[Ron]
> "His father, Louis-Auguste Cézanne (28 July 1798 - 23 October 1886),[3]
> was the cofounder of a banking firm that prospered throughout the artist's
> life, affording him financial security that was unavailable to most of his
> contemporaries and eventually resulting in a large inheritance."-wiki
> 
> Paul was not a lone individual. All depends on how one views a "free
> lunch".
 
No one is a "lone individual" in the sense he doesn't have a family and 
friends. But Cezanne, like many others who have achieved great things, 
changed the world with his individual mind, heart, initiative, insight, 
energy, creativity, ingenuity perseverance and skill -- and openness to the 
creative force of DQ..   

 
> ________________________________
> From: Platt Holden <[email protected]>
> To: [email protected]
> Sent: Thursday, April 9, 2009 3:02:56 PM
> Subject: [MD] Indiviidual Achievers
> 
> All:
> 
> Pirsig´s focus on the importance of the individual in responding to
> Dynamic 
> Quality is evident throughout his writings, perhaps most eloquently 
> expressed in Lila, Chap. 29:
> 
> "That's what drives the really creative people-the artists, composers, 
> revolutionaries and the like-the feeling that if they don't break out of
> this jailhouse somebody has built around them, they're going to die.
> "But they're not being contrary in a way that is just decadent. They're
> way 
> too energetic and aggressive to be decadent. They're fighting for some
> kind 
> of Dynamic freedom from the static patterns. But the Dynamic freedom 
> they're fitting for is a kind of morality too. And it's a highly important
> part of the overall moral process. It´s often confused with degeneracy
> but 
> it´s actually a form of moral regeneration. Without its continual 
> refreshment static patterns would simply die of old age."
> 
> I was reminded of this passage this morning while reading a Wall St. 
> Journal article about Paul Cezanne that begins:
> 
> "For many modern artists Paul Cezanne was a talismanic figure, the shadow
> of his painting as impossible to escape as his achievement was to define.
> Throughout the 20th century, as scholars labored to construct a viable 
> history of modern art, Cezanne (along with Manet, Courbet and a handful of
> transgressive others) was posited as its fountainhead, the protean
> begetter 
> whose countless progeny shaped a new aesthetic that placed vision and
> touch 
> above formal and narrative concerns."
> 
> Besides illustrating a human being´s response to Dynamic Quality, Cezanne
> almost single handily rescued painting from static boredom and eventual 
> deterioration. That´s what the great  individual achievers do, whether a
> Paul Cezanne or a Niels Bohr. In pursuing the Conceptually Unknown in 
> response to DQ they lift all the rest of us to new levels of freedom, 
> versatility and beauty, revealing the creative force of DQ  in the
> process.
> 
> Platt
  
 

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