Bodvar to Andre:

Static Quality is Quality too, thus the DQ/SQ (dualistic)
constellation is reality's ground. The static part isn't of lesser
quality than the dynamic, the two makes up the Quality Reality.

Andre:
'...for pragmatic reasons...Pirsig terms the continually changing flux of
immediate reality "Dynamic Quality" while any concept abstracted from this
flux is termed a pattern of "static quality". IT IS IMPORTANT TO KEEP IN
MIND THAT 'DYNAMIC QUALITY IS NOT A CONCEPT BUT ONLY A REFERRING TERM FOR
IMMEDIATE EXPERIENCE i.e '* The purpose of the description of "Dynamic
Quality" as 'the continually changing flux of immediate reality'is to block
the notion that Dynamic Quality is some kind of object. To try to take that
definition as some kind of philosophic object itself is to pervert the
purpose for which the statement was intended'. *
Dynamic Quality is useful as a term as it allows reference to 'conceptual
unknowns'(as implied by the physicist Niels Bohr)i.e quantities that are
ineffable whether, for example, in the context of mystical and aesthetic
experiences or in the context of wave-particles in quantum mechanics.( The
Role of... McWatt, Jan. 1999, my capitals, Pirsig's bold type).

Bodvar:
The SOM postulates one subjective and one objective reality. It's
horribly faulty and produces paradoxes galore yet you (people)
swallow it by accepting it in the its language/reality form.

Andre:
The employment of language is, with all respect, a different issue and its
limitation is not only confined to the MoQ.
" As Chuang Tzu pointed out, this proclivity of language to talk about
things it cannot really talk about is especially apparent in the subjects of
philosophy and religion. " (The Tao of Symbols, James N. Powell) and, I
hasten to add quantum mechanics/physics. (Thank you Khoo for the reference).

Bodvar:
Nothing about a QUALITY spawning the MOQ, something that
corresponds to SOM's notion of Newton discovering a pre-existing
Gravity

Andre:
I think it is fair to suggest that Pirsig, having gone beyond (through)
the two horns discussed in ZAMM, thereby arriving at the Quality epiphany
he subsequently extrapolated his metaphysical 'system' from returning to
this 'immediate experience' regularly (as discussed and unfolded in
Lila...'divine play').
I must add Pirsigs comment in the McWatt paper that the MoQ and Lila suffer
from 'sketchiness' arguing that the 'subject is so large and so different
from conventional understanding it needs more space than other systems'.
Whether this is reasonable or acceptable I'll leave to you. I have made my
view on this quite clear in other posts.

For what it is worth.
Andre
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