively no problem parting with them.  Of course there are some
> I
> > > > > am attached to more than others.  Those I do take to the Goodwill,
> I
> > > > > take with the hope that they find a good home (wherever that might
> > > > > be).  With me it is all about the experience of painting.
> > > > >
> > > > > I would prefer not to link $ with my painting.  Most of my life
> was
> > > > > directed towards making $.  Much of that was for very good
> > > > > reasons.   But the winds changed and I find myself moving in
> another
> > > > > direction.  Some of this direction is dependent on intuition
> rather
> > > > > than thinking, so it is difficult to find the words.
> > > > >
> > > > > But who knows, the winds may change again.
> > > > >
> > > > > Marsha
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > > At 04:14 AM 9/24/2007, you wrote:
> > > > > >Hi Marsha,
> > > > > >
> > > > > >the way you describe getting rid of your journals and sketchbooks
> > > after
> > > > > your
> > > > > >husband died sounds like you were ceremoniously stepping forward
> with
> > > > > >resolution to a new life and throwing them out was a way of
> making
> > > sure
> > > > > that
> > > > > >there was no going back on your decision. I think that is partly
> how
> > > I
> > > > > felt
> > > > > >when I threw my stuff away.
> > > > > >
> > > > > >I am glad to hear that you didn't throw away your paintings
> though!
> > > > > Giving
> > > > > >them to Goodwill sounds like a good idea but not one I'd be
> capable
> > > of
> > > > > >having myself. The only honourable option open for me is to try
> to
> > > sell
> > > > > them
> > > > > >- on E bay if necessary. I think giving them to Goodwill is to
> > > undervalue
> > > > > >them.
> > > > > >
> > > > > >Regards and thanks for your reply.
> > > > > >
> > > > > >-Peter
> > > > > >
> > > > > >
> > > > > >
> > > > > >On 21/09/2007, MarshaV <[EMAIL PROTECTED]> wrote:
> > > > > > >
> > > > > > > At 11:21 AM 9/21/2007, you wrote:
> > > > > > > >Hi Marsha,
> > > > > > > >
> > > > > > > >do you know why you destroyed your journals and sketchbooks;
> of
> > > > > course
> > > > > > > >that's a rhetorical question and only for you to answer for
> > > yourself.
> > > > > > > >
> > > > > > > >I have destroyed journals too in the past mainly because they
> > > > > contained
> > > > > > > >private/embarrassing stuff and I got fed up of holding on to
> > > them. I
> > > > > > > don't
> > > > > > > >currently keep a journal now, probably because I know I'd
> write
> > > stuff
> > > > > in
> > > > > > > it
> > > > > > > >that I'd later want to throw away. Now I wont write anything
> that
> > > is
> > > > > > > >throwawayable.
> > > > > > > >
> > > > > > > >The subject of your email was 'Painting'; if I recall you
> don't
> > > > > usually
> > > > > > > sell
> > > > > > > >your work, so you must have many 'works'. I'm in the same
> boat
> > > and
> > > > > have
> > > > > > > many
> > > > > > > >items from many years ago that hold I on to, I gaze at them
> and
> > > > > wonder
> > > > > > > about
> > > > > > > >improvements but I practically never go back and alter. I'm
> > > destined
> > > > > to
> > > > > > > lug
> > > > > > > >all those canvases around for the rest of my life; a labour
> of
> > > love?
> > > > > Will
> > > > > > > my
> > > > > > > >son have to throw them away for me after I die?
> > > > > > > >
> > > > > > > >regards
> > > > > > > >
> > > > > > > >-Peter
> > > > > > >
> > > > > > > Hi Peter,
> > > > > > >
> > > > > > > I'm not sure, but I wanted to know what it would be like not
> to
> > > have
> > > > > > > them.  These were my art journals, sketchbooks with
> poetry.  My
> > > > > > > personal journals I burned a year after my husband died, on
> the
> > > date
> > > > > > > of our anniversary.  A couple of months after that anniversary
> > > date I
> > > > > > > woke up and took all my clothes (everything) to the Salvation
> > > > > > > Army.  I had become quite unglued.  Not sure why I destroyed
> the
> > > > > > > stuff more recently, curious maybe.  It was a tea party, an
> > > emptying.
> > > > > > >
> > > > > > > I do identify with the stacks of paintings situation.  A
> couple of
> > > > > > > years ago (maybe less, maybe more) I took a bunch to the
> Goodwill
> > > > > > > Store.  But I have again many, too many.  I've giving some
> > > away.  I'd
> > > > > > > love to give more away, but to whom?  I'm not sure who would
> want
> > > > > > > one.  I told my son that when I die to take them to the
> > > > > > > Goodwill.  Maybe some will find a good home.
> > > > > > >
> > > > > > > Very much a labor of love.
> > > > > > >
> > > > > > > Thanks for writing.
> > > > > > >
> > > > > > > Marsha
> > > > > > >
> > > > > > >
> > > > > > >
> > > > > > >
> > > > > > >
> > > > > > > >On 16/09/2007, MarshaV <[EMAIL PROTECTED]> wrote:
> > > > > > > > >
> > > > > > > > >
> > > > > > > > > Greetings,
> > > > > > > > >
> > > > > > > > > A few months ago, I destroyed 15 years of
> > > > > journal/sketchbooks.  This
> > > > > > > > > morning I started a new book.  Thank you.
> > > > > > > > >
> > > > > > > > > Marsha
> > > > > > > > >
> > > > > > > > >
> > > > > > > > >
> > > > > > >
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